The Color of Fear 2: Walking Each Other Home

Jan 1, 1997

0h 56m

★ 0.0

Overview

In THE COLOR OF FEAR, eight American men participated in emotionally charged discussions of racism. In this sequel, we hear and see more from those discussions, in which the men talk about about how racism has affected their lives in the United States. We also learn more about the relationships between them, and about their reactions during some of the most intense moments of that discussion.

Genres

Documentary

Production Companies

Stir Fry Productions

The Color of Fear 2: Walking Each Other Home Trailers

Cast

Self

Lee Mun Wah

Self

Roberto Almazán

Self

David Christensen

Self

Gordon Clay

Self

Victor Lewis

Self

Loren Moye

Self

Yutaka Matsumoto

Self

Hugh Vasquez

The Indian Act, passed in Canada in 1876, made members of Aboriginal peoples second-class citizens, separated from the white population: nomadic for centuries, they were moved to reservations to control their behavior and resources; and thousands of their youngest members were separated from their families to be Christianized: a cultural genocide that still resonates in Canadian society today.

8.0

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Jeffery Robinson's talk on the history of U.S. anti-Black racism, with archival footage and interviews.

7.0

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Upon Canada's entry into World War II, the RCMP rounded up thousands of people it considered fascist sympathizers. Among them, 700 Italian-Canadians were held for up to three years in internment camps. None were ever charged with a criminal offence.

7.8

Islam and the Future of Tolerance

Dec 11, 2018

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0.0

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Afonsinho, Paulo Cézar Caju and Nei Conceição started their careers in the mid-1960s, a time of strong political repression in Brazil. Originally teammates of a celebrated generation of the Botafogo football team superstars, they did not give up their freedom when the military dictatorship decided to take control of the field.

0.0

Nazi Hate Rock

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5.2

Un racisme à peine voilé

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October 2003, Alma and Lila Levy are excluded from the Lycée Henri Wallon in Aubervilliers solely because they were wearing a headscarf. What follows is a deafening political and media debate, justifying in most cases the exclusion of girls wearing head-scarves to school. February 2004, a law was eventually passed by the National Assembly. "A thinly veiled racism" is about this controversy since the affair of Creil in 1989 (where two schoolgirls were excluded for the same reasons) and attempts to "reveal" that maybe what hides behind is the desire to exclude these girls. This film gives them a voice as well as others - teachers, community activists, feminists, researchers - gathered around the group "A School for You-All" fighting for the repeal of this law they consider sexist and racist ... This movie was censured in Septembre 2004 in France.

5.5

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8.6

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A look at the Brazilian black movement between 1977 and 1988, going by the relationship between Brazil and Africa.

0.0

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No overview available.

7.3

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Elliot Page brings attention to the injustices and injuries caused by environmental racism in his home province, in this urgent documentary on Indigenous and African Nova Scotian women fighting to protect their communities, their land, and their futures.

10.0

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8.0

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No overview available.

0.0

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0.0

Is Love Racist? The Dating Game

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Emma Dabiri looks at racism in Britain via the world of modern dating, love apps, and a national survey suggesting that young Britons could be more segregated than ever.

0.0

A Walk With Richard

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“A walk with Richard” is an intimate portrait of a first-generation Japanese immigrant and his multi-generational, family-run Hibachi restaurant. Richard firmly believes in “protecting” the customer, his business, and his family legacy. Come take a walk with Richard and see what it takes to keep the flame burning for more than half a century.

0.0

Parallel Lives

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Born June 8, 1964, Frank Matter films four "twins", born the same day as him, but in other latitudes. Interweaving their life stories with rich archival material, the filmmaker links these Parallel Lives with elements from his own biography, to compose a fascinating fresco where intimate trajectories are part of the advent of the global village.

0.0

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5.9

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