Self-portrait of a 38-year-old mother from Abitibi, struggling with breast cancer.
Two old sisters, living in the same Warsaw apartment, sit on a bench and talk. The 87-year-old elder one seems to care for the other reluctantly and treat her badly. The younger, who is said to be clumsier, has walking problems.
The action is placed in a cramped flat in Warsaw’s district of Ochota. A father and a son, both bedridden, live in a fascinating symbiosis. The son, a well‑known photographer Bernard ben Dobrowolski, is lying in bed because a chronic condition has deformed his body and immobilized him. The father, Dominik, has recently suffered from a stroke. Now they are taking care of each other and crowds of visitors move through their room.
Hidden in the heart of Russia, there is a Soviet-era city where thousands of people live and work behind barbed-wire fences monitored by armed guards. It is Ozyorsk (Ozersk), located in the Chelyabinsk Oblast, one of the most polluted places on the planet and home to the largest stockpiles of nuclear material. Its code name: City 40.
In Rio de Janeiro, over many days, the director Maria Ramos witnesses and films the judgment of several teenagers accused of stealing, trafficking and murdering. Underage youths are protected by the Brazilian laws and their faces can not be exposed; therefore, they are replaced by teenagers from poor communities.
An intimate portrait of Hollywood royalty featuring Debbie Reynolds, Todd Fisher, and Carrie Fisher.
PBS Frontline takes an in-depth look at the multibillion-dollar "persuasion industries" of advertising and public relations and how marketers have developed new ways of integrating their messages deeper into the fabric of our lives. Through sophisticated market research methods to better understand consumers and by turning to the little-understood techniques of public relations to make sure their messages come from sources we trust, marketers are crafting messages that resonate with an increasingly cynical public.
Documentary about the nuclear industry.
An Amtrak train pulls out of Penn Station in New York City on a cold, sunny February morning. The train moves forward as the landscape changes—the East Coast giving way to the Midwest. Passengers fill their roles, the snow begins to fall and the next train station is announced, all while the light continues shifting, bouncing, swelling and slouching into eventual darkness.
Eye of the Leopard follows the remarkable life of one small leopard from when she is just 8 days old every step of the way until she is 3 years old and on the brink of adulthood. Legadema, as she is named, works her way into your heart as she slips in and out of danger virtually every day, running from baboons and hyenas but also making landmark strides in hunting and surviving. Narrated by Jeremy Irons it is the story of a mother and daughter relationship as well as that of an emerging huntress in Botswana’s magnificent Mombo region of the Okavango Delta.
This deeply personal portrait of acclaimed New York–based artist Ida Applebroog was shot with mischievous reverence by her filmmaker daughter, Beth B. Born in the Bronx to Orthodox Jewish émigrés from Poland, Applebroog, now in her 80s, looks back at how she expressed herself through decades of drawings and paintings, as well as her private journals. With her daughter’s encouragement, she investigates the stranger that is her former self, a woman who found psychological and sexual liberation through art. As Beth B finds a deeper understanding of her mother as a human being, Applebroog shares a newfound appreciation for her own provocative work.
Claire Denis goes to Eastern Chad to the Breidjing camp, the home of 40,000 refugees from Darfur. With great humility, she tells the stories of these men and women, victims of one of the worst humanitarian catastrophes that this century has seen so far.
"Mechanical Love" is a documentary on the interrelationship between robots and humans. The film portrays people who have a close relationship with a robot, and it takes us from the high temple of robot technology, Tokyo, Japan, to Braunschweig, Germany, to Italy and back to Copenhagen, Denmark. By this world tour director Phie Ambo seeks to highlight the human need for love and our craving to be loved by others - perhaps the two most important aspects of life. Through the main characters, she examines the cultural differences in how we accept emotional robots in the East and the West.
The Ways of Seeing writer is celebrated by Tilda Swinton and her fellow admirers in an unorthodox four-part documentary that visits him at his Alpine home
In the vast expanse of desert East of Atlas Mountains in Morocco, seasonal rain and snow once supported livestock, but now the drought seems to never end. Hardly a blade of grass can be seen, and families travel miles on foot to get water from a muddy hole in the ground. Yet the children willingly ride donkeys and bicycles or walk for miles across rocks to a "school of hope" built of clay. Following both the students and the teachers in the Oulad Boukais Tribe's community school for over three years, SCHOOL OF HOPE shows students Mohamed, Miloud, Fatima, and their classmates, responding with childish glee to the school's altruistic young teacher, Mohamed. Each child faces individual obstacles - supporting their aging parents; avoiding restrictions from relatives based on traditional gender roles - while their young teacher makes do in a house with no electricity or water.
A joyful insight into the creative world of Barry and Joan Grantham, two British eccentrics who have kept the skills of vaudeville alive for over seventy years. Since becoming stage-struck lovers in 1948, Barry and Joan have taught, danced and acted alongside the greats of British film and theatre. They are the last of the golden generation of vaudeville, eager to pass their legacy on to future generations.
Filmed entirely by Preiss and her then lover, Dumont, mostly in the claustrophobia of a train car on the Trans-Siberian Railway, Siberia is an intense and raw observation of a relationship’s denouement. With unflinching honesty and a Direct Cinema approach, Preiss’s documentary is a fascinating psychological exploration of love, dependency, and the bounds of romantic privacy.
In Finland, a small child is waiting for his time to begin. His heart is broken. A major heart surgery is expected. There is a fight against time. The boys parents are wandering in the corridors of the hospital. The heart is stopped during the surgery operation. Le Locle, a village in Switzerland acts as the heart of watch industry. Narrow streets of the village carry vital parts to watches and nowdays also into human bodies, for example pacemakers. Village is formed as a big factory line and appears as a time-twisting machine. There pieces are refined and workers hands turns the time on and off.
Dr. Feelgood shares several perspectives on prescription drug use, exploring the issues involved when doctors are faced with patients seeking help for chronic pain.
The story of four pioneering lesbian politicians and the battles they fought to pass a wide range of anti-discrimination laws.
The documentary follows the life of a blind couple who, despite social prejudice, decided to have a child. Ferike has a dream: when he grows up, he will collect the money for his parents’ surgery so that they can regain their eyesight and be able to see just like him. For the time being, he accompanies them in their daily life. He assists them everywhere: in a shop, on the way to work, in a museum or the zoo. The parents do their best to have the son enjoy his childhood just like his peers and, at the same time, not move too far away from them.
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