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This color documentary tells the story of the "Mamais." In 1960, a group of workers at the Bitterfeld chemical plant set themselves the task of becoming the first "socialist brigade" in the German Democratic Republic (GDR) to act in accordance with the slogan "Work, learn, and live socialist."
In the 1960s, a white couple living in East Germany tells their dark-skinned child that her skin color is merely a coincidence. As a teenager, she accidentally discovers the truth. Years before, a group of African men came to study in a village nearby. Sigrid, an East German woman, fell in love with Lucien from Togo and became pregnant. But she was already married to Armin. The child is Togolese-East German filmmaker Ines Johnson-Spain. In interviews with Armin and others from her childhood years, she tracks the astonishing strategies of denial her parents, striving for normality, developed following her birth. What sounds like fieldwork about social dislocation becomes an autobiographical essay film and a reflection on themes such as identity, social norms and family ties, viewed from a very personal perspective.
The “Bowlingtreff” is a bowling alley situated right in the centre of Leipzig opened in July 1987. At that time the quality of life in Leipzig and the whole GDR got worse. Houses collapsed because of poor conditions, public life and amusement was on a very low level. The “Bowlingtreff” was not merely an urban entertainment centre but a revolution in those days. Built with the help of hundreds of volunteers without permission of the state authorities in Berlin the building expresses a free and international architecture known as postmodernism. It is an architecture that was never seen before in Leipzig. Marble and parquet on the floor, a glass roof and beautiful pink pillars. The atmosphere was western as time witnesses remember it.
The documentary shows historical film footage from the workers' and farmers' faculties (ABF) of the GDR, which existed until 1962 and were intended to help level out class differences in the education sector by preparing mainly workers' and farmers' children for a university career.
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Nine very private encounters with different people of the post-war generation and their memories of childhood and youth. Among others, the guitarist and singer Peter "Caesar" Gläser and the actress Christine Harbort. Roland Steiner asked his contemporaries about - "What we remember ...". All interviewees are as old as the state they live in. Nine CVs from the GDR are described. They have different professions, from skilled worker and scientist, nurse and saleswoman, actress or rock musician, even a minstrel is included. They remember what shaped them: Family, school, birthdays and hot summers, the happy moments and their own failures.
A documentary that explores questions of secrecy and power in relation to the East German Secret Police (the 'Stasi') within East German society. The film is based upon key findings from an extensive research project, 'Knowing the Secret Police', and reflects upon how different kinds of knowledge were circulated through social, religious, political and literary networks within the former GDR. The filmmakers present this research with footage filmed at key locations throughout East Berlin and the wider surrounding landscape, including the Stasi archives and former HQ, Karl-Marx-Allee, Volkspark Friedrichshain, rural 'dacha' cabins, the urban neighbourhood of Prenzlauerberg and the social housing estates of Marzahn.
Interview with Jochen Girke, a retired East German Stasi agent, filmed March, 1990 to June, 1991. Questions explore his study of psychology for use as a filmmaker and trainer of interrogators and informers. Segments include conversations with his parents, teacher, former girlfriend and wife.
Documents the remodeling of the Ostbahnhof in Berlin Friedrichshain into the central station of the GDR.
Short film about astronauts in the GDR
Documentary reports on the annual icing of the Oder in the 160-kilometer border area between the GDR and the People's Republic of Poland. Icebreakers from both countries with experienced skippers join forces to make the international waterway between Frankfurt and Szczecin navigable again. Everyone works hard as a team and even a broken-down ship cannot stop them from achieving their goal. A look back at the winter of 1947 with its flooding shows what the freezing of the river and the subsequent thaw can do if the ice floes are not drained into the Baltic Sea via Lake Dammsch in good time. The skippers from both countries have known each other for years and trust each other; the camaraderie that has developed on the Oder unites the people, they control the river in winter for the common benefit of all.
This first co-production between the GDR and Great Britain is intended to contribute to an understanding of the situation and attitudes of millions of working people in opposing social orders. Using the example of shipyard workers, fishermen, the brigade and family of a trade union active cook and unemployed person of various ages and professions in Newcastle on the one hand and a brigade of crane operators of the Warnowwerft and fishermen of the Warnemünde cooperative on the other hand, insights into the way of life and attitudes of people of our time are to be conveyed.
The film is a reportage showing the help of workers from the GDR in the industrial reconstruction of Syria. We witness the friendly relationship between workers from both countries, who are jointly involved in the construction of the cotton spinning mill in Homs. In impressive pictures the exoticism of the environment and the mentality of the Syrian hosts is shown. At the same time it becomes clear that the workers from the GDR become 'ambassadors of the GDR' through their collegial behaviour and good work.
The army of the GDR, called NVA had not survived the reunification of Germany, it was completely absorbed by the Bundeswehr and scrapped subsequently. But what apparently went on so smoothly as a peaceful unification of hostile brothers quietly left deep scars in the East German landscape.
Alice and Horst paints a moving portrait of two siblings from Saarbrücken whose lives were shaped by their family’s antifascist resistance. As children, Alice Hornung and Horst Bernard were forced to flee from the Nazis into exile in France, where, despite constant danger, they also experienced great solidarity. After their return they continued their parents’ political commitment: against fascism, for peace and disarmament. The film combines personal memories with rare archival footage and portrays two individuals who, well into old age, remain unwavering in their commitment to justice and remembrance.
The viewpoints of women from a country that no longer exists preserved on low-band U-matic tape. GDR-FRG. Courageous, self-confident and emancipated: female industry workers talk about gaining autonomy.
