Closing the door on the last twelve years.
A documentary showcasing a family as they pack up their home of twelve years and begin looking towards the future.
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Himself
Herself
An exploration —manipulated and staged— of life in Las Hurdes, in the province of Cáceres, in Extremadura, Spain, as it was in 1932. Insalubrity, misery and lack of opportunities provoke the emigration of young people and the solitude of those who remain in the desolation of one of the poorest and least developed Spanish regions at that time.
A bustling and average police precinct is disrupted when a frantic teenager enters with a huge problem.
Another day, another university writing workshop on Zoom. When a frustrated student gets some unwanted feedback from his classmates, he decides to give a little feedback of his own.
Determined to bring hope to their rural Pennsylvania community, a couple embark on an ambitious mission to establish a revolutionary therapy center for children with special needs.
Painter Zdzisław Beksiński, his wife Zofia and their son Tomasz, a well-known radio journalist and translator, were a typical and unconventional family, both at the same time. One of the father’s obsessions was filming himself and his family members. Using archival footage only, shot primarily by Zdzisław, as well many other materials, which have not been presented anywhere so far, the film tells a tragic story of the Beksińskis that has never ceased to fascinate Polish filmmakers.
The T.N.P., the Théâtre National Populaire, an important experimental theater directed by Jean Vilar. Franju combines sequences from theatrical performances with documentary images, creating links and confrontations between theater and the real world.
Freemont Gordon isn't passionate about his successful job as an architect in Los Angeles. After turning 30, he finds his job isn't enough, so he quits and takes a road trip—and along the way meets some amazing and generous people. Freemont shows his thanks for their hospitality by building secret tree houses for the families in the hope of giving their kids fun places to play. Ultimately, he finds that doing what he loves—is what matters most.
A group of people are standing along the platform of a railway station in La Ciotat, waiting for a train. One is seen coming, at some distance, and eventually stops at the platform. Doors of the railway-cars open and attendants help passengers off and on. Popular legend has it that, when this film was shown, the first-night audience fled the café in terror, fearing being run over by the "approaching" train. This legend has since been identified as promotional embellishment, though there is evidence to suggest that people were astounded at the capabilities of the Lumières' cinématographe.
Now aged 17, Antoine Doinel works in a factory which makes records. At a music concert, he meets a girl his own age, Colette, and falls in love with her. Later, Antoine goes to extraordinary lengths to please his new girlfriend and her parents, but Colette still only regards him as a casual friend. First segment of “Love at Twenty” (1962).
Shannon Amen unearths the passionate and pained expressions of a young woman overwhelmed by guilt and anxiety as she struggles to reconcile her sexual identity with her religious faith. A loving elegy to a friend lost to suicide.
Hard-to-crack ex-CIA man Jack Byrnes and his wife Dina head for the warmer climes of Florida to meet the parents of their son-in-law-to-be, Greg Focker. Unlike their happily matched offspring, the future in-laws find themselves in a situation of opposites that definitely do not attract.
Instead of flying to Florida with his folks, Kevin ends up alone in New York, where he gets a hotel room with his dad's credit card—despite problems from a clerk and meddling bellboy. But when Kevin runs into his old nemeses, the Wet Bandits, he's determined to foil their plans to rob a toy store on Christmas Eve.
Working men and women leave through the main gate of the Lumière factory in Lyon, France. Filmed on 22 March 1895, it is often referred to as the first real motion picture ever made, although Louis Le Prince's 1888 Roundhay Garden Scene pre-dated it by seven years. Three separate versions of this film exist, which differ from one another in numerous ways. The first version features a carriage drawn by one horse, while in the second version the carriage is drawn by two horses, and there is no carriage at all in the third version. The clothing style is also different between the three versions, demonstrating the different seasons in which each was filmed. This film was made in the 35 mm format with an aspect ratio of 1.33:1, and at a speed of 16 frames per second. At that rate, the 17 meters of film length provided a duration of 46 seconds, holding a total of 800 frames.
Dinosaurs Vs. Apes: DINOSAUR MOVIES and HOLLYWOOD GOES APE! have been hailed as the definitive documentaries on the prehistoric and anthropoid creatures that have appeared on the silver screen. Filled with rare movie clips, behind-the-scenes footage and interviews.
Paul is a social media junkie and he can't live his life without his smart phone. But on his lucky day he'd be better off leaving it at home.
This documentary, the final film directed by Frank Capra, explores America's plans for the future of space exploration. It was produced by the Martin-Marietta Corporation for exhibition in the Hall of Science at the 1964 New York World's Fair.
The Tortoise composed a song and the Lion cub learnt it by heart and they sang it together.
This is essentially a highly condensed remake of the famous 1982 Isao Takahara release. It tells the story of Gauche, a struggling cellist in a provincial orchestra. He is visited by four talking animals - a cat, a cuckoo, a tanuki, and a field mouse - on successive nights They help him to improve his playing, just in time for orchestra’s concert performance of Beethoven’s Pastoral Symphony.
An aspiring filmmaker uses his few contacts to try and get actor Christopher Walken attached to the movie he hasn't written yet.
After bankruptcy and a mental breakdown, former high-flyer Timothy returns to live with his parents in Wollongong.
