so close to be mad
A man is been filled with responsibilities and problems with his family. With time, he starts to go mad.
No Trailers found.
Wanessa
Maria
Wagner
Avant-garde homage to pre-revolution Russian silent movies, and to the poet Aleksandr Blok.
An experimental re-telling of the last days of the Romanov sisters.
A lonely hairdresser watches the title sequence of "That Cold Day in the Park" then visits a local park to invite a down-and-out skinhead to his apartment. He draws the silent man a bath and talks to him as he soaks. He locks his guest in a bedroom. Next day, the skinhead leaves through the window and visits his sister, who's making a film called "Sisters of the SLA." He helps with a screen-test. The hairdresser has dreams and fantasies involving the skinhead, the skinhead returns to visit him, and then the filmmaker pays a call on the two men, exposing her brother as faking his silence and pretending a lack of sexual interest. Fantasies can come true.
The Academy of Arts in Hamburg destroys all art and all artists. It seems as if a military unit has lined up for the final solution, it looks as if the whole of mankind has been assigned to carry out the liquidation of art. Is art dead? Yes. Art is definitely dead. All that is left to a human being is his 'I'.... - Vlado Kristl
Marguerite loses her wallet, and it's found by Georges, a seemingly happy head of family. As he looks through the wallet and examines the photos of Marguerite, he finds he's fascinated with her and her life, and soon his curiosity about her becomes an obsession.
Two lighthouse keepers try to maintain their sanity while living on a remote and mysterious New England island in the 1890s.
Florence Walker is an aspiring actress who's barely getting any auditions. After finding a sketchy casting call for a horror movie, she takes the opportunity in her desperation, but nothing is how it seems. On top of that, she experiences the horrors of anxiety and mental illness in this situation of complete presssure.
The Kuwaiti short film العاصفة (The Storm) explores Kuwait's social and economic shifts before and after the discovery of oil. Through the perspectives of an older father and his modernized son, it delves into the challenges of tradition versus rapid modernization.
A man loses his grip on reality as he tries to uncover the meaning behind his strange recurring dreams.
No overview available.
A Japanese salaryman finds his body transforming into a weapon through sheer rage after his son is kidnapped by a gang of violent thugs.
Seeking fulfillment, a young drifter forgoes isolation to embark on a year-long murder spree.
An English pianist living in Rome witnesses the brutal murder of his psychic neighbor. With the help of a tenacious young reporter, he tries to discover the killer using very unconventional methods. The two are soon drawn into a shocking web of dementia and violence.
Hermitage, defined by Bene as "a rehearsal for lenses", beyond any literal rendition - its narrative trace comes from one of his anti-novels, Credito Italiano V.E.R.D.I - displays his immediate attitude to thinking a cinematic language completely based on actor's movements and actions, and more specifically, on his presence and his schemes. Camouflaged or naked, still or moving, his body seems to play and be played at the same time, shifted by objective and subjective tensions, both metaphorically and visually speaking.
A newlywed fears she's going mad when strange things start happening at the family mansion.
An average working man who is alone in a world of deception finds himself in a marriage of convenience.
A man and woman embark on a sexual journey to detach mind from body. The relationship slowly grows into one of emotional domination, physical disease, abandonment and the creation of personal pornography.
The main protagonist is a young fellow who tries to live his life within 30 frames. He's a person suitable for any atmosphere, which makes him different from the rest. He's like a plant that differs from others, an informer who wants to escape out from his skin. This man loves, hates, eats, drinks, lies ill, laughs, cries, kisses, plays... These are agonies of a contemporary man.
The arrival of a newborn girl causes the gradual disintegration of the Cairn family; particularly for 9-year-old Joshua, an eccentric boy whose proper upbringing and refined tastes both take a sinister turn.
Lacking a formal narrative, Warhol's mammoth film follows various residents of the Chelsea Hotel in 1966 New York City. The film was intended to be screened via dual projector set-up.
