Film director Branko Belan follows the journey of fishermen as they set out to catch tuna around the Velebit Channel.
narrator (uncredited)
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The protagonists of this docudrama are old farmers who migrated to Banat after the First World War, in 1922. The film is focused on a couple of important events in their impressive lives, which are woven into lively scenes and stories full of wise instances. Their statements become spontaneous recounts of the lives of people in this region.
A clash of true oceanic titans sees fights in the remote battlefields of Ascension Island. Tuna are often faster, fitter and bigger than the sharks.
Shot in various villages throughout Yugoslavia, this is a disturbing document of a time when people were stabbing each other with knives without any real reason. Murderers, people who witness these murders and the families of victims all talk about the senseless violence and the human condition.
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A documentary about punk and subculture scene of Pula, Croatia from 1978 to 1991, the city that gave birth to one of the most vivid punk and alternative rock scenes in former Yugoslavia, despite having population of just over 60,000 residents.
Bosnian Croat writer Miljenko Jergović and Serbian writer Marko Vidojković replace one another by the steering wheel of Yugo, a symbol of their common past while driving on the Brotherhood and Unity Highway that stretched across five of six republics of Yugoslavia.
A research-based essay film, but also a very personal perspective on the history of socialist Yugoslavia, its dramatic end, and its recent transformation into a few democratic nation states.
In the Tigullio region near Gênes this shortdocumentary shows the funeral of a local fisherman.
Sail away to a bygone Cornwall in this wistful coastal travelogue.
A study of the psychology of a champion ski-flyer, whose full-time occupation is carpentry.
An anti-war documentary featuring original on-the-ground footage and interviews from the 1999 NATO war against the Federal Republic of Yugoslavia. Watch the 78 days of untold destruction, bombing bridges, hospitals, schools, and dropping up to 11 tons of depleted uranium across the country that NATO considers a successful “humanitarian intervention” in Yugoslavia. Filmmaker Gloria La Riva lifts the veil of imperialist propaganda to reveal the humanitarian crisis caused by the war.
The Happy Child is a story of "New Wave" rock genre predominant in the ex-Yugoslavia during the socialist 70's and 80's.
This short film focuses on the Bajo of Southeast Sulawesi, Indonesia, highlighting their strong bond with the sea and the challenges small-scale fishing communities face. Impacted by overfishing, pollution, and biodiversity loss, they are struggling to survive.
A documentary about Goran Ivandic 'Ipe', the drummer of most popular Yugoslav rock band of all time, Sarajevo-based "Bijelo dugme" (White Button). Ivandic's fatal jump from the balcony of hotel Metropol in Belgrade in 1994 sparked much controversy around his fate.
Akademija Republika shows a group of people gathered around the club from 1981 until 1995 and how it changed and influenced the cultural and night life around them.
Drazen Petrovic and Vlade Divac were two friends who grew up together sharing the common bond of basketball. Together, they lifted the Yugoslavian National team to unimaginable heights. After conquering Europe, they both went to USA where they became the first two foreign players to attain NBA stardom. But with the fall of the Soviet Union on Christmas Day 1991, Yugoslavia split up. A war broke out between Petrovic's Croatia and Divac's Serbia. Long buried ethnic tensions surfaced. And these two men, once brothers, were now on opposite sides of a deadly civil war. As Petrovic and Divac continued to face each other on the basketball courts of the NBA, no words passed between the two. Then, on the fateful night of June 7, 1993, Drazen Petrovic was killed in an auto accident. This film will tell the gripping tale of these men, how circumstances beyond their control tore them apart, and whether Divac has ever come to terms with the death of a friend before they had a chance to reconcile.
The film shows the work of the Red Cross in Sarajevo during socialist Yugoslavia. The Red Cross has been present in Bosnia and Herzegovina since 1912, and thanks to its work, many families had a hot meal every day.
For Serbian filmmaker Mila Turajlic, a locked door in her mother's apartment in Belgrade provides the gateway to both her remarkable family history and her country's tumultuous political inheritance.
The director explains his love for tuna meat which was in his family for generations.
