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Discover the "character" of one of Missouri's oldest tie and lumber operations through this archival black-and-white film that documents one of the last railroad tie drives on the Black River made by the T.J. Moss Tie Company of St. Louis in the 1920s. Thanks to release of the film by the Kerr-McGee Chemical Corporation, the rare footage in "Stamp of Character" takes us through the entire process of making railroad ties, at a time when forests covered almost two-thirds of the state. The original silent motion picture was shown in movie theaters as an advertisement by the T.J. Moss Tie Company. Using digitally edited narration and realistic sound effects, this video makes the past live again.
As the railroad builders advance unstoppably through the Arizona desert on their way to the sea, Jill arrives in the small town of Flagstone with the intention of starting a new life.
Sir Robert Beaumont is behind schedule on a railroad in Africa. Enlisting noted engineer John Henry Patterson to right the ship, Beaumont expects results. Everything seems great until the crew discovers the mutilated corpse of the project's foreman, seemingly killed by a lion. After several more attacks, Patterson calls in famed hunter Charles Remington, who has finally met his match in the bloodthirsty lions.
Beautiful half-breed Pearl Chavez becomes the ward of her dead father's first love and finds herself torn between her sons, one good and the other bad.
A well-established tale of a long-running feud between two mountain clans.
After avenging the death of his teacher, a Shaolin monk flees China to the American West and helps people while being pursued by bounty hunters.
When Elmer Fudd disturbs Bugs with his railroad surveying, Bugs fights back.
As a penalty for fighting fellow classmates days before graduating from West Point, J.E.B. Stuart, George Armstrong Custer and four friends are assigned to the 2nd Cavalry, stationed at Fort Leavenworth. While there they aid in the capture and execution of the abolitionist, John Brown following the Battle of Harper's Ferry.
Inside a shelter, participants in a talking circle share their experiences of intimate partner violence as a way to regain their dignity and strength to act. Powerfully empathetic, Après-coups creates a space of sisterhood and solidarity—a chorus of voices breaking down the walls of silence.
A filmmaker and former dancer goes home to make a dance film staring her parents.
The life of James Kutcher, a man who lost both his legs in WWII before his membership in the Socialist Workers Party caused him to be fired from his federal government job, leading to a years-long court battle.
In a world where youth is celebrated as the pinnacle of life’s adventures, the young and vibrant Katia Henrikh, a youth worker from Chernivtsi, Ukraine, embarks on a journey that transcends borders and explores the profound question: What is home? “Generation Ukraine” is a testament to the resilience of the young Ukrainian generation, their unwavering bond with their homeland, and their determination to find light in the most challenging of times. This documentary reveals that even in the darkest hour, hope still flickers, and the dawn of a brighter future is on the horizon.
Vittorio De Seta's documentary about the Calabria, revisiting the territory he documented in I Dimenticati in 1959.
The '40s and '50s were a classic period in New York City nightlife, when the saloonkeeper was king and regular folks could drink with celebrities like Frank Sinatra and Jackie Gleason. In this documentary, Kristi Jacobson profiles her grandfather, the king of kings: Toots Shor of the eponymous restaurant and saloon, which was once the place to be seen in Manhattan. Edward R. Murrow called Toots Shor the owner of America’s greatest saloon. He became the unlikely den-mother to the heroes of America's golden age. Politicians and gangsters, sports heroes and movie stars - Sinatra, Gleason, DiMaggio, Ruth, Costello, Eisenhower, Nixon, Warren - for 30 years, they all found their way to Toots' eponymous saloon on New York's West 51st Street.
The Revolution also put an end to the colonial wars in Guinea Bissau, Mozambique and Angola. Vasconcelos recounts the absurdity of this bitter conflict. - Cinema du réel
This feature length documentary explores the queer side of gaming culture and the game industry's LGBTQ presence. The GaymerX convention that took place in 2013 was a huge step forward for the queer geek community being recognized on a worldwide industry scale. In the same year, more popular mainstream and indie games featured a greater amount of gay and lesbian characters than ever before, helping with visibility and acceptance. The video games universe will only continue to improve and diversify both in its community and industry if we elevate the conversation about inclusion and respecting one another - not in spite of our gay geekiness, but because of it!
Four-time Emmy winner John Kastner was granted unprecedented access to the Brockville facility for 18 months, allowing 46 patients and 75 staff to share their experiences with stunning frankness. The result is two remarkable documentaries: the first, NCR: Not Criminally Responsible, premiered at Hot Docs in the spring of 2013 and follows the story of a violent patient released into the community. The second film, Out of Mind, Out of Sight, returns to the Brockville Mental Health Centre to profile four patients, two men and two women, as they struggle to gain control over their lives so they can return to a society that often fears and demonizes them.
Led Zeppelin: The Untold Story reveals an often overlooked side of the saga. Using early performance footage, seldom seen interviews and previously unpublished photographs, as well as contributions from colleagues, friends, and associates who worked alongside the future members of Led Zeppelin, The Untold Story is finally made public.
Award-winning filmmaker Anne Aghion brings us on her decades-long, global odyssey to overcome loss. Through a series of tender, honest and visually stunning cinematic letters to the mother she lost at the age of ten and barely remembers, she grapples with the long-ignored effect of this death, the suppressed memories of her father’s life during the Holocaust, and a career as a filmmaker spent avoiding her own grief by giving voice to people who’ve survived extreme poverty and genocide. With a collage of home movies, outtakes from her previous films and original animated artwork embedded in grandiose footage of vast landscapes that take us to India, France, Rwanda, Antarctica and New York, Anne Aghion asks a question we all face: How do we live past the heartbreaks, sorrows and traumas we endure and come out whole?
