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From the evacuation of the reserves, threatened by the flooding of the Seine in June 2016, to the first transfers of works to the Louvre's conservation center in Liévin, a look back at a spectacular rescue operation.
A video-letter to Thomas Hoving, former director of the Metropolitan Museum of Art in New York and author of the unforgivable "Art for Dummies".
The Kabul National Museum, once known as the "face of Afghanistan," was destroyed in 1993. We filmed the most important cultural treasures of the still-intact museum in 1988: ancient Greco-Roman art and antiquitied of Hellenistic civilization, as well as Buddhist sculpture that was said to have mythology--the art of Gandhara, Bamiyan, and Shotorak among them. After the fall of the Democratic Republic of Afghanistan in 1992, some seventy percent of the contents of the museum was destroyed, stolen, or smuggled overseas to Japan and other countries. The movement to return these items is also touched upon. The footage in this video represents that only film documentation of the Kabul Museum ever made.
Some of them move. Others make noise. One weighs in at 700 pounds. Collectively, they represent the future of contemporary craft. Go behind the scenes of the "40 under 40: Craft Futures" exhibition, featuring traditional and non-traditional works of decorative art created by the top 40 American craft artists under the age of 40. Observe this wildly creative and diverse exhibition, assembled for the 40th anniversary of the Smithsonian American Art Museum's Renwick Gallery, and witness the challenges and rewards of bringing together 40 unique artists at the top of their craft.
Documentary examining the work of sculptor Richard Lippold, particular his sculpture of the sun at the Metropolitan Museum of Art.
"The Last Dragon" is a nature mockumentary about a British scientific team that attempts to understand the unique incredible beasts that have fascinated people for ages. CGI is used to create the dragons.
A documentary about Sir Len Southward OBE and his collection of vehicles at his Southward Car Museum in Paraparaumu, New Zealand, among the largest car museums in the world.
At the peak of Perestroika, in 1987, in the village of Gorki, where Lenin spent his last years, after a long construction, the last and most grandiose museum of the Leader was opened. Soon after the opening, the ideology changed, and the flow of pilgrims gradually dried up. Despite this, the museum still works and the management is looking for ways to attract visitors. Faithful to the Lenin keepers of the museum as they can resist the onset of commercialization. The film tells about the modern life of this amazing museum-reserve and its employees.
Philippe de Montebello, Director of The Metropolitan Museum of Art from 1977 to 2008, guides viewers through The Cloisters, pointing out Romanesque and Gothic architecture and artwork, beautiful tapestries, and the diverse species in the gardens. He outlines the history of the building and it's many influences and highlights significant works of art in the collection. It was produced in 1989 by The Metropolitan Museum of Art's Office of Film and Television.
The history of one of the most famous ships in the world – from construction, maiden voyage and claim on the coveted Blue Riband, to the Second World War and the post-war ‘golden age’. Featuring high quality archive sequences and exclusive interviews. More recent footage of the ship as she is today completes the fascinating story.
Originally produced in 1997 on the threshold of the Third Millennium of the Christian Era, and in celebration of the Jubilee of the Year of Our Lord 2000, The Vatican Museums was the culmination of three years of research and filming, the collaboration of thirty-two scholars and historians from around the world, a crew of forty directors of photography, operators, and lighting technicians, state-of-the-art digital cinematography, lighting, animation, and computerized editing, and the work of a famous composer with original performances by master musicians. Now available on DVD for the first time, this historic three-disc collection features seven hours of magnificent documentary film that illuminates and chronicles the great journey of the human spirit. Here then is the world's most spectacular and sacred repository of art, history, and faith.
Filmmaker Kevin McMahon accompanies the Haida delegation on a repatriation trip to Chicago in 2003. His film reveals the whole repatriation process through the stories and experiences of the people who participated, both Museum staff and the Haida people.
A septuagenarian woman from St. Louis, Missouri has been a miniaturist, businesswoman, museum president, Girl Scout leader, teacher, student, mother, daughter, and most of all, an indomitable human spirit. Life is what you make it.
How the art in the Detroit Institute of Art connects to life's experiences and the neighborhood.
Decolonising the Curatorial Process is a forty-minute documentary which explores decolonial strategies in an academic and curatorial context. The film features academics, activists and practitioners, and contains case studies of institutions that are deploying critical, self-reflective forms of curatorial practice. The Museum of London Docklands exhibition on slavery and the sugar industry is examined as an example of how an institution can decolonise the curatorial process, utilise the work of artists in a museum context, and critically examine East London's imperial history. The Pitt Rivers museum in Oxford, who are working with Maasai activists from Kenya and Tanzania on a project centred on repatriating the museum's collection of sacred Maasai artefacts, also features in the film.
People looking at the Mona Lisa in the Louvre – or are they just looking at themselves?
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Commentator-comic Bill Maher plays devil's advocate with religion as he talks to believers about their faith. Traveling around the world, Maher examines the tenets of Christianity, Judaism and Islam and raises questions about homosexuality, proof of Christ's existence, Jewish Sabbath laws, violent Muslim extremists.
Director Agnès Varda and photographer/muralist JR journey through rural France and form an unlikely friendship.
Curator Robert Storr takes us through the 2002 MoMA Gerhard Richter retrospective.
