I work with the interaction of space, and being in it, and the energies associated with them. The state of rest, then tipping over from it, and then returning to it again.
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Film poem created with the wild flowers that grow along the shore of the Laira estuary, the tidal mouth of the River Plym, on the southwest coast of Britain. The petals and leaves stream past as the haunting soundscape ebbs and flows.
Derived from an installation, an asymmetrical orchestration of "motion paintings" pushing the limits of abstraction in the digital age.
Animator Ryan Larkin does a visual improvisation to music performed by a popular group presented as sidewalk entertainers. His take-off point is the music, but his own beat is more boisterous than that of the musicians. The illustrations range from convoluted abstractions to caricatures of familiar rituals. Without words.
Village, like a human being, is born out of love. Village, like a human being, is ruined, if left without love.
A dedicated bird watcher observes a hawk and journeys to the limits of what it means to be human.
A non-narrative film thematising the eternal struggle of human life in a series of scenes connected by associations and accompanied by a strong music motif.
Deep-sea organisms living in such a specific environment have developed unusual forms and properties. This is an interpretation of the underwater world and an invitation to relax.
Threnody emphasises some of the madness and instability of a year filled with fires, infections and general disarray.
A series of vaudeville acts inserted in images of reality, meant to demonstrate the ephemeral nature of all things.
"Beyond Noh" rhythmically animates 3,475 individual masks from all over the world, beginning with the distinctive masks of the Japanese Noh theater and continuing on a cultural journey through ritual, utility, deviance, and politics.
A line is being extrapolated through a grid. When the line surpasses the boundaries of the grid, the process spreads to and reflects on its surroundings. Beyond each boundary the extrapolation of movement is causing deformation in a systematic but speculative way.
Iwasaki’s ink oscillates like an evil lava lamp that might actually be alive and its progression into more and more disturbing images create an impressive sense of dread in a film that is basically just some pencil drawings on a blank background. (Film School Rejects)
Sound-generated animation gives the audible world an impressive form of moving geometric shapes or a starry sky.
Blind evolution. Seemingly arbitrary stages of the evolution in black-and-white drawings on rough paper.
A musical animated film which celebrates the simple and childish joy of hitting drums, scribbling on paper using marker pens, splashing paint or making cracked cymbals screech.
A 5 minute, 2D, straight-ahead animated film by Bruce Bickford.
Liza is an abstract film that takes its name from a composition by George Gershwin.
Trailer
