After Charlie takes an unknown psychotropic drug, she and her secret lover are transported to a strangely sinister paradise.
Charlie
Howard
Nate
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In 1983, yacht sailor Will Parker leads an American crew financed by millionaire Morgan Weld to defeat during the America's Cup race against an Australian crew. Determined to get the prize back, Will convinces Morgan to finance an experimental boat designed by his ex-girlfriend Kate's new beau, Joe Heisler. When the boat is completed, the Americans head to Australia to reclaim the cup.
Each day after work, Carlos, a language school teacher, frequents the heady surroundings of his local cruising ground. One evening he encounters a teenage boy from his class named Toni, and the two engage in a brief sexual tryst. As the relationship between teacher and student begins to develop, some dark truths emerge about the young man and his mysterious group of friends.
Seven girls become good friends in high school, then events pull them apart for 25 years. When one of the friends lies dying in a hospital, she wishes to see each of them one last time.
Norman’s father was a society portrait painter. After his father’s death, Norman faces the burden of inheriting his father’s life’s work. He struggles with conflicting feelings about a man who was a gifted artist, but a difficult and unsupportive father. In this emotional journey Norman reconnects with his own artistic nature, something that had not been possible while his father was alive -- finally emerging from his father’s shadow, and the shadow of his grief.
Over the space of a summer, Liam filmed, edited, and released a single shot every day. The outcome? A documentary that blurs the line between fiction and non-fiction.
A man must go on a journey through the darkest recesses of his mind or succumb to his vices.
A brief, abstract exploration of identity.
One country, three completely different cities. People move seeking a change not only territorially, but also - and mainly - internally. Traveling brings them closer to themselves, immersed in a universe with a poetic look like life.
ReZoning Love follows Violet, a twenty-something struggling with a rent increase and a low paying job, who meets a mysterious woman, D, who exposes her to a world beneath the surface of a screen.
A memory-wiped and defective cyborg sex slave is tossed onto the streets and taken in by a homeless woman while his corporate creators hunt him down.
An experimental interpretation of Joycean epiphanies.
Someone we hear talking - but whom we do not see - speaks of a project which describes the four key moments of love: meeting, physical passion, arguments/separation and making up. This project is to be told through three couples: young, adult and old. We do not know if the project is for a play, a film, a novel or an opera. The author of the project is always accompanied by a kind of servant. Meanwhile, two years earlier, an American civil servant meets with an elderly French couple who had fought in the Resistance during World War II, brokering a deal with a Hollywood director to buy the rights to tell their story. The members of the old couple's family discuss heatedly questions of nation, memory and history.
Attempts to showcase how the creation of art directly correlates to the perception we have of ourselves and the life around us as shown through the eyes of a struggling family.
A therapist looks into the mind of a woman diagnosed as schizophrenic and finds, not madness, but tortured sexual guilt created by the taboos of society.
The Academy of Arts in Hamburg destroys all art and all artists. It seems as if a military unit has lined up for the final solution, it looks as if the whole of mankind has been assigned to carry out the liquidation of art. Is art dead? Yes. Art is definitely dead. All that is left to a human being is his 'I'.... - Vlado Kristl
How do we represent the ideas of gender? This short reflects about this topic, as we see an unidentified character, suited up, and with a paper bag over his head, walking down the hallway of its high school.
When a group of college kids get together for a weekend of partying, they find themselves mixed up in a murderous plot. Having planned on a weekend of hard-core debauchery, the English students and their visiting American friends do not notice when a series of mindless murders and acts of terrorism are carried out around them.
Marguerite loses her wallet, and it's found by Georges, a seemingly happy head of family. As he looks through the wallet and examines the photos of Marguerite, he finds he's fascinated with her and her life, and soon his curiosity about her becomes an obsession.
During a zombie apocalypse, Adam seeking the attention of his undead wife will be turned upside down by the meeting of a young, living woman.
Cremaster 5 is a five-act opera (sung in Hungarian) set in late-ninteenth century Budapest. The last film in the series, Cremaster 5 represents the moment when the testicles are finally released and sexual differentiation is fully attained. The lamenting tone of the opera suggests that Barney invisions this as a moment of tragedy and loss. The primary character is the Queen of Chain (played by Ursula Andress). Barney, himself, plays three characters who appear in the mind of the Queen: her Diva, Magician, and Giant. The Magician is a stand-in for Harry Houdini, who was born in Budapest in 1874 and appears as a recurring character in the Cremaster cycle.
