The search for a lost gold mine hinges on a secret branded onto the neck of a great horse, White Fury.
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Wynne Kendall
Ewart Garth
Joan Forsythe
Jules La Roux
Elmer Kendall
John Forsythe
On the eve of retirement, Captain Nathan Brittles takes out a last patrol to stop an impending massive Indian attack. Encumbered by women who must be evacuated, Brittles finds his mission imperiled.
In 1870s New Mexico, a half-breed kills a bigoted sheriff in self-defense but the posse that eventually hunts him finds itself in dangerous territory.
Beautiful half-breed Pearl Chavez becomes the ward of her dead father's first love and finds herself torn between her sons, one good and the other bad.
An inventive use of slow-motion filming helps hammer home the gag as an unconvincing 'Indian chief' hopes to dissolve some trapped wind with a popular brand of indigestion powder.
Following the surrender of Geronimo, Massai, the last Apache warrior is captured and scheduled for transportation to a Florida reservation. On the way he manages to escape and heads for his homeland to win back his girl and settle down to grow crops. His pursuers have other ideas though.
Two young girls are sent away to live with their uncle, which sets off a chain of events resulting in an Indian attack on the town.
Wing Foot is a Navajo educated in an otherwise all-white school. He experiences prejudice from both the whites (because of his race) and the Navajos (who disown him because of his upbringing). Thus, Wing Foot is looked upon as neither Indian nor white, but simply a "redskin".
Ramona, residing on her wealthy Spanish adoptive mother's rancho in California, falls in love with the Indian Alessandro. When Ramona is denied permission to marry Alessandro, the lovers elope, only to find a life of great hardship and unhappiness amidst the greed and injustice of the white landowners.
The story of the massacre of an Indian village, and the ensuing retaliation.
For over 100 years, Hollywood cinema has crafted the ultimate "villain"- the Indian, as they were labeled in early Westerns. Confined almost exclusively to this genre, the Western became a vehicle for American racism, obscuring the genocide upon which the United States was built. In this documentary, only Native Americans are given a voice to share their story, one that has been overshadowed by Hollywood's portrayal. Their narrative, part of the larger American story, highlights how cinema has long been used as a powerful propaganda tool, distorting history and perpetuating harmful stereotypes.
This Traveltalk series short visits a large intertribal meeting of American Indians from all over the western United States. Members of about 30 tribes attended the event, which lasts several days. Attendees perform various tribal ceremonies, demonstrate their skills at crafts (pottery, weaving, doll making), and participate in rodeo events.
An intimate and thrilling portrait of a young Siksika woman and the deep bonds between her father and family in the golden plains of Blackfoot Territory as she prepares for one of the most dangerous horse races in the world… bareback.
A young boy finds an ancient Comanche monster spirit in the basement of his home. His parents don't believe him, so he must kill the monster alone.
A compelling study of the Hopi that captures their deep spirituality and reveals their integration of art and daily life. Amidst beautiful images of Hopi land and life, a variety of Hopi — a farmer, a religious elder, a grandmother, a painter, a potter, and a weaver — speak about the preservation of the Hopi way. Their philosophy of living in balance and harmony with nature is a model to the Western world of an environmental ethic in action.
Navajo Film Themselves is a series of seven short documentaries: Intrepid Shadows (1966), The Navajo Silversmith (1966), A Navajo Weaver (1966), Old Antelope Lake (1966), Second Weaver (1966), The Shallow Well Project (1966), and The Spirit of the Navajos (1966).
A lost film based on the 'Reign of Terror', a real-life series of several dozen murders committed against the Osage people. 'Tragedies of the Osage Hills' was directed by James Young Deer, the first known Native American film director, and boasted a cast of “hundreds of real Indians.” Described as a dramatic thriller interwoven with a “tender love story”, the film’s premiere in Cushing, Oklahoma occurred just months after the arrest of Ernest Burkhart, the subject of Martin Scorsese’s similarly themed 2023 film 'Killers of the Flower Moon'. The 'Cushing Daily Citizen' described 'Tragedies of the Osage Hills' as having a fictitious ending of the Osage and white men united under an American flag.
An animated version of James Fenimore Cooper's classic wilderness adventure during the French and Indian War in colonial America. Hawkeye is in his prime as the famous scout who rescues the daughters of the Commander of a frontier fort. Produced by Burbank Films Australia.
The film is a portrait of Annie Mae — what she lived for and ultimately died for — a personal perspective of recent Native American history also emerges. The film, winner of several awards, focuses on the long-standing and pervasive problems of Native Americans and was written, produced and directed by Lan Brookes Ritz.
A look into the 19th century American-Indian Wars, Manifest Destiny, and the conflicts between Apache tribes and the African-American Buffalo soldier regiments.
African American soldiers throughout the 19th and 20th Centuries faced discrimination and segregation, yet many still chose to fight for their country.
