Technicolor scenes from an Indian Durbar, held for the Maharaja of Alwar in Rajasthan.
"Fascinating India" spreads an impressive panorama of India’s historical and contemporary world. The film presents the most important cities, royal residences and temple precincts. It follows the trail of different religious denominations, which have influenced India up to the present day. Simon Busch and Alexander Sass travelled for months through the north of the Indian subcontinent to discover what is hidden under India’s exotic and enigmatic surface, and to show what is rarely revealed to foreigners. The film deals with daily life in India. In Varanasi, people burn their dead to ashes. At the Kumbh Mela, the biggest religious gathering of the world, 35 million pilgrims bathe in holy River Ganges. This is the first time India is presented in such an alluring and engaging fashion on screen.
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A light and somewhat satirical look at the problems and pleasures of Continental holiday travel. A passenger on the Hook Continental Express from Liverpool St. imagines the possible destinations of his fellow passengers.
Coach passengers give their reasons for preferring that type of transport. A group of ramblers visit the Welsh mountains; an angler and his family spend a peaceful day by a country river; a family goes to the seaside; some students visit Oxford during a music festival.
An American couple tour Britain with a teenage girl, visiting London, Canterbury, Cambridge, the West Country, Caernarvon, etc.
Anita Chitaya has a gift: she can help bring abundant food from dead soil, she can make men fight for gender equality, and maybe she can end child hunger in her village. Now, to save her home in Malawi from extreme weather, she faces her greatest challenge: persuading Americans that climate change is real. Traveling from Malawi to California to the White House, she meets climate sceptics and despairing farmers. Her journey takes her across all the divisions that shape the USA: from the rural-urban divide, to schisms of race, class and gender, and to the American exceptionalism that remains a part of the culture. It will take all her skill and experience to help Americans recognise, and free themselves from, a logic that is already destroying the Earth.
In India, young people must marry someone approved by the family. Those who fall in love with someone else risk being killed for dishonour. But now they have someone to turn to for help: the Love Commandos.
Scenes of Barmouth and Conwy in Northern Wales, captured as a romanticisation of life in a dreamlike state.
A tour of Stratford-upon-Avon's houses and hamlets, stomping ground of a young William Shakespeare.
A timeless landscape steeped in history that is little changed today, but was surely made to be filmed!
Rome, a palimpsest: monuments, the Catholic church, the everyday life.
Haunting colour travelogue taking in Ulster, Lewis, Lincoln and Cardiff's Tiger Bay.
Biodun is Nigerian. In this animated documentary, he tells the story of his journey on foot from Lagos to Paris, how he survives with a container (un bidon) and thanks to his courage. With his amazing patter, he transforms the events into extraordinary adventures.
If the cityscapes and patriotic anthems of this film seem a far cry from the bleak landscape of Seoul Train, that's no accident. Dutch filmmaker Pieter Fleury, with the full permission and cooperation of the North Korean government, created this propaganda film that gives us a glimpse of a day in the life of one of the world's most enigmatic societies. A Day in the Life, largely dictated by the North Korean film bureau, follows a typical North Korean family through their daily duties, largely dedicated to the pride in the North Korean nation of comrades and the glory of General Kim Jong Il. The film is meant to extol the success of modern North Korea. But does it? With straight footage and a total absence of narration, viewers may interpret Fleury's film in a slightly different manner than intended
This short film was made by filmmaker (later archivist) Liam Ó Laoghaire (aka Liam O’Leary) and was commissioned by the Cultural Relations Committee of the Irish Department of External Affairs. The film was designed to promote the city of Dublin to its inhabitants and to potential visitors from abroad. Brendan J. Stafford’s crisp black and white cinematography serves the city’s elegant architecture well while the narrator tells of the city’s cultural, literary and architectural history and its many venerable inhabitants. The elegant Georgian squares, the bustling markets, the tranquil parks and the sparkling nightlife present a city that is vibrant, cultured and steeped in history.
3 guys, 44 days, 11 countries, 18 flights, 38 thousand miles, an exploding volcano, 2 cameras and almost a terabyte of footage - a short devoted to motion and travel.
Documentary showing a couple of photographers driving for 35 days, leaving Brazil for Ushuaia.
This Traveltalk series short visits Hungary's capital, Budapest.
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