An experimental short film shot on Soviet Sveta 8mm film stock expired in 1984. It documents the 25th birthday of the filmmaker.
No Trailers found.
No Cast found.
Return to 'burn' only to find out you're already in that urn.
No overview available.
Follow the cast and crew of Livescreamers across their five day shoot, and go deep behind the scenes of how the innovative horror film was brought to life.
Telugu Film Director Vamsy, reminisces about his early days as an Assistant Director Working at "Seethakoka Chilaka" sets with his Mentor Bharathi Raja and how he made a Unique Trailer Cut for the Film.
Telugu Film Director Vamsy Expresse his Train Journey with Music Direcor Ilayaraja.
Rare documents and details of the film's story. From its initial option to its critical reception and legacy. Director David Weisman, who also produced "Kiss of the Spider Woman", comes off as rightful creative force behind the production, as it was his true passion. Very detailed comments from all the participants, from the author of the book to the lawyer for the production company, the actors, director, writers, producer, and crew members.
Short film about racism.
The city and its parking lots.
In Manhattan's Central Park, a film crew directed by William Greaves is shooting a screen test with various pairs of actors. It's a confrontation between a couple: he demands to know what's wrong, she challenges his sexual orientation. Cameras shoot the exchange, and another camera records Greaves and his crew. Sometimes we watch the crew discussing this scene, its language, and the process of making a movie. Is there such a thing as natural language? Are all things related to sex? The camera records distractions - a woman rides horseback past them; a garrulous homeless vet who sleeps in the park chats them up. What's the nature of making a movie?
The discovery of a human torso thrown into a waterway, leads the viewer to observe the work of modern criminology and the task of special agents to track and record the psychopath's mentality through the elucidation of techniques present in the reality of the police investigation.
A glimpse into a visual representation of memory; A Christmas-time series of meals, coffees, and movies, with friends, lovers, and housemates. Faced with the compounding of faces and places, each moment begins to collide with one another: voices are muddled, and faces are broken. How is memory created? How are they separated from one another?
"Get a never-before-seen look behind the scenes of the making of the sexy and swinging sci-fi Cult classic, Barbarella, in Barbarella Forever. In Barbarella, sixties icon Jane Fonda starred as the saucy astronaut from the 41st century sent to stop an evil scientist and Barbarella Forever features footage of Fonda at work and play during shooting. Gain an insight into the creation of the film’s legendary hand-to-hand sex scene, as well as Fonda and co-star David Hemmings’ processes and working relationship, plus, an insight into the film’s suave French director Roger Vadim. This candid featurette is a snapshot of on and off-set life in groovy 1967 and an unforgettable time capsule capturing a film, and way of filmmaking, that they don’t make like this anymore!"
Dimitris Pistiolas, a retired employee for the Greek Post Office, is the owner of the largest cinema museum in the world. In two tiny venues in Athens lies his renowned by the Guinness World Records collection. Now, 90 years old, Dimitris recounts his past, hidden in his machines, hoping that his memories are not going to be lost forever.
On March 29, 1947, peasants armed with sticks and knives attacked the French garrisons in Madagascar. The revolt would end twenty months later with the death of the last insurgents, shot down by the expeditionary force. France, accustomed to memory lapses, knew nothing of this insurrection and its trail of torture and abuses. In Madagascar, well after independence, the events of 1947 were never discussed. For more than a generation, parents refused to speak of them to their children. It wasn't until the 1980s that the silence was broken.
The Via Emilia changes and becomes an open-air museum: hidden installations - although architecturally majestic - invite us to shift our perspective, to rethink the journeys that we thought we knew by heart.
Andy Warhol directs a single 35-minute shot of a man's face to capture his facial expressions as he receives the sexual act depicted in the title.
Your Ecstatic Self is a conversation unfolding in a car with Sajid, the artist’s brother. As the journey progresses Sajid discusses his engagement with the philosophy and practice of Tantra, having spent the majority of his 44 years as a strict Sunni Pakistani Muslim. Placing the idiosyncrasies of western fetishism towards eastern philosophical traditions alongside cultural orthodoxies and ancestral knowledge, Your Ecstatic Self takes up multifaceted expressions of desire, intimacy and sexual agency.
Acting as part ode and through a series of interpretations, Claudette’s Star depicts young artists considering with sheer wonder who is given a voice.
A sampling of forty-nine fragments from Frampton's catalogue of 'actualities', the films from STRAITS OF MAGELLAN: "DRAFTS AND FRAGMENTS" are all silent and unedited. Several invoke, directly, the work of the Lumieres, as in Frampton's reworking of DEMOLITION D'UN MUR (1895) in which a dilapidated farm silo is demolished in place of the Lumieres' wall. He makes reference to his own work and plays homage to the work of contemporaries. A complex range of formal issues are raised in other fragments. Finally, Frampton offers a number of analogues for the act of filming and cinematic seeing that includes a series of appropriated 'lenses' ( a stone portal, a wooden silo) and a set of 'screens' a pool of water, curtains, a dusty window).
An auto-documentary about a disenfranchised Everyman and his struggle to re-integrate himself into society. He fails and turns to crime.
