Hidden 16mm Film Footage Revealed for the First Time after 40 Years
The documentary film of the brief window of artistic freedom and democracy movement 1978 - 1982 following China's brutal cultural revolution.
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The film is a controversy on democracy. Is our society really democratic? Can everyone be part of it? Or is the act of being part in democracy dependent to the access on technology, progression or any resources of information, as philosophers like Paul Virilio or Jean Baudrillard already claimed?
Cultural documentary featuring a Chinese folk dance performance held in the courtyard of Auguste François's house in Yunnanfu, present-day Kunming, China. Four dancers interact in an artistic performance. Produced in 1901 by Societé L. Gaumont et Cie. and directed by French photographer and diplomat Auguste François. Working as a French diplomatic consul in China, Auguste François shot a large number of films, most of which are still preserved, showing aspects of Chinese society in the last years of the last Chinese monarchical dynasty, the Qing. This film was only released commercially in 1905 as part of the collection "Au Pays des Mandarins".
The film begins following the British victory of the first Opium War and the seizure of Hong Kong. Although the island is largely uninhabited and the terrain unfriendly, it has a large port that both the British government and various trading companies believe will be useful for the import of merchandise to be traded on mainland China, a highly lucrative market.
As a decades-old state-run aeronautics munitions factory in downtown Chengdu, China is being torn down for the construction of the titular luxury apartment complex, director Jia Zhangke interviews various people affiliated with it about their experiences.
A biplane pilot is saddled with a spoiled industrialist's daughter on a search for her missing father through Asia that eventually involves them in a struggle against a Chinese warlord.
Societies, like people, have turning points in their histories. These milestones sometimes silently and spontaneously knock on the door, and sometimes they explode like a terrifying thunderclap. The year 1950 was such a turning point for Turkey. A simmering social reaction against 27 years of power erupted in the spring of 1950. Society has cracked its quarter-century shell. Not by shedding blood in the streets, but by voting at the ballot boxes. "Demirkırat" was reared by the general vote. That's why the 14 May 1950 elections were always called the "White Revolution"...
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The spring of 1950 was also the spring of the multi-party regime in Turkey. A new 10 years, a new regime, a new government. The first test of democracy was beginning. The National Chief of the single-party period had returned to his Pink Mansion. The address of the opposition was clear now. When it comes to power... Power was shared by a tripartite trivet from the first day: DP Group in the Parliament. Celal Bayar in the Mansion and Adnan Menderes in the Prime Ministry..
Turkish democracy got over May 27 and March 12 and set off again, but the storm did not subside, and the mutual reckoning was not over. On the contrary, new fronts were opened in the country and blood began to flow like a gutter. Finally, on September 12, there was a knock on the door again. Those who came that day changed everything, everything. Nothing will ever be the same again
The war units of the Hun Emperor Mete Han and the Chinese Emperor Gao-Zu, the father of the turan tactic used by the Turks for centuries, come face to face in the Battle of Baideng. The war genius Mete Han was going to surround the Chinese with an unexpected war tactic and inflict a heavy defeat on them.
This film tells a story about an unschooled 11-year-old girl Yi-Jie, she's a truly global child who learns the world through the United Nations of Wastes while working with her YI minority parents in this recycle workshop thousand miles away from their mountain village home town
A dramatic history of Pu Yi, the last of the Emperors of China, from his lofty birth and brief reign in the Forbidden City, the object of worship by half a billion people; through his abdication, his decline and dissolute lifestyle; his exploitation by the invading Japanese, and finally to his obscure existence as just another peasant worker in the People's Republic.
Danton and Robespierre were close friends and fought together in the French Revolution, but by 1793 Robespierre was France's ruler, determined to wipe out opposition with a series of mass executions that became known as the Reign of Terror. Danton, well known as a spokesman of the people, had been living in relative solitude in the French countryside, but he returned to Paris to challenge Robespierre's violent rule and call for the people to demand their rights. Robespierre, however, could not accept such a challenge, even from a friend and colleague, and he blocked out a plan for the capture and execution of Danton and his allies.
How do you reconcile a commitment to non-violence when faced with violence? Why do the poor often seem happier than the rich? Must a society lose its traditions in order to move into the future? These are some of the questions posed to His Holiness the Dalai Lama by filmmaker and explorer Rick Ray. Ray examines some of the fundamental questions of our time by weaving together observations from his own journeys throughout India and the Middle East, and the wisdom of an extraordinary spiritual leader. This is his story, as told and filmed by Rick Ray during a private visit to his monastery in Dharamsala, India over the course of several months. Also included is rare historical footage as well as footage supplied by individuals who at great personal risk, filmed with hidden cameras within Tibet.
When March of 1971 knocked on the door, a military intervention was imminent in the country. Bombs were exploding in a strange way from right to left, and the urban guerrilla was resorting to unconventional acts such as bank robbery and kidnapping. The generals had decided to put a stop to this trend. Dynamite was placed under Prime Minister Demirel. The question now was who would ignite the fuse of the dynamite. President Sunay was waiting to watch the approaching explosion silently from Çankaya. Tuğmaç, Chief of General Staff, tried to delay the explosion as much as possible, preferring Demirel to self-destruct. The two generals were watching each other to see who would ignite the fuse first. These two generals were Faruk Gürler and Muhsin Batur. The fire was in their hands. They were going to detonate the dynamite...
The slogan "Great Türkiye" began to be heard for the first time in the mid-60s. The Turkish economy had become unstable and stagnant at the hands of military interventions and the provisional government. After 1965, the system began to settle. The economy's also recovered. With the 2nd Development Plan, the wheels of a liberal economy were turned. On the 1 hand, private sector incentives, big projects such as Keban Dam and Bosphorus Bridge. Electricity was going to the villages, Turkey was getting its share from the growth in the world, the country was "doubling up" in the words of the prime minister. Inflation was five percent. Demirel, who rushed from one groundbreaking ceremony to the next, had nothing to say. Of course, this vitality was also reflected in social life. Unions, associations, universities were fidgety. The world and Türkiye were going to 1968 at full speed. The year that gave its name to a generation in the history of the world and Turkey; 1968 had come...
Follows Shyam Rangeela, a stand-up comedian infamous for his Narendra Modi impersonation, and his daring pursuit of filing the general election nomination from the same constituency as the incumbent prime minister of India.
This documentary shows the fascist might of the Marcos regime and how militarisation and human rights violations were institutionalised in Philippine political life. The film exposes the human rights violations during the Marcos regime, unmasking the dictator's claims that there were no political detainees under martial law. Arrogance of Power (1983, TRT 38 mins.) is a documentary by AsiaVisions (previously named Creative Audio-Visual Specialists or CAVS) made originally in Super 8 migrated to U-matic and digitized for access.
Demirkırat stumbled on March 12, 1971. Actually, you know, they shoot limping horses. But this time it didn't. Turkish democracy continued to run despite its wounds. Because March 12 was not a "seizure" but a "warning". The generals were saying, "If what we want is not done, we will seize it." The country was entering a new era under this Sword of Damocles. A president who was helpless in the face of events, a prime minister who had to leave his seat, a newly fallen parliament, four generals neither inside nor outside the power... Now, a solution would be tried to be found out of this complex equation. But how and with whom? No one knew the answer to these questions in Turkey on the morning of March 13.