Snub is a traffic cop and succeeds in mixing things up by trying to flirt with every pretty girl motorist.
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Alan’s jealousy drives him to foil his friend’s relationship and wrestle with where his passions really lie.
The Dean and Board of Flunk Well College are arguing with its football coach, Bergen, about the team's star player, Charlie McCarthy, who is the only reason the team is a winning one, but who isn't doing well academically and could be pulled from the team if his grades and behavior don't improve. In other words, Charlie is a dummy in more ways than one. Beyond other problems Coach Bergen has with Charlie concerning the coach's girlfriend Joan, Coach Bergen has to get Charlie prepared to pass an exam administered by the Dean. Instead of cheating like he usually does, Charlie has his own way of dealing with the exam.
Ministry of Information-sponsored comedy short showing wartime audiences how to deal with the threat of incendiary bombs.
In the middle of two disappointing nights out, Kate and Lucy find themselves in the ladies. They begin as strangers but the mystical powers of this nightclub bathroom brings them closer together.
Comedy about a film crew shooting a movie about guns and robbers, when real robbers turn up. Having to go home in robbers costume, they are mistakingly accused. In the end the real robbers are brought to justice. One of the earliest films portraying bisexual characters.
Samantha, Lydia, Isabella, and Lisa. These four young women are about to learn that humanity is just an irrelevant flame burning nowhere in the vastness of space. Their dreams will be shattered and one man will marvel at the evil he has committed.
A desperate man and two romantic rivals encounter one another at a Christmas party.
A radio salesman gets knocked out by a golf ball and dreams he's in the desert where he sells radios to sheiks.
Introducing Hellarious: a once-in-a-lifetime feature collection that brings together seven of the most legendary horror comedy shorts ever made. The stories, from some of the world’s best genre filmmakers, feature a hilarious menagerie of zombie wives, amateur satanists, reverse werewolves, cannibal lunch ladies and more -- along with gust-busting gags, gross-outs and gore. Included in Hellarious: Lunch Ladies by Clarissa Jacobson and J.M. Logan, Horrific by Robert Boocheck (ABCs of Death 2), Death Metal by Chris McInroy, Born Again and ‘Til Death by Jason Tostevin and Randall Greenland, Killer Kart by James Feeney, and Bitten by Sarah K. Reimers.
Hyun, Sung-gu and Min-cheol, who decided to do group projects at Min-cheol's house. Hyun hates senseless Sung-gu.
A very rare lost film by Pathe Exchange that was found by Ben Model on eBay and preserved in time. Not much information known to exist.
A man walks up in the bed of a woman.
Fairground boxing booth where visitors try to knock out the champion and win five pounds, the first contestants is knocked out but the very eager (and possibly drunk) third man knocks out the champion and overcome with "boxing fever" rushes out punching at everybody and everything he meets. (britishpathe.com)
Each time Mrs Babylas sees an animal, she just can't help herself bring it back home.
A repressed gay teen transforms into a beast after being bitten by a hunky classmate.
A bumbling tramp desires to build a home with a young woman, yet is thwarted time and time again by his lack of experience and habit of being in the wrong place at the wrong time..
An account of the most important event in recorded history.
The Slums is a 2019 comedy mockumentary film about an urban poor family terrorized by a documentary crew that promised to help them.
A self-absorbed social media personality investigates a murder house on his live stream, and gets what he deserves... Or does he?
Three Sámi men travel to the capital of Norway. One of them is wearing gákti, the Sámi traditional costume, to attract Norwegian women. The second one believes it unethical to do this, and the third is bitter that he doesn't attract women when he wears the gákti. Indigenous Police is a Sámi short film told with humor and political sting. It is an identity satire about how people, both the Sámi and the majority population, consciously and unconsciously define what is the right way to be Sámi.
