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A simple gesture, introduced in the very title of the work, is repeated with slight variations – the glass is half filled, the content overflows, the glass breaks, the milk spills on the table – and constitutes the film’s only action. Lamelas rejects any type of narration or human presence, and the filmic code – reduced and dissected – comprises the only argument.
A Japanese salaryman finds his body transforming into a weapon through sheer rage after his son is kidnapped by a gang of violent thugs.
Oddball hot dog vendor Albert is shocked to find himself becoming the bizarre muse of enigmatic NYC photographer Ivan Worthington. But shocks come his way even more so when he finds out how difficult is is to succeed in the art world, leading him to take his own photographs that suit his very unique - and very limited - skill set.
An 18-year-old college freshman is seduced by a handsome vampire lover who introduces her to a dark world of carnal desires.
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Experimental film by Aldo Francia that consists in diverse situations through the 123 steps of the Santa Justina staircase in the Cerro Larraín of Valparaíso.
People looking at the Mona Lisa in the Louvre – or are they just looking at themselves?
Part of a collection of restored early works by Nam June Paik, the haunting Beatles Electronique reveals Paik's engagement with manipulation of pop icons and electronic images. Snippets of footage from A Hard Day's Night are countered with Paik's early electronic processing.
In his study a cardinal is surrounded by bizarre props in an atmosphere of decay.
A poetic, semi-autobiographical short film of the sun setting over a village, shot from behind the curtains of a small, dimly lit room.
The man needs the trip. The job impedes him to do so. Then the man stuck to his chair! Loosely based on a short short story named "A Man Called Desk" from the book "Password Incorrect" written by Nick Name
A student movie loosely based on the short story by Sadegh Chubak
The second part: Brakhage’s layering of images spends less time with images of war, and begins filtering in scenes of Vienna and his home in Colorado. He sets up a comparison between “Kubelka’s Vienna” and his own.
‘Under the Weight of a Waking Dream’ is Zefier's debut swan song to the ending year. Comprised of poetry and endless enumerations is a diaristic film chronicling the lessons and contradictions found throughout the human experience.
The film is a stage play hybrid showcasing dark and absurd sketches based on contemporary Hungarian news of the 2000's with campy, senseless musical interludes in-between. Highly experimental in nature that - like Marmite - will split its' crowd into ones that'll love it and others that'll loathe it. There's no middle grounds here. The topics included are: The Hungarian Olympians' doping scandal, political terrorism, the national elections... and more.
6-18-67 is a short quasi-documentary film by George Lucas regarding the making of the Columbia film “Mackenna's Gold”. This non-story, non-character visual tone poem is made up of nature imagery, time-lapse photography, and the subtle sounds of the Arizona desert.
Tam, an introvert, finds solace in his unlikely friendship with the optimistic Kimhan by the sea, but as they grow close, their future together remains uncertain.
Exploring the musical concept of "release," this film is a haunting found-footage study in the plurality of visual and auditory meanings of the term. A series of collaborative works pairing artists working in visual and auditory mediums, the Études meditate on individual musical concepts through experiments with sound and film. Étude 1a: Release (I) is the first in this series and is directed by filmmaker Russell Sheaffer and composer Aaron Michael Smith.
