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If you think shopping malls are crowded, you probably haven’t experienced a Prague canteen in the late 1940s. Two thousand hot dogs sold every day, two thousand human faces and destinies. This film essay presents Prague’s vending machines, snack bars, and cheap cafeterias as a mini-zoo crowded with human specimens. They fight for space, food, or a loving embrace under the microscope of a comically touching director, searching for a theme.
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A documentary film comparing current / everyday and historical / noble aspects of Prague.
The comedy is about drunkard who wanted to go to the bath-house but instead of going there he boarded a plane going to Ganja city...
The film tells the story of a mullah who investigates all kinds of criminal fraud that takes place under the guise of religion, which imposes an unusual lifestyle on believers. But one fine day, he meets an old friend and everything falls apart.
A portrait of beloved presenter Dieuwertje Blok compiled before her death.
There was a time when the Italian film industry copied American models and reaped huge profits. In 1981, a transalpine production company dared to make an exploitation version of Jaws and Jaws 2, while Universal was preparing the third official installment. The Last Shark was successfully released in several countries with the title Jaws 3 or The Last Jaws, making a huge impact, but in the United States it instantly got sued, sparking an epic conflict between Jaws.
Come inside the head of NYC sculptor Jack Cox who makes heads from his head.
Short featurette on the making of Scarecrow (1973).
After a five-year hiatus, the "Capelinha" quadrilha returns to the competitions. Intense rehearsals, pulsating rhythms, and elaborate costumes mark the preparation to reclaim their place in the arenas.
Inspired by the phrase of the American activist Angela Davis – “When the black woman moves, the whole structure of society moves with her” -, the documentary tells the story of three black women whose personal trajectories are intertwined with laws that transformed their lives and those of countless Brazilian citizens.
Co-directed by Chris Marker and Mario Ruspoli, Three Cheers for the Whale traces humanity’s complex relationship with whales—from reverence to exploitation—culminating in a stark depiction of industrial whaling. Combining archival imagery, commentary, and documentary footage, the film offers both a historical reflection and a call for ecological awareness.
Priscilla Presley, her daughter, their family and their friends open their hearts in the backdrop of Graceland's memories with much modesty and emotion.
