Rockumentary spoof starring Eddie Izzard.
Herself
Promo Director
Al
T.J.
Mel
First French Babe
Second French Babe
Arguing Woman
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THE GET LOST LOSERS follows the most cantankerous rock band in Hollywood as it prepares for a super-clutch industry showcase and one last shot at fame. Official Selection: Montauk Film Festival & Culver City Film Festival. Winner at FOTA, The Canadian Cinematography Awards and The Studio City Film Festival.
A documentary crew films heavy metal band Bad News as they have trouble starting their van, pick up a schoolgirl groupie, and meet up with rock journalist Sally at a motorway service station where they argue about the cost of sausage and chips.
Four years after they were last the subject of a documentary, the heavy metal band Bad News get back together again for another film of their exploits, beginning with a reunion gig at the Flying Horse.
No overview available.
Flight of the Conchords embark on a revealing and hilarious odyssey into the political and musical heart of the United States of America, as they make their debut at the SXSW music festival.
The saga of Dan Cleveland, the hardest-working man in local rock, and his band Dark Horse continues. Several years have passed since the events of "Driver 23" but Cleveland's enthusiasm for his dream of heavy metal stardom has not been dampened in the least.
A documentary on the electric guitar from the point of view of three significant rock musicians: the Edge, Jimmy Page and Jack White.
Following the career of Björk, this documentary looks at her early musical career with local icelandic bands, her acclaimed stint in The Sugarcubes, and her massive success as a free-spirited solo artist.
A documentary that goes inside the dark, witty, surreal world of cult English singer/songwriter Robyn Hitchcock.
Petar Peca Popović is one of the greatest, most famous, most authoritative and for sure, the best, connoisseur of Rock and Roll in the former Yugoslavia. He promoted Rock and Roll in those heroic times. We are going on a peculiar kind of trip with him, along an "emotional homeland", of ex-Yu, "searching for the lost times" and dear friends, the most significant representatives of this culture - rock'n'roll legends.
The film details the early years of the legendary Siberian Punk/Rock group 'Гражданская Оборона' (Grazhdanskaya Oborona), and its frontman, Egor Letov.
The inside story of Hawkwind, one of Britain's wildest acid rock bands. Emerging from the Ladbroke Grove underground at the end of the 60s, the band trailed radicalism and counter-culture in their wake, and have been a direct influence on punk, metal, dance and rave.
A short film by Albert Watson from 1997 starring Henry Rollins as himself, doing his spoken word bit "I Know You" from the album The Boxed Life.
A documentary chronicling the sometimes disastrous career of 80s MTV hit rock band Bang Tango.
A cliche start: 4 teenage boys form a rock band in the drummer's kitchen. 45 years, 14 albums, 24 concert tours, 22 Grammies. U2 raises millions to fight hunger, disease and poverty. Music transcends melody. It means mission.
Parting Ways treats The Beatles with the respect they deserve and details their lives since the world's number one band fell apart.
Concert film dedicated to the 20th anniversary of the rock band Mashina Vremeni on May 27, 1989 at the Luzhniki Sports Palace.
Before Bad Brains, the Sex Pistols or even the Ramones, there was Death. Formed in the early '70s by three teenage brothers from Detroit, Death is credited as being the first black punk band, and the Hackney brothers, David, Bobby, and Dannis, are now considered pioneers in their field. But it wasn’t until recently — when a dusty 1974 demo tape made its way out of Bobby’s attic nearly 30 years after Death’s heyday — that anyone outside a small group of punk enthusiasts had even heard of them.
A documentary film chronicling the rehearsal, preparation and performance of a Fishmans concert performed on February 19, 2019 @Zepp Tokyo.
In this documentary from director Justin Mitchell, the world of the U.S. indie-music scene of the 1980s and '90s is explored, specifically with regard to how it transcended clichés about where music was heading in that era. Taking its title from renowned independent cinema pioneer John Cassavetes, the black-and-white film takes a peek at several fringe bands of the period, including Sleater-Kinney, the Make-up, and the Hi-Fives, and their various attitudes toward the ever-changing business.
