Folk portraiture, images of children in suburbia.
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Jokes as a weapon of resistance: how satire sustains a beleaguered culture.
SONG 5: A childbirth song (the Songs are a cycle of silent color 8mm films by the American experimental filmmaker Stan Brakhage produced from 1964 to 1969).
And Those Who Dance it Surrender Their Hearts to Each Other is a portrait of Lone Piñon, a Northern New Mexican string band celebrating their region’s cultural roots. With fiddles, upright bass, accordions, vihuela, mandolin, guitars, jarana huasteca, and vocals in Spanish, English, Nahuatl and P’urepecha, they play a wide spectrum of the traditional music that is at home in New Mexico. The musicians have learned from elder musicians (such as Antonia Apodaca) who instilled in them a respect for continuity of the community based social and dance music. Noah Martinez, Jordan Wax, Leticia Gonzales and Greg Glassman have brought the language of New Mexico traditional music and related regional traditions back onto the modern stage, back onto dance floors, and back into the ears of a young generation.
Swept by the ocean waves, nine kids find themselves on a remote island where they meet one-eyed pirate who owns the island and promises to bring them back to their family. On the journey in the sea, the ship of one-eyed pirate is attacked by bad pirate Nipon, so the kids want to help one-eyed pirate redeeming his prestige and defeating pirate Nipon. But, the most challenging thing is they're in quest for the treasure island where mythical creatures, such as giant turtle, giant crab, and giant octopus are guarding the treasures.
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In the nineteenth century, a French adventurer sets off to establish a kingdom in the inhospitable South of Chile, uniting the feared Mapuche under him. The response of the Chilean army is devastating.
Music provided relief during the years of the Japanese American internment throughout WWII. Mary Nomura performed in Manzanar for the three years of her incarceration, and she became known as the "Songbird of Manzanar." In this film, Mary shares old field recordings of her musical performances in Manzanar, believed to be the only surviving field recordings of music from Japanese American internment. In the conclusion of the film, Mary honors her nickname and sings one of her favorite jazz standards by George Gershwin.
A 90-minute special reuniting the main cast of the American sitcom, "The Golden Girls", where they share their favorite moments from the show, behind-the-scenes footage, and plenty of laughs
An attempt to bring the work of surrealist artists to a wider public. The plot is that of an average Joe who can conjure up dreams that will improve his customer's lives. This frame story serves as a link between several avant-garde sequences created by leading visual artists of their day, most of whom were emigres to the US during WWII.
A documentary-feature film mix detailing the life of famous German dadaist Kurt Schwitters.
Follows the life of notorious slumlord Günter Kaußen, who built up one of Germany's biggest real estate companies over night.
Writing late becomes usual, we are always too late. Boris was my alter ego and I was his alter ego. Now that he is no longer here, I can be honest.
A look at Depeche Mode's final moments of their 2017 Global Spirit Tour, featuring intimate stories from select fans.
A man blinded in a childhood accident fights crime using his superhumanly-elevated remaining senses.
Several Portuguese creators occupy the director's chair in this collective short film shot during the COVID-19 pandemic shutdown in an unfolding of personal perspectives.
Clouds 1969 by the British filmmaker Peter Gidal is a film comprised of ten minutes of looped footage of the sky, shot with a handheld camera using a zoom to achieve close-up images. Aside from the amorphous shapes of the clouds, the only forms to appear in the film are an aeroplane flying overhead and the side of a building, and these only as fleeting glimpses. The formless image of the sky and the repetition of the footage on a loop prevent any clear narrative development within the film. The minimal soundtrack consists of a sustained oscillating sine wave, consistently audible throughout the film without progression or climax. The work is shown as a projection and was not produced in an edition. The subject of the film can be said to be the material qualities of film itself: the grain, the light, the shadow and inconsistencies in the print.
In the fall of 1986, Richard Fung made his first visit to his father's birthplace, a village in southern Guangdong, China. This experimental documentary examines the way children of immigrants relate to the land of their parents, and focuses on the ongoing subjective construction of history and memory. The Way to My Father's Village juxtaposes the son's search for his own historical roots, and his father's avoidance of his cultural heritage.
"An experimental documentary on Reverend L.O. Taylor, a black Baptist minister from Memphis, Tennessee who was also an inspired filmmaker with an overwhelming interest in preserving the social and cultural fabric of his own community in the 1930′s and 40s. I combine his films and music recordings with my own images of Memphis neighborhoods and religious gatherings" -Sachs
