My Weekend features sophisticated techniques of film tape processing and a creative poetic narrative about freedom.
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An audiovisual symphony that delves into the industrial, agrarian, and cultural fabric of the Donbas region during the inaugural Soviet Five Year Plan. It spotlights anti-religious campaigns, propagandistic marches, and the vibrant athletic culture of its time
Amateur footage of a young couple on a trip.
A spy film, which resulted from shooting a friends’ meeting with a hidden camera. Having persuaded his acquaintances to play a trick on his friends he was supposed to meet at the railway station in Vilnius, the filmmaker hires a taxi to film his experiment from the car.
A series of 26 short stories, each featuring a protagonist intent on meeting someone at a Kyiv nightclub. These stories depict a real-life scenario of club encounters, where the goal is to “pick up” - achieve sexual satisfaction swiftly for the thrill of it - all captured by a hidden camera.
A careful observation of changes in the life cycles of flora and fauna that occur in the garden near his house in Vynnyky. The structure of the film is based on the change of seasons. Accordingly, filming and work lasted all year round. Originally silent, in 2020, Regina Zheleznyakova (Regina Collage) and Pavlo Olefirenko (Pilikayu) wrote music for it.
An adventure detective film by Orest Bachmaha, a person with multiple characteristics. He is a creator in many senses. A film amateur, an artist, a photographer, a poet, and a master trying to create on his own the things he uses. He was born and lives in Vynnyky. Most of his life, he has worked as a photographer and a decorator for exhibitions in Lviv Art Gallery. At some point in time, Orest Bachmaha got enthusiastic about filmmaking and developed an 8mm camera. However, he failed to complete it as the cinefilm changed the format to Super8. Also, he built several modifications for film projects, with all the details and the incorporated audio block.
Poetic and romantic amateur footage of a young couple in a garden, as well as their travels — several spliced films with different plots were stored on one reel. The film includes the author's audio commentary.
Timo Novotny labels his new project an experimental music documentary film, in a remix of the celebrated film Megacities (1997), a visually refined essay on the hidden faces of several world "megacities" by leading Austrian documentarist Michael Glawogger. Novotny complements 30 % of material taken straight from the film (and re-edited) with 70 % as yet unseen footage in which he blends original shots unused by Glawogger with his own sequences (shot by Megacities cameraman Wolfgang Thaler) from Tokyo. Alongside the Japanese metropolis, Life in Loops takes us right into the atmosphere of Mexico City, New York, Moscow and Bombay. This electrifying combination of fascinating film images and an equally compelling soundtrack from Sofa Surfers sets us off on a stunning audiovisual adventure across the continents. The film also makes an original contribution to the discussion on new trends in documentary filmmaking.
The documentary concert consists of performances by Soviet pop performers such as Anne Veski, Alexander Gradsky, Nani Bregvadze, and others.
Redman and Xzibit sit down to play new music, react to each other’s tracks, and share untold Hip-Hop stories. From their first rap influences to competing with guests on their records, this is an unfiltered look at their creative process, career wisdom, and legendary journeys.
Douglas Trumbull does a true deep dive into the making of the movie.
Twelve young filmmakers made this the guiding principle of the featured documentary film. They mingle amongst the demonstrators on Independence Square and in the Donetsk region, shooting a "Chronicle of Civil Protest", a kaleidoscope of voices, opinions and events which bears witness to the circumstances surrounding solidarity and struggle. The viewer observes the Ukrainians at first hand, experiencing how a hard-pressed society becomes more militant and slides ever deeper into the abyss of civil war.
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A musical, and also a reflection on watching, on trying to escape an anthropocentric gaze and also on watching itself in cinema. Featuring mares and horses: Triana, Víctor K, Bambi Sailor, San Special Solano, Buck Red Skin, Onkaia, Cool Boy, the donkey Agostino, the mule Guapa. And also Alfredo Lagos, Raül Refree, María Marín, Pepe Habichuela, Virgina García del Pino, María García Ruiz, Pilar Monsell, María Pérez Sanz.
February 2022. Russia invades Ukraine, a war that brings back dark memories and tragic lessons from World War II. Ariane Mnouchkine, the founder of the Théâtre du Soleil who was born when war was declared in 1939, was in shock. For her, going with part of her troop to Ukraine is above all a message of solidarity and gratitude towards this people of resistance who are fighting both for their freedom but also for that of Europe. The desire of Ariane Mnouchkine and her actors is to find with Ukrainian artists, beyond differences of language and culture, a common and universal language: that of theater.
Sophie Calle often defines herself as a "narrative" artist. Her photographs are items of evidence through which she tells stories that are both ordinary and disturbing, using her own life and experiences as the raw material for reconstructions that hover somewhere between truth and fiction. The Contacts collection is an invitation to discover the artistic approach of the greatest contemporary photographers from an original angle. Through a series of images (contact sheets, proofs, prints and slides), with a commentary by the photographer, the viewer enters the secret world of their creation and is guided into the heart of the photographic creative process.
Art dealer Salvatore Viviano and director Angela Christlieb embark on a search for the lost artist collective Gelitin, which since the 1990s has shattered the borders of "good taste" again and again with extravagant actions and installations. Interviews with old companions and artist friends in the U.S., Europe, and Asia are linked with anarchically montaged Gelitin archive material: intense, transgressive, experimental, gaudily colorful, funny, and virulent.
Rosemary Clooney, Michael Feistein, and wife Kathryn Crosby celebrate the voice and singing style of crooner Bing Crosby through clips from his theatrical shorts from the 30s and 40s and archival footage from his television appearances from the 60s and 70s. Such Crosby standards as «Aren't You Glad You're You», «June in January», «Learn to Croon», «True Love» and «White Christmas» are heard.
"... It's heartening to see so much talent and dedication at work in the under-appreciated medium of personal, as opposed to corporate, comics. I also enjoyed watching so many introverts (I oughta know) squirming in front of the camera, valiantly trying to explain the unexplainable." - Bill Griffith, creator of Zippy the Pinhead
