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The story focus on Caridad and Georgina, who had learned the art of Cantonese Opera in Havana as a young age and performed as divas for over a decade before their lives were changed by Fidel Castro's revolution.
This film is a portrait of unique cultural space for Spirits, Gods and People. While permanent theatres are commonly built in most cosmopolitan modern cities, Hong Kong preserves a unique theatrical architecture, a Chinese tradition that has lasted more than a century - Bamboo Theatre.
This short film delves into the Peking Opera club of the Fourth Primary School of Donggaodi in Fengtai District, Beijing, to explore what Peking Opera is like in the eyes of children. When sweat flows over the oil paint and the tender voices sing in the old tunes, what we witness is not only the inheritance of national treasures, but also the unique journey of a little soul growing between its role and itself.
A Chinese Canadian son sets out to make a film on his mother, who was once known as the first ever Chinese Opera Singer to have performed Pingju Opera in English in late 1980's China.
When facing a path with no future or precedent success, will we ever choose to stay? Cheuk Cheung’s My Way explores the Cantonese Opera tradition of male Dan performers, men who play female roles, against the backdrop of a Hong Kong society increasingly putting less value on art. Although female performers have long been part of the mainstream of Cantonese Opera, the film follows the stories of two young men who are still fascinated by the art of the male Dan, striving to find their own way to carry on the practice. A moving and searching look at the struggle for identity, My Way is a colourful, musical and moving film which offers a unique and highly personal look at perseverance in the face of a changing society.
MY NEXT STEP follows a young Kunqu Opera artist YANG Yang(28 year-old) over the course of several years. It offers its audience a glimpse into the world of Kunqu, and a magnifying look into the ambivalence of a young man struggling to find a way out for a fading art.
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In an epic tale of theater, gender, love and class, two Beijing opera actors navigate political turmoil as their friendship evolves over decades.
The film opens with a travelogue, showcasing West Lake and the real Mainland Chinese locations used by the film to which only the Left Wing of Hong Kong Cinema had access to at the time. The title character is a young woman raised by her courtesan aunt in the West Lake scenic resort area in Hangzhou. Siu Siu is perused by a local Official, but falls in love with the son of the Prime Minister. They marry, but are separated by the Prime Minister who arranges another marriage for the son. Siu Siu remains at West Lake, where she regretfully uses the desire of the earlier Official to help another of the girls find happiness.
Wan Fei (Joey Yung) is a promising Chinese Opera singer who is secretly in love with Ho Fung (Nicholas Tse). She plans to sing for him from the stage, but, in a tragic accident, dies mid-song. Years later, Wan Fei's ghost returns, and finds that part of her spirit has been reincarnated in the form of Chor-bat (Eason Chan). Wan Fei still longs to sing her song for her lover, and, after much humorous confusion, her dream is fulfilled.
Jing meets Hu Yanjuan, a woman who sells medicine, and gets mocked by her. Seeking revenge, he tricks her father and switches their medicine with rocks, causing them to be stopped from selling it. Yanjuan investigates and discovers Jing's deception. Jing pretends to ask her to teach him martial arts, and she uses this opportunity to teach him a lesson.
A child learns martial arts in order to become a Kung Fu warrior. Features the Seven Little Fortunes, and is the debut film of Jackie Chan.
Tang Bohu is smitten by the stunning beauty of Qiuxiang, the maid of Grand Tutor Hua, during his visit to a monastery in Suzhou. Stalking the maid, Tang's affections are finally reciprocated with three charming smiles. To approach the fair maid, Tang seeks work in the Grand Tutor residence as a study companion, and his talents win Hua's attention. As a frustrated suitor, he turns to his resourceful friend Zhu Zhishan for help.
River Of Fury presents the self-discovery and awakening of a young man (Danny Lee), who has been exposed and fallen for the lucrative powers of wealth. Lily Ho played a role in sharp contrast with Lee, which has helplessly fallen prey to the irresistible temptations of wealth under the influence of her mother. Once again, Ho demonstrates her remarkable talent in Chinese opera following her Beijing-opera showcase in The Warlord (co-starring Michael Hui Kwun-man).
An adaptation of Tong Tik-sang's now-legendary Cantonese Opera piece, the film features divas Yam Kim-fai and Pak Suet-sin (left with Yam), who play the story's lead lovers, and Lan Chi Pak, the sinister official who tries to break up the relationship. Leung Sing-po plays the pair's friend as well as the mysterious 'man in yellow' who exposes plans to separate the couple.
During the Republican era, wars and conflicts were frequent. On stage, the "Overlord" sings with resounding passion, while below, the absurd spectacle of life unfolds. They must both secure the opera troupe's livelihood and appease the audience in their seats. Once the curtain rises, how should this play be performed?
The Story of Qin Xiang-Lian is a Hong Kong Chinese Opera musical starring Jackie Chan in a child role.
Adapted from one of China's most well-known fairy tales, the Goddess of Mount Hua falls in love with a young mortal scholar Liu Yanchang and gives birth to a baby son, Chenxiang. When Chenxiang grows up, he seeks to unravel the mystery surrounding his mother whom he has never met.
The Eighteen Darts (Part 1) is a Chinese Opera Musical starring Jackie Chan, Sammo Hung and Yuen Biao in child roles.
The Eighteen Darts (Part 2) is a Chinese Opera Musical starring Jackie Chan, Sammo Hung and Yuen Biao in child roles.