A short documentary following Koyote Moone and her medical and psychiatric service dog Banner. This film explores issues surrounding non-visible disabilities and discrimination against service dog teams.
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Two old sisters, living in the same Warsaw apartment, sit on a bench and talk. The 87-year-old elder one seems to care for the other reluctantly and treat her badly. The younger, who is said to be clumsier, has walking problems.
The action is placed in a cramped flat in Warsaw’s district of Ochota. A father and a son, both bedridden, live in a fascinating symbiosis. The son, a well‑known photographer Bernard ben Dobrowolski, is lying in bed because a chronic condition has deformed his body and immobilized him. The father, Dominik, has recently suffered from a stroke. Now they are taking care of each other and crowds of visitors move through their room.
70-year-old Timo makes the most of his short ride to work. Speeding up on a bicycle ends up in a ditch, but the adrenaline rush leaves a feeling of pleasure.
Avant-garde short by Lawrence Jordan.
Against the coastline of the Big Sur country the camera catches swiftly shifting fragments of the nude women at the baths, playing the guitar, cutting the hair, sleeping. The camera movement is used to slightly smear the images onto the film emulsion in a manner parallel with the use of broad different medium from music or painting.
Impressionist portrait of a landscape forged by tragedy. A ghostly wanderer among the vestiges of a story where 44 young soldiers and a sergeant were pushed to their deaths
This short animation transports us from the farthest conceivable point of the universe to the tiniest particle of existence, an atom of a living human cell. The art of animation and animation camera achieve this exhilarating journey with a freshness and clarity. Without words.
This short documentary records the celebration and ritual surrounding a snowshoe competition in Sherbrooke in the late 1950s. The film marked the beginning of a new approach to reality in documentary and prefigures the trademark style of the NFB's newly formed French Unit. Today, Les raquetteurs is considered a precursor to the birth of direct cinema.
Mario Montez in drag eats a banana.
The battle for accessibility in New York City Transit told by those fighting it. Less than a quarter of stations in the city's sprawling subway system are accessible to people with disabilities and those that need elevators. This film takes you on the frontlines of the disability rights movement featuring the perspectives of activists, local and state legislators, transit advocates and MTA officials.
Youths get ready for a party, decorating the dance floor, cleaning out the fountain of a pond. That evening, the party starts and guests arrive: everyone has a ticket, and a guy at the gate, wearing a formal shirt, tails, and shorts, makes sure only those with tickets gain entrance.
After being estranged from his family, we observe a young man over four seasons and from far away as he navigates his solitude – all the while attempting to reconnect with his mother.
Three arrested and detained undocumented immigrants must navigate the system to fight impending deportation.
A documentary about actress Edith Massey in which she talks about her life and her career in film.
Comments on the background and popularity of disc jockey "Emperor" Bob Hudson, who bases his shows on the idea that radio is a fantasy.
A very personal look at the history of cinema directed, written and edited by Jean-Luc Godard in his Swiss residence in Rolle for ten years (1988-98); a monumental collage, constructed from film fragments, texts and quotations, photos and paintings, music and sound, and diverse readings; a critical, beautiful and melancholic vision of cinematographic art.
Part 5 of Godard's 8 part examination of the history of the concept of cinema and how it relates to the 20th century.
Damiano David's short film for the presentation of his first somo album: Funny Little Fears. He speaks and sings about his fears.
"Oh salty sea, how much of your salt / Are tears of Portugal! / To get across you, how many mothers cried, / How many sons prayed in vain! // How many brides were never to marry / In order to make you ours, oh sea! / Was it worth it? Everything is worthy / If the soul is not small." (Fernando Pessoa)
