Every day, Australian Damien Rider is haunted by his abusive childhood. Determined to find his peace, and ensure it happens to no other child, Damien sets upon an 800km solo paddle from his home in Coolangatta to Bondi Beach.
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When Roger Lee slips on his front steps, he has no idea the fall will send him spiralling into the darkest chapter of his life. Injured, and drowning in despair, he hits rock bottom—until he discovers the power of his own words. Through pain, he finds purpose, turning his struggle into wisdom that inspires millions. Now, as a world-renowned speaker, he lifts others the way he once needed lifting. A raw and uplifting story of resilience, reinvention, and the unexpected ways we rise.
The Metaphor That Became a Room is a psychological drama exploring identity, communication, and the struggle for self-understanding. Divided into two parts, the film first delves into the protagonist’s frustration with the urge to persuade others, realizing that over-explaining only distorts meaning. A note from the past echoes a hard truth: “Someone’s unwillingness to understand will always outweigh your effort.” In A Symphony of Unfinished Selves, the narrative shifts inward, revealing the protagonist’s fractured identity. Trapped in a metaphorical room built from illusions and contradictions, he reflects on his dual persona—the social facade and the hidden, lost self. The film questions how we see ourselves versus how others see us and whether true self-recognition is possible. Through minimalist dialogue and layered symbolism, the film captures the silent tension between who we are, who we appear to be, and who we long to become.
Stephen Cummings is one of Australia's most revered rock 'n' roll icons. Rising to fame as frontman of ‘70s legends The Sports, he has spent more than 30 years at the forefront of the local music scene, forging a reputation both as one of Australian rock's greatest lyrical storytellers and also one of its most incendiary critics. Based on his scathing tell-all memoir Will It Be Funny Tomorrow, Billy?, Don't Throw Stones tells Cummings' story in his own words – as well as the words of those he has so gleefully skewered. Featuring interviews with Michael Gudinski, Steve Kilbey, Joe Camilleri and many more, Don't Throw Stones is a revealing portrait of three decades of rock-world gossip, larger-than-life personalities and good, old-fashioned artistic beef.
Their job is stealing, their lives a cruel dead end. Director Jon Alpert takes his cameras undercover for this hard-hitting look at men who live by theft and suffer addiction. Focusing on a year in the lives of three professional criminals, this gritty profile—which includes hidden-camera footage of actual thefts—exposes the "petty" crimes that are paralyzing America.
ALLIES is a landmark documentary from 1983, made at the time of Bob Hawke’s unequivocal embrace of the American alliance.
A filmmaker's lifelong dream quickly becomes his worst nightmare when he attempts to make a low budget horror film about an aborted fetus that seeks revenge on its family.
A chronological history of one of the most influential bands to come out of Australia, the Go-Betweens.
The extraordinary story of the Melbourne community campaign that put a stop to the $18billion East Wast toll road link.
"Women On Trail" exposes the innate corruption and sexism in the family court system as children are removed from their mothers and given to fathers who often either don't want them or have been convicted of domestic violence.
The four adult heroes and heroines of the film, who were selected in a casting call posted on TV, speak candidly on camera from the very beginning of their memories. Through individual stories, they describe their childhoods, family backgrounds, life at school, and how they spent their free time. The stories complement each other and are intertwined; we see emotions and hear things that reveal the horrific DNA of domestic violence. The documentary addresses the issue of abuse with an emphasis on the entire social environment of the victims and the societal underpinnings. Typical of domestic violence is that victims often hide it within themselves; they do not talk about it, and sometimes they do not even admit it. But in the documentary, they were determined to speak out.
When the Northern Rivers of NSW community found their home being threatened by gas field industrialization, a critical mass of citizens from all walks of life responded to the call.Told through the eyes of the "Protectors" over a five-year period and inter-cut with fresh insight from some of the world's leading social commentators, this feature documentary captures and celebrates what is described as the non-violent 'Eureka Stockade' of our time.
Filmmaker Warwick Thornton investigates our relationship to the Southern Cross, in this fun and thought provoking ride through Australia's cultural and political landscape.
Blood Road follows the journey of ultra-endurance mountain bike athlete Rebecca Rusch and her Vietnamese riding partner, Huyen Nguyen, as they pedal 1,200 miles along the infamous Ho Chi Minh Trail through the dense jungles of Vietnam, Laos, and Cambodia. Their goal: to reach the site where Rebecca’s father, a U.S. Air Force pilot, was shot down in Laos more than 40 years earlier.
Sometimes, finding your tribe requires a bit of magic. For attendees of a live action role-playing (LARP) camp in upstate New York, the deeply accepting environment has given neurodivergent, queer, and self-proclaimed "nerdy" teenagers the space and community for self-discovery that they have never found anywhere else. As the campers immerse themselves in this imaginative world, they discover inner strength, heal from past traumas, and emerge as the heroes they are meant to be, both in the fantasy realm and in real life.
An extra-large penis is an object of desire for many. But for some men, extra-large seriously complicates their lives and relationships, and penis reduction surgery seems the only answer.
Migrating by sea from Holland as an eight-year-old, Dirk de Bruyn went on to be a doyen of Australian experimental cinema. But as this intimate film reveals, his work is suffused with the trauma of migration, and the struggle to recognise himself as a ‘new Australian'. In conversation with documentarian Steven McIntyre, Dirk guides us through more than 40 years of his filmmaking: the early years exploring technique and technology, a subsequent phase of unflinching self-examination brought on by upheaval and overseas travel, and more recent projects where he attempts a fusion of personal, cultural, and historical identity. What emerges is an inspiring, rugged, and at times poignant portrait of an artist committed to self-expression and self-discovery through the medium of film.
Provocative, funny and profoundly moving, Bastardy is the inspirational story of a self proclaimed Robin Hood of the streets. For Forty years and with infectious humour and optimism, Jack Charles has juggled a life of crime with another successful career- acting
Told through the eyes of an Australian news reporter, Eammon Ashton-Atkinson, who moved to the UK to escape depression, the documentary, follows 3 characters on their journey to overcome their struggles as the club competes against 60 other gay clubs in the Bingham Cup in Amsterdam – the World Cup of gay rugby.
Three young men bond together to escape volatile families in their Rust Belt hometown. As they face adult responsibilities, unexpected revelations threaten their decade-long friendship.
Manish is a talented and athletic street dancer from Mumbai who dreams of becoming professional against the wishes of his struggling parents. He meets a curmudgeonly Israeli ballet master who gives him the determination to keep going. But when he is pitted against another boy who’s got the attention of the top school in the world, Manish realizes he must push himself to his physical limits if he has any chance to succeed.
