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The work of legendary actor François Simon, son of Michel Simon.
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The actor Gøril Mauseth goes on a 11.000 kilometer travel with the Trans-Siberian to play Anna Karenina in a new language in Leo Tolstoj's Russia, discovering the language, and the reasons Tolstoj wrote what he wrote, changing her forever.
This documentary highlights the evolution of Brazil's Circo Voador venue from homespun artists' performance space to national cultural institution.
In 2020 the Hungarian government announced the change of ownership at nine state universities in order to make them maintained by foundations. The so-called “restructuring” comprised the imposition of a board of trustees over the universities, the members of which being loyal supporters of the government holding stable positions in its economic halo. Only one of the nine institutions protested against the forced political takeover of the University of Theatre and Film Arts (SZFE). Our film presents one of the stories of the university blockade.
A provocative and ironic pamphleteering documentary about the making of Christoph Schlingensief’s Nazi-'Hamlet’ (2001). Both a media event and a form of political action Schlingensief let ex-neo-Nazis play themselves. His provocation in so-called Nazi-free Switzerland was not appreciated and when he added fuel to the flames by calling for the local political party SVP to be banned, his media offensive made front-page news far beyond Switzerland.
Previously a central part of communal life, the movie palaces of New York’s Chinatown are now extinct. This documentary short takes us inside the title theater located on the Bowery, as it’s about to close its doors, with its caretakers ruefully looking back at the life that once was. Eric Lin’s poignant first film serves as a glimpse into the usually private—and, according to the Music Palace’s projectionist, “lonely”—operations of a theater, and mourns the loss of a once-vital movie-going locale.
A blend of fact and fiction, based on the actual lives of the actors, the film depicts a troupe of actors and dancers struggling to practice their art in the burned-out shell of Cambodia's former national theater, the Preah Suramarit National Theater in Phnom Penh.
Multi award-winning psychological illusionist Derren Brown returns in the recording of his acclaimed live show ‘Infamous’. Featuring Derren at his baffling best with the excitement of a live theatre audience, Infamous includes amazing, provocative, jaw dropping demonstrations of his incredible skills of magic, suggestion, showmanship and misdirection in a must-watch roller coaster of emotions.
A film about a theatre performance and four very notable people behind it: writer and director D. Jovanović, actress M. Zupančič and actors R. Polič and B. Cavazza. This is a story of a love triangle and of a multi-layered, entirely overt intertwining of protagonists’ public artistic personas and their personal lives. The film documents a 4-month process of the making of a theatre piece from the first rehearsal to the opening night, at the same time uncovering the intimate lives of the artists and telling a universal story of the relationship between the real and the imagined, a story of personal and public perceptions of art.
This documentary about the culture of intense cinephilia in New York City reveals the impassioned world of five obsessed movie buffs. These human encyclopedias of cinema see two to five films a day, and from 600 to 2,000 films per year. This is the story of their lives, their memories, their unbending habits and the films they love.
Volksbühne am Rosa-Luxemburg-Platz 1992-2017. The end of the GDR gave rise to new artistic freedoms in reunited Berlin. Shortly after the fall of the Wall, rebel director Frank Castorf was appointed artistic director of the Volksbühne. His way of working altered the public’s perception of this theater. The chronological history of the Castorf era between 1992 and 2017 is told here in excerpts from the productions and in a series of conversations conducted on the long sofa in the theater's foyer.
This documentary focuses on immigrant teens between the ages of 12 and 17 who share the story of their migration and their adaption to life in Canada through theatre. Young but wise, these children describe their experiences with emotion and authenticity.
How Do You See Me? is a Brazilian documentary feature that entwines both experienced actors and beginners to explore the hardships and the happiness that are inherent to the job when detached from the glam and glitz of the gossip industry, creating a diverse and comprehensive mosaic of what it means to be an actor in Brazil, a country so full of contradictions. The film brings forward a reality that the masses usually don't get to know: the men and women moved by a deep passion for acting and touching people. With Julio Adrião, Matheus Nachtergaele, José Celso Martinez, Cássia Kis, Nanda Costa, Babu Santana, Luciano Vidigal and Letícia Sabatella, among others.
On the eve of her 70th birthday, Canadian writer Margaret Atwood set out on an international tour criss-crossing the British Isles and North America to celebrate the publication of her new dystopian novel, The Year of the Flood. Rather than mount a traditional tour to promote a book's publication, Atwood conceived and executed something far more ambitious and revelatory--a theatrical version of her novel. Along the way she reinvented what a book tour could (and maybe should) be. But Atwood wasn't selling books as much as advocating an idea: how humanity must respond to the consequences of an environmentally compromised planet before her work of speculative fiction transforms into prophesy.
Hollywood is a town of tinsel and glamour; but there is another Hollywood, a place where maverick independent exploitation filmmakers went toe to toe with the big guys and came out on top.
Fifty years ago, aspiring thespians Terry and Carole Ann Gill arrived in Australia from England seeking fame and fortune. But they never quite made the big time. Instead they stumbled into the curious world of children's pantomimes. Over the decades, they have built a successful business and touched the lives of generations of children; but their own dreams have slowly faded. Now aged in their 70s, with their beloved theatre under threat from a greedy property developer, Terry and Carole Ann's careers appear to be coming to an untimely close. As they battle to remain open, they are forced to reflect on the choices they have made in their lives.
Documentary about the play Miss Julie and dramatist August Strindberg
A look at the entire process of creating and developing Patrice Chéreau’s third staging of "In the Solitude of Cotton Fields" by Bernard Marie Koltès with Pascal Greggory and Chéreau himself. From the first reading around the table through the first contact with the performance space, rehearsals and lighting to opening night, the entire creative process unfurls in front of our eyes. The film shows us the evolving and ongoing dialogue between Greggory and Chéreau, a dialogue full of crises and magical moments of harmony and insight via which the truth, intensity, complexity, mystery and depth of Koltès’ text gradually emerge to form an implicit bond between these two men. The film also shows Chéreau directing rehearsals for Mozart’s "Don Giovanni" in Salzburg, revealing both the unity of and profound differences between his opera and theater work.
In this filmed version of cult film director John Waters' popular one-man show, the Pink Flamingos and A Dirty Shame director takes the stage to discuss everything from his early influences, fondest career memories, and notorious struggles against the MPAA rating system. Part endearing memoir and part hilarious lecture, This Filthy World touches on everything from the insanity of contemporary pop culture to the director's unforgettable early collaborations with inimitable Pink Flamingos star Divine.
