At Hotel Astoria, the former hotspot of Leipzig, guests were served champagne and turtle soup while the Stasi listened in. Animated memories from times gone by.
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„I began documenting their lives, if only because I hoped each film would have a happy ending.“ (Gerd Kroske)
The mineral oil tax and its use are taken as an opportunity to examine the topics of road construction and motor vehicle traffic using the example of West German federal highways.
In 1945, 160 German cities lay in ruins and the loss of millions of lives, billions in material assets and countless cultural treasures was mourned throughout Europe... With the question “How could it happen?”, the film goes back to the year 1914, when the “primal catastrophe of the 20th century” took its course with the First World War.
Documentary film with play scenes about the rise and fall of the short-lived Bavarian Soviet Republic in 1919 from the perspective of various well-known poets and writers who experienced the events as contemporary witnesses.
Sexual minorities were oppressed, imprisoned and murdered by the Nazis. Paragraph 175 criminalized homosexual men during the Nazi era – but the Nazis also discriminated against lesbians and trans people. They should be excluded from the national community. More than 50,000 queer people have been proven to have been persecuted. The documentary highlights three poignant fates in the context of Nazi terror.
The viewpoints of women from a country that no longer exists preserved on low-band U-matic tape. GDR-FRG. Courageous, self-confident and emancipated: female industry workers talk about gaining autonomy.
TV-Documentary on German history
In the 1960s, a white couple living in East Germany tells their dark-skinned child that her skin color is merely a coincidence. As a teenager, she accidentally discovers the truth. Years before, a group of African men came to study in a village nearby. Sigrid, an East German woman, fell in love with Lucien from Togo and became pregnant. But she was already married to Armin. The child is Togolese-East German filmmaker Ines Johnson-Spain. In interviews with Armin and others from her childhood years, she tracks the astonishing strategies of denial her parents, striving for normality, developed following her birth. What sounds like fieldwork about social dislocation becomes an autobiographical essay film and a reflection on themes such as identity, social norms and family ties, viewed from a very personal perspective.
19 years after the dropping of atomic bombs in Japan, the Olympic Games of 1964 took place in Tokyo. In the midst of the cold war, the games are supposed to become a symbol for a peaceful world. Especially the divided Germany is expected to prove this: By order of the IOC, both German states must participate in Tokyo with a joint team despite deep ideological rifts. The fact that athletes from both German states still had to compete against each other in order to form a joint team for the 1964 Olympic Games in Innsbruck and in Tokyo is all but forgotten. The film tells the story of the East-West German team of 1964 for the first time and is simultaneously a current document about the relation of sports and politics in international relations.
When people think of DEFA, the film heritage of the GDR, they probably don't just think of film images, but also some of the timeless melodies that were created in Babelsberg.
Documentary about the end of the regency of Kaiser Wilhelm II., Germany's last emperor.
This color documentary tells the story of the "Mamais." In 1960, a group of workers at the Bitterfeld chemical plant set themselves the task of becoming the first "socialist brigade" in the German Democratic Republic (GDR) to act in accordance with the slogan "Work, learn, and live socialist."
In 1999, Konami Corp. introduced a Japanese-influenced coin-operated arcade stand-up to the U.S. Its draw was unheard of for a video game: the combination of music, competition, and interactive video-gameplay along with actual physical activity. Four years later, Dance Dance Revolution (DDR) has become one of the most popular game crazes stateside and found easily in video game stores and in nationwide retail markets. This story explores the youth culture surrounding the game and follows a group of devoted players and documents their interactions at various arcades and tournaments.
Emma Freese is desperate when her husband Alfred falls ill at the Howaldtswerke in Kiel. How is the family supposed to get by without their wages? The war has scarred this generation, but now things are supposed to be looking up. The workers want their fair share and are fighting for an income that also gives them room to live. In October 1956, 34,000 metalworkers in the shipyards and factories of Schleswig-Holstein walk off the job to fight for justice and their dignity. This strike is still regarded as the toughest and longest in Germany. Employers and politicians stand in the strikers' way.
Prejudices, ignorance, and racism still leave their mark on the everyday life of black Germans, respectively Europeans, until today. How do Afro-Germans deal with their history? Which colonial-racist patterns still shape our society today? With insights into various historic epochs, it is made clear that THE history of the Black people does not exist. And neither exists THE history of white people.
The “Bowlingtreff” is a bowling alley situated right in the centre of Leipzig opened in July 1987. At that time the quality of life in Leipzig and the whole GDR got worse. Houses collapsed because of poor conditions, public life and amusement was on a very low level. The “Bowlingtreff” was not merely an urban entertainment centre but a revolution in those days. Built with the help of hundreds of volunteers without permission of the state authorities in Berlin the building expresses a free and international architecture known as postmodernism. It is an architecture that was never seen before in Leipzig. Marble and parquet on the floor, a glass roof and beautiful pink pillars. The atmosphere was western as time witnesses remember it.
The night of November 8, 1923, is arguably the most significant and transformative in the history of the twentieth century. A localised uprising in the Bavarian capital of Munich, led by a small man with a toothbrush moustache and a poisonous yet compelling grandiloquence, would have repercussions that would lead to the political shackling of an entire nation, the most abhorrent crimes of the century and a world war. You might say, Adolf Hitler came of age amid the smell of sweat and sawdust of a Munich beer hall. In the political chaos of 1923, he was a local irritant, gaining popularity among workers and soldiers, the ethos of his Nazi Party spreading like a virus. His first attempt at attaining true power came with an attempted putsch on the already separatist government of Bavaria, which left him imprisoned.
The film talks about the rise and fall of the two most influential protagonists in GDR-politics. In succession, over long stretches even together, Ulbricht and Honecker determined the course of the GDR, of course without ever getting out of being a satellite state to the big brother in Moscow. The film looks for the caesura and crucial points in the power game between Ulbricht and Honecker.
It was a foundational myth of the GDR that it was anti-fascist and free of Nazis. But was that really the case? The film takes a critical look on the actual way the brown heritage was dealt with in the GDR.
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