Protective Coloration

May 16, 1990

0h 17m

★ 0.0

Overview

This film is a succession of visual and aural "notes" generated by the patterns in animals' hides, which are arranged and re-edited into a complex musical architecture, developing intricate rhythms not unlike the complex syncopations found in traditional African music. Elements of sand, dirt, light and shadow cross-reference the film's emulsion with evolutionary history and provide a second level of musical structuring through which the first layer is filtered. The animals' fur patterns, which evolved naturally as camouflage to hide them from predators, ironically now make the animals more visible to human predators who are attracted by their exotic uniqueness. This cinematic analogy underscores modern humanity's relationship to the natural world.

Genres

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Cast

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A lonely hairdresser watches the title sequence of "That Cold Day in the Park" then visits a local park to invite a down-and-out skinhead to his apartment. He draws the silent man a bath and talks to him as he soaks. He locks his guest in a bedroom. Next day, the skinhead leaves through the window and visits his sister, who's making a film called "Sisters of the SLA." He helps with a screen-test. The hairdresser has dreams and fantasies involving the skinhead, the skinhead returns to visit him, and then the filmmaker pays a call on the two men, exposing her brother as faking his silence and pretending a lack of sexual interest. Fantasies can come true.

9.0

The Subject and Tasks of Biophysics

Jan 1, 1982

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No Image Available

0.0

Bukit Orang Salah

Oct 26, 2013

At various points in its history, tiny St. John's Island was where Singapore's colonial founder Sir Stamford Raffles docked his ship upon arrival, a quarantine centre for immigrants and pilgrims returning from Mecca, a penal colony for political detainees and secret society leaders, and a sleepy holiday resort. Unlike its neighbouring islands, however, St. John's was never fully developed. It occupies an in-between space, the vestiges of its history scattered around the land. Its indeterminacy stands in sharp contrast to Singapore, where land use is meticulously planned to fulfil economic and social functions. In this film, St. John's Island - otherwise known as 'Bukit Orang Salah', a nickname coined by the people who were quarantined there - becomes a site of and for reflection, prompting questions about our history, heritage and identity.

7.0

The Storm

Aug 26, 1965

The Kuwaiti short film العاصفة (The Storm) explores Kuwait's social and economic shifts before and after the discovery of oil. Through the perspectives of an older father and his modernized son, it delves into the challenges of tradition versus rapid modernization.

0.0

Kill Your TV: Jim Moir’s Weird World of Video Art

Nov 24, 2019

Jim Moir (aka Vic Reeves) explores Video Art, revealing how different generations ‘hacked’ the tools of television to pioneer new ways of creating art that can be beautiful, bewildering and wildly experimental.

0.0

Ai Rotoli

Jan 1, 1996

A visit to the Rotoli cemetery in Palermo, while film director Carmelo Bene reads a fragment of Antonio Pizzuto's book "Signorina Rosina".

6.2

Pistol Opera

Oct 27, 2001

An assassin fends off numerous attacks from her comrades, who are trying to move up in rank by killing off the competition.

0.0

Space Guns

May 12, 2020

Two lego space cowboys fight for survival. After one of them dies, a mysterious space man walks into the fight, he's riding an Iron Man Space Ship. An Avant-Garde short film.

No Image Available

0.0

Hokus Fokus

Oct 1, 2004

A filmmaker gets lost in a world of his own creation, literally. He is plotted against by his outer demons, searches for his lost sex scene and contends with several other versions of himself. A joyful rule-breaking carnival ride through a filmmaker's dreamland.

6.1

Wild Grass

May 20, 2009

Marguerite loses her wallet, and it's found by Georges, a seemingly happy head of family. As he looks through the wallet and examines the photos of Marguerite, he finds he's fascinated with her and her life, and soon his curiosity about her becomes an obsession.

0.0

To Pour Milk into a Glass

Jan 1, 1972

A simple gesture, introduced in the very title of the work, is repeated with slight variations – the glass is half filled, the content overflows, the glass breaks, the milk spills on the table – and constitutes the film’s only action. Lamelas rejects any type of narration or human presence, and the filmic code – reduced and dissected – comprises the only argument.

6.1

Cremaster 5

Oct 24, 1997

Cremaster 5 is a five-act opera (sung in Hungarian) set in late-ninteenth century Budapest. The last film in the series, Cremaster 5 represents the moment when the testicles are finally released and sexual differentiation is fully attained. The lamenting tone of the opera suggests that Barney invisions this as a moment of tragedy and loss. The primary character is the Queen of Chain (played by Ursula Andress). Barney, himself, plays three characters who appear in the mind of the Queen: her Diva, Magician, and Giant. The Magician is a stand-in for Harry Houdini, who was born in Budapest in 1874 and appears as a recurring character in the Cremaster cycle.

0.0

Smiles

Jan 1, 1964

A short film by John G. Avildsen.

0.0

We Hold These

Oct 13, 1995

Part 2 of Trilogy. Dedicated to Phil Solomon. The "Truths" of this film, which the title prompts, are slightly recognizable patterns of fish and animal biology, plant and flower shapes, and human anatomy which are interwoven with pastel cubes and other geometries - pastels as if "hung" in a white light interwoven with straight and diagonally bent black lines, eventually clear architectural forms. The recognizable patterns are literally etched on black leader (primarily) and interspersed with very organic painted forms on white. There is often an intended sense of hair and mucous membrane amidst these forms and interwoven with the electric "x-ray" sense of bones. The interplay between black-and-white sections and multi-colored sections increases until there is some sense of merging the two toward the end.

0.0

The Storm in the Morning

Nov 23, 2018

The Storm in the Morning is an autobiographical film. It blends digital, natural, and cultural worlds to build a multidimensional narrative where memories, languages, and images work together to navigate and reconstruct my personal experience and perception. By returning to the tradition of remembering in classical Chinese literature, I aim to create new dialogues or connections between the experience and memory, languages and images, the present and the past.

0.0

Stunned, I Remain Alert

Jan 15, 2020

Journalist Dermi Azevedo has never stopped fighting for human rights and now, three decades after the end of the military dictatorship in Brazil, he's witnessing the return of those same practices.

5.6

Timecode

Apr 28, 2000

A production company begins casting for its next feature, and an up-and-coming actress named Rose tries to manipulate her filmmaker boyfriend, Alex, into giving her a screen test. Alex's wife, Emma, knows about the affair and is considering divorce, while Rose's girlfriend secretly spies on her and attempts to sabotage the relationship. The four storylines in the film were each shot in one take and are shown simultaneously, each taking up a quarter of the screen.

1.0

Kardinal

Jan 1, 1967

I set my sights on the human body and realized things, were moving at last, during my first material action, I soiled a female body with mud, paint, rubbish and paste, and tied it up in old rags and ropes dipped in mud. —Otto Mühl

10.0

Dream Sequence

Jul 26, 2017

a visual experience

8.0

Lost Way

Jan 1, 2011

Collective experimental film by Team 8mm TENGOKU.

Protective Coloration

Overview

Genres

Protective Coloration Trailers

Cast

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