On the cusp of her 100th birthday, Risa Inglefeld looks back on a life full of hard knocks and shares her secrets to getting up again with joy and humor. A meditation on life, aging, love and the secret to living with joy.
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Filmmaker Alain Resnais documents the atrocities behind the walls of Hitler's concentration camps.
Alone, Eva Fahidi returned home to Hungary after WWII. At 20 years of age, she had survived Auschwitz Birkenau, while 49 members of her family were murdered, including her mother, father, and little sister. Today, at age 90, Eva is asked to participate in a dance theatre performance about her life's journey. This would be her first experience performing on a stage. Reka, the director, imagines a duet between Eva and a young, internationally acclaimed dancer, Emese. Reka wants to see these two women, young and old, interact on stage, to see how their bodies, and stories, can intertwine. Eva agrees immediately. Three women - three months - a story of crossing boundaries. Whilst the extraordinary moments of Eva's life are distilled into theater scenes, a truly wonderful and powerful relationship forms among the three women.
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Alone in a small white house on the edge of national road 1, the Trans-Saharan road, which connects Algiers to Tamanrasset crossing the immensity of the desert, Malika, 74, one day opened her door to the director Hassen Ferhani, who came there to scout with his friend Chawki Amari, journalist at El Watan and author of the story Nationale 1 which relates his journey on this north-south axis of more than 2000 km. The Malika of Amari's novel, which Ferhani admits to having first perceived as a "literary fantasy", suddenly takes on an unsuspected human depth in this environment naturally hostile to man. She lends herself to the film project as she welcomes her clients, with an economy of gestures and words, an impression reinforced by the mystery that surrounds her and the rare elements of her biography which suggest that she is not from the region, that she left the fertile north of Algeria to settle in the desert where she lives with a dog and a cat.
World War II comes to an end. Tokyo is a destroyed place, without law, driven by hunger and greed. From over 100,000 pages of declassified CIA documents and hours of newly discovered footage, recorded by American occupation charges and private individuals, the documentary shows Tokyo during this crucial year, Year Zero. Observed from the point of view of a young man who finds himself transported in time, the NHK documentary uses color images and state-of-the-art video techniques to reveal how a desperate population is published as the foundations of today's megalopolis.
The story of black and mixed race people in Nazi Germany who were sterilised, experimented upon, tortured and exterminated in the Nazi concentration camps. It also explores the history of German racism and examines the treatment of Black prisoners-of-war. The film uses interviews with survivors and their families as well as archival material to document the Black German Holocaust experience.
Documents the major trial of the Nazi war criminals and the violent acts that they were accused of.
A WWII film about children evacuated from Britain and sent to Canada for their safety. The film begins in England with children seeking shelter as anti-aircraft guns roar outside. On their arrival in Canada, they are thrilled by the brightly lit cities, powerful Canadian trains, hot dogs and ice cream. They find, too, that instead of becoming Mounties or cowboys, they have to go to school. The closing sequence shows them learning to ski and skate and preparing for Christmas in their new homes.
A wartime documentary following Canadian convoy operations and naval escort duties in the North Atlantic during the early years of World War II.
Amid the Holocaust’s unimaginable cruelty, a young boy finds hope in music. Eighty years later, Frank Grunwald shares his true story of survival and resilience, intertwined with American jazz, offering a powerful testament to the strength of the human spirit.
Since the defeat, the Nazis, who were the masters of the occupied zone, and the French State, which had been ruling the so-called free zone since Vichy, ordered the Jews to take a census. From the spring of 1941, whether they had been French for several generations or naturalized for a few years, foreigners who had taken refuge in France or stateless people who had been driven out of their country, they were put on file, arrested or threatened at any time. Some wrote to the administration, or directly to Marshal Pétain, who seemed to them to be the last resort. These requests are called Suppliques. Men, women, sometimes children, tried as best they could, by all means, to loosen the trap. They address themselves to their executioners, but they do not know it.
When the lights dim and the stage is revealed, Meschke channels life through the strings of his puppets, triggering the spiritual connection between the creator and his alter-egos: the charismatic Don Quixote, the loving Penelope, the inquisitive Baptiste, or the mysterious Antigone. THE MAN WHO MADE ANGELS FLY is a poetic story about a master of his craft that has inspired audiences to reflect upon common issues of suffering and the mortal coil. Visionary and un-biographic, imaginary tribute to the puppeteer.
Churchill, a name typically associated with braveness and altruism. Recently found evidence from Soviet and British sources however brings up questions about Churchill's doings in the conferences of Tehran, Yalta and Potsdam. Why did he agree to give Stalin large parts of Poland? The story of two world leaders in times of war - it is also the story of Poland.
A documentary composed of historical footage and contemporary interviews from the men and women of Los Alamos, recalling their experiences of the community and the creation of the atomic bomb from the inception of the program in 1943.
This chilling, vitally important documentary was produced to mark the 40th anniversary of the liberation of Auschwitz Concentration Camp. The film contains unedited, previously unavailable film footage of Auschwitz shot by the Soviet military forces between January 27 and February 28, 1945 and includes an interview with Alexander Voronsov, the cameraman who shot the footage. The horrifying images include: survivors; camp visit by Soviet investigation commission; criminal experiments; forced laborers; evacuation of ill and weak prisoners with the aid of Russian and Polish volunteers; aerial photos of the IG Farben Works in Monowitz; and pictures of local people cleaning up the camp under Soviet supervision. - Written by National Center for Jewish Film
This short documentary is part of the Canada Carries On series of morale-boosting wartime propaganda films. In Home Front, the various WWII-era social contributions of women are highlighted. From medicine to industrial labour to hospitality, education and domesticity, the service these women provided to their country is lauded.
