Abandoned for two decades in the Colombian Andes, La Cumbre is an intimate portrait of the film-maker’s home told through the memories and presence of his grandparents, reflecting on the time they spent there with their family.
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Mudos testigos is a cinematographic collage made from all the surviving material of Colombian silent films, re-editing the images in such a way as to create a single imaginary film: the impossible love story of Efraín and Alicia that traces the convulsive first half of the twentieth century in Colombia. Compiled by the late Luis Ospina and finished posthumously by Jeronimo Atehortúa.
An intimate and personal reflection on the conditions of work in the 21st century, seen through the eyes of a bike delivery person. From nostalgia to frustration with Swedish punk running in the background, this film immerses us in the universe of one of many workers in the so called gig economy.
In 1945, in the train station of Bogota, Colombia, a dead girl is found in a trunk. The case is assigned to Detective Mariano Corzo, he has to deal with an inquisitive journalist Hipólito Mosquera while trying to solve the mysterious case. Nobody knows who the girl is, or who put her in the trunk. The things turn bad when Mosquera publish the news in the local newspaper. With the help of a bartender Martina Quijano, Corzo will find an answer for the question: Who killed the girl and why?
A young Colombian man receives a voice message from home while grappling with cultural differences at a London dinner party with his new English girlfriend.
In Miami’s neon-lit streets, “EXOTIC” follows Alejandro Vasquez, a charismatic entrepreneur leading a double life. Publicly, he runs an exotic car rental business, but secretly, he operates a criminal organization for the Calamar Cartel. His life is upended when Isabella, a New York journalist, arrives to expose Miami’s underworld. As she gets closer to the truth, tensions rise and loyalties are tested. “EXOTIC” is a thrilling tale of crime and redemption, blurring the line between hero and villain against Miami’s glamorous backdrop.
While abroad Colombians are the bad guys, in Colombia foreigners are the kings. And Vigo, a Swede who arrives to Colombia, will be no exception: he will be received as a prodigal son. He will soon discover that even with so much human warmth, in the country of the Sacred Heart of Jesus, magical realism is lived in the midst of chaos, impetus and thoughtlessness, which between tears and laughter blurs the fine line between good and evil.
María tells the tragic love story of María, a beautiful young woman, and her half brother Efraín, a handsome young man from Valle del Cauca. They both fall in love and live their romance on the farm "El Paraíso", in Valle del Cauca, but not everything is rosy, since Efraín must go to Bogotá because of study reasons leaving María with pain in her soul. Some time later, María becomes ill and Emma tells her brother about the situation.
During the marijuana bonanza, a violent decade that saw the origins of drug trafficking in Colombia, Rapayet and his indigenous family get involved in a war to control the business that ends up destroying their lives and their culture.
El Perro, a kidnapped soldier, takes advantage of a confrontation between his captors and the paramilitaries to escape. In his escape, he takes refuge in the house of a peasant family that keeps a dark secret that he must solve to be free.
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A Colombian actress named Zahinabu is finally having her first audition in New York, for a Latina role. It could be the opportunity that she has been waiting for since she arrived to US. But the audition takes a different direction when the casting group needs to consider the great audition from this Latina woman who doesn't look like a "latina".
A portrait of beloved presenter Dieuwertje Blok compiled before her death.
There was a time when the Italian film industry copied American models and reaped huge profits. In 1981, a transalpine production company dared to make an exploitation version of Jaws and Jaws 2, while Universal was preparing the third official installment. The Last Shark was successfully released in several countries with the title Jaws 3 or The Last Jaws, making a huge impact, but in the United States it instantly got sued, sparking an epic conflict between Jaws.
Come inside the head of NYC sculptor Jack Cox who makes heads from his head.
Short featurette on the making of Scarecrow (1973).
After a five-year hiatus, the "Capelinha" quadrilha returns to the competitions. Intense rehearsals, pulsating rhythms, and elaborate costumes mark the preparation to reclaim their place in the arenas.
Inspired by the phrase of the American activist Angela Davis – “When the black woman moves, the whole structure of society moves with her” -, the documentary tells the story of three black women whose personal trajectories are intertwined with laws that transformed their lives and those of countless Brazilian citizens.
Co-directed by Chris Marker and Mario Ruspoli, Three Cheers for the Whale traces humanity’s complex relationship with whales—from reverence to exploitation—culminating in a stark depiction of industrial whaling. Combining archival imagery, commentary, and documentary footage, the film offers both a historical reflection and a call for ecological awareness.
Priscilla Presley, her daughter, their family and their friends open their hearts in the backdrop of Graceland's memories with much modesty and emotion.
Over 98 days from August 20th to November 25th 2013, 2821 people from around the world sent 11,852 video featuring many different faces of Seoul. 154 were selected, edited, and made into a movie.
