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Alice
Mr. Alain
Lucie
Père de Lucie
Set in the second decade of the 20th century, this is a story of cinema entering villages of Kerala. The protagonist Diwakaran gets attracted to the new machine, bioscope, at an exhibition by Frenchman DuPont, who does bioscope shows on the coasts of Tamil Nadu.
A struggling family owns a Filipino porn theater where prostitutes conduct their business.
A renowned New York playwright is enticed to California to write for the movies and discovers the hellish truth of Hollywood.
Lukas, a young schizophrenic man, has to deal with a new town, a new relationship, and the paranoia in his head.
Jakob Yzermans is an American salesman looking for his roots in Rotterdam. He thinks his father (Hendrik Yzermans) has left Holland with the money he took from his collegues. Jakob is trying to get the money together to repay the money. While doing so he encounters more and more problems.
Now aged 17, Antoine Doinel works in a factory which makes records. At a music concert, he meets a girl his own age, Colette, and falls in love with her. Later, Antoine goes to extraordinary lengths to please his new girlfriend and her parents, but Colette still only regards him as a casual friend. First segment of “Love at Twenty” (1962).
The lives of a motherless young man, who's just starting to find interest in women, and his physically abused, poverty stricken friend, are mixed with more or less innocent childhood experiences and challenges most their age experience.
A committed filmmaker struggles to complete his latest project while coping with a myriad of crises, personal and professional, among the cast and crew.
An aged Charlie Chaplin narrates his life to his autobiography's editor, including his rise to wealth and comedic fame from poverty, his turbulent personal life and his run-ins with the FBI.
In Nazi-occupied France during World War II, a group of Jewish-American soldiers known as "The Basterds" are chosen specifically to spread fear throughout the Third Reich by scalping and brutally killing Nazis. The Basterds, lead by Lt. Aldo Raine soon cross paths with a French-Jewish teenage girl who runs a movie theater in Paris which is targeted by the soldiers.
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Depression-era bank robber John Dillinger's charm and audacity endear him to much of America's downtrodden public, but he's also a thorn in the side of J. Edgar Hoover and the fledgling FBI. Desperate to capture the elusive outlaw, Hoover makes Dillinger his first Public Enemy Number One and assigns his top agent, Melvin Purvis, the task of bringing him in dead or alive.
The movie portrays the story of an Italian family emigrated in Germany in the 1970s. Romano (Gigi Savoia), the father, decides to open a pizzeria which, by mutual decision with the wife Rosa (Antonella Attili), will call Solino, leaving his sons Gigi and Giancarlo to work there. A hostile relationship comes to life between the father and his sons, which will end up in the escape of the boys from family.
Two trajectories of exile intersect for a short moment somewhere in a simple room, where two men, two strangers, will finally be able to face their own destinies.
Told in flashback form, the film traces the rise and fall of a tough, ambitious Hollywood producer, Jonathan Shields, as seen through the eyes of various acquaintances, including a writer, James Lee Bartlow; a star, Georgia Lorrison; and a director, Fred Amiel. He is a hard-driving, ambitious man who ruthlessly uses everyone on the way to becoming one of Hollywood's top movie makers.
A filmmaker recalls his childhood, when he fell in love with the movies at his village's theater and formed a deep friendship with the theater's projectionist.
In this tale, halfway between reality and fantasy, a mysterious narrator tells us the story of Amani, a young boy passionate about dance. But as the night begins to rumble, Amani’s joie de vivre disappears to give way to his pain.
Now a taciturn adult, an adoptee finds his biological mother and strikes up a relationship fraught with tension and emotion.
Throughout her entire life, Rose has followed her passion for dance by using it as a singular method of communication essential to connect with her surroundings.
A group of college students, led by Claudia, decide to investigate a local tower that has figured prominently in disturbing reoccurring dreams Claudia has been having. They are suspended from school for their antics, but Claudia learns from one of the female staff members that the person in the dream is a student who killed herself years before and that the headmistress has seen her ghost.
