No Trailers found.
On a summer day in the 1950s, a native girl watches the countryside go by from the backseat of a car. A woman at her kitchen table sings a lullaby in her Cree language. When the girl arrives at her destination, she undergoes a transformation that will turn the woman’s gentle voice into a howl of anger and pain.
No overview available.
The most isolated metal band in the world, Southeast Desert Metal, and their Aunty Kathleen, share ancient Arrernte culture with the world through song and painting.
In a forest of giant trees, six-year-old Oquirá embarks on a quest to understand life.
Depicts Inuit creation stories in all their glory. Arctic Song tells stories of how the land, sea and sky came to be in beautifully rendered animation. Telling traditional Inuit tales from the Iglulik region of Nunavut through song, the film revitalizes ancient knowledge and shares it with future generations.
A document of the originators of the DIY Rez Metal scene, and the bands that are now carrying the torch, including I Dont Konform, Mutilated Tyrant and Born of Winter. From a generator-powered show in the Arizona desert to a band practicing in a traditional Navajo dwelling called a Hogan, this story — told by Navajo ("Diné") bands and individuals involved in the scene — explores the creation of Rez Metal in the Eighties, the juxtaposition of old and new Navajo traditions and the link between heavy metal and native pride.
A few decades after the destruction of the Inca Empire, a Spanish expedition led by the infamous Aguirre leaves the mountains of Peru and goes down the Amazon River in search of the lost city of El Dorado. When great difficulties arise, Aguirre’s men start to wonder whether their quest will lead them to prosperity or certain death.
Gil Cardinal searches for his natural family and an understanding of the circumstances that led to his becoming a foster child. An important figure in the history of Canadian Indigenous filmmaking, Gil Cardinal was born to a Métis mother but raised by a non-Indigenous foster family, and with this auto-biographical documentary he charts his efforts to find his biological mother and to understand why he was removed from her. Considered a milestone in documentary cinema, it addressed the country’s internal colonialism in a profoundly personal manner, winning a Special Jury Prize at Banff and multiple international awards.
XIX century. A big misfortune happened on the land of one wealthy family in Yakutia. As time passed, fear was forgotten and farmers started settling here again. But ghosts of this land will reveal secrets of forgotten history.
Daniel and his friends have troubles with Indians on their way to Kentucky.
This pioneering documentary film depicts the lives of the indigenous Inuit people of Canada's northern Quebec region. Although the production contains some fictional elements, it vividly shows how its resourceful subjects survive in such a harsh climate, revealing how they construct their igloo homes and find food by hunting and fishing. The film also captures the beautiful, if unforgiving, frozen landscape of the Great White North, far removed from conventional civilization.
"A documentary film which looks at the issue of British Columbia Native land claims and how the aboriginals link their culture to the land, which has been stolen by the dominant white culture of North America. In the film, the argument is presented that the lands have been taken from the Natives without any clear treaty agreements and how attempts had been made to wipe out Native culture through the Residential School system. " Produced by the Union of BC Indian Chiefs in 1975.
A father's takes his estranged son on a fishing trip as a way of bonding, but when the car breaks down he realises it's not the only thing that needs fixing.
In North Carolina, Daniel Boone hears amazing tales about Kentucky and decides to move his family there. But first he has to find the Indian path that will lead him and earn enough money trapping to repay a loan. The Indians are not happy that settlers are coming, and make life difficult for them.
The film follows Postcommodity, an interdisciplinary arts collective comprised of Raven Chacon, Cristóbal Martinez and Kade L. Twist, who put land art in a tribal context. The group bring together a community to construct the Repellent Fence, a two-mile long ephemeral monument “stitching” together the US and Mexico.
A lonely fisherman drifts into haunted waters in search of food and finds much more than he bargained for. Based on an Inuit folktale.
Beginning just after the bloody Sioux victory over General Custer at Little Big Horn, the story is told through two unique perspectives: Charles Eastman, a young, white-educated Sioux doctor held up as living proof of the alleged success of assimilation, and Sitting Bull the proud Lakota chief whose tribe won the American Indians’ last major victory at Little Big Horn.
Based on a local legend and set in an unknown era, it deals with universal themes of love, possessiveness, family, jealousy and power. Beautifully shot, and acted by Inuit people, it portrays a time when people fought duels by taking turns to punch each other until one was unconscious, made love on the way to the caribou hunt, ate walrus meat and lit their igloos with seal-oil lamps.
The director goes back to her roots in Pangnirtung, amongst her family and community. It leads her to another journey: to Qipisa, the outpost camp from where they were uprooted.
Self
