One Year: a short film.
One year in the life of a woman living through 2020 and the COVID-19 pandemic.
A mother and her son partake in a rage filled dinner together.
A deadly virus has spread across the globe. Contagion is everywhere, no one is safe, and no one can be trusted. Four friends race through the back roads of the American West on their way to a secluded utopian beach in the Gulf of Mexico where they could peacefully wait out the pandemic. Their plans take a grim turn when their car breaks down on an isolated road starting a chain of events that will seal their fates.
A film crew gathers in a hotel near Wuhan to resume production of a film that was interrupted ten years earlier, but an unexpected event once again disrupts the preparations.
On the wild west coast of Auckland in New Zealand we follow one man's enforced isolation. Pacing the beach, he wonders if those dear to him will ever be seen again.
Food shortages during a pandemic force recently widowed George to stray far from home to survive. A simple purchase of rations derails when George stumbles upon a Shopkeeper's secret, placing them in mortal jeopardy.
A newly wed couple invites a woman for threesome. Unknown to them someone is watching their sexcapade. When the threesome becomes foursome, that's when chaos begins.
1918, Castelao leaves his public position in Pontevedra to work as a doctor in Rianxo during the Spanish flu. A hero for the town, but an absent man for his wife, Virxinia. 1929, the couple travels through Britain a few months after the loss of their only son. Two broken beings and a bond that is no longer understood. A trip will unite them forever and ever. Castelao before being Castelao. Galicia before the “xeración Nós”. Castelao and Virxinia before being “we”.
Paris, summer 2020. Actors from “la Comédie-Française”, France’s most prestigious theater, rehearse Christophe Honoré’s new play, an adaptation of Marcel Proust’s “The Guermantes Way”. When the show is suddenly canceled, the drama group decides to go ahead with it anyway, in the name of art and for the joy of acting together.
Due to an experimental vaccine, Dr. Robert Neville is the only human survivor of an apocalyptic war waged with biological weapons. Besides him, only a few hundred deformed, nocturnal people remain; sensitive to light, and homicidally psychotic.
A lonely woman finds companionship during self-isolation after the loss of her partner.
Set in Sarajevo in May 2021, the city's famous Old Town tries to recover after a difficult pandemic year. When a visitor from Zagreb comes looking for the best kebabs in town, a harmless gesture causes the disintegration of the business and private lives of several people.
Román is an actor who works in B-movies and who’s isolated in his apartment as a pandemic keeps the world on edge. Aldo, an indigenous young man, is an essential worker who’s allowed by the authorities to come and go. They live across from each other in an apartment complex. They meet online, and they can talk and even see each other in videocalls, but they can’t meet in person. Eventually, the temptation to break out of their lockdown comes up.
On a Greek island during the 1912 war, several people are trapped by quarantine for the plague. If that isn't enough worry, one of the people—a superstitious old peasant—suspects a young woman of being a vampiric demon.
Despite the rising stakes between losing healthcare workers and insufficient wage, a female nurse is determined to aid the victims of COVID-19 until she reaches her breaking point when a survivor is disillusioned about the recent news headlines.
Carol White, a Los Angeles housewife in the late 1980s, comes down with a debilitating illness with no clear diagnosis.
A terrifying drama about what might happen in a disaster situation. An airplane loaded with bacteriological weapons crashes in the south of Sweden, causing an epidemic.
No overview available.
The vampire myth is given a stylish 1960s treatment, where a human cop partners with a vampire cop to stop a vamp bent on creating a war between the two "separate but equal" races.
Michiko used to work as a live-in part-timer at an izakaya, but suddenly lost her job and her house at the same time due to COVID-19 pandemic. There are no new jobs because of the COVID-19 pandemic, and diners and internet cafes are closed. Michiko is at her wits' end, but there in front of her is a bus stop that stands slightly brightly in the darkness, illuminated only by the streetlights.
Beth lives in one of the most locked down cities in the COVID 19 world. Her daughter Katrina drives her to distraction and Scott is suddenly sent home early from work. At the end of the day, there's nothing like Coming Home.
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