The works of Marcel Pagnol are a veritable monument of French cultural heritage. Based on previously unseen archive material, film extracts, novels, plays, interviews and letters, the film pays tribute to the major author and popular filmmaker, who made his life a work and his work a life's project.
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June 11, 2016: Marseille in Chaos. As the European Football Championship kicks off, a mysterious group of Russian hooligans launches a brutal attack on thousands of British fans, all in front of the world’s cameras. France and England are humiliated, the incident sparks global outrage, and immediate action is demanded.
"Welcome to my life", Sylvie Hofmann repeats this sentence almost all day long. Sylvie has been a nurse for 40 years at the North Hospital of Marseille. Her life is running. Between patients, her sick mother, her husband and her daughter, she has always devoted her life to helping others. What if she decided to think a little about herself? To retire? Does she have the right, but above all, does she really want to?
In the streets of Marseille, René Allio encounters, once again, the spaces of his childhood, and remembers his family history.
Off the coast of Marseille, near a rocky cliff, a Greek ship was discovered at a depth of forty meters in Mediterranean waters, loaded with amphorae and other pottery. The cargo has been lying on that sandy stretch of seabed for more than two thousand years. The documentary follows the dives of divers who recover cups, vases, plates and jars still full of wine. We are also witnessing new recovery systems, with the use of compressed air.
To fight the anxiety that haunts him day and night, a young actor decides to explore his dark side. This initiatory quest will lead him to trace the history of Satanism in France, from the legends of the past to the black masses of today.
Marseille, a city with a dual identity, is seen both as the setting of Pagnol’s films and as a hub for powerful organized crime. Often labeled France’s crime capital, its contemporary history is marked by recurring violence and media portrayals that clash with political leaders’ responses. Jérôme Pierrat examines the roots of this violence, exploring two centuries of social and political challenges that have shaped the city.
Valérie Jouve is a weel-known photographer, and Grand Littoral is her first film. Out the outskirts of Marseille, in a landscape criss-crossed by motorways, railways and srubland paths, some figures that seem to be from her famous photos passby and bump into each other. They act as our guides in a tour without beginning or end. How do you look at a place without taking possession of it? How do you describe characters without confining them within a given plot? How do you make the transition from still shots to moving pictures? this brief, musical film leaves us asking these and other unresolved questions.
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