The story of Zeinal, a man who after 20 years of being a POW, tries to clear up his past.
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Eskandar
Zeynal
Salimeh
Yahya
Latif
Yusef
Hanieh
A documentary exploring the experience of going to war with a Military Working Dog, trained to find bombs before they can kill or maim soldiers, often at the expense of the dog's sanity.
A filmmaker named Hadi is sent to Croatia to complete his research for a film. Aziz, Hadi’s friend, gives him a cassette tape, a piece of image, and a half a piece of plaque in order to find a girl named Fatima. Alongside a Farsi-speaking Bosnian woman, Hanifa, Hadi begins his quest for Fatima.
Olfat is raising her children in hardship. She has one daughter and one son called Yonos who works in Kerman copper mine. One day, she finds a note at home with this massage "My friends and I are going to enter the war as soldiers". After reading this note, Olfat and his friend's parents got worried about their sons. When operation Valfajr failed, they received news about Yonos's friend. Olfat is waiting for her son too. As she finds out that the Iraqi radio announces the Iranian captives' names, she ties a radio on her back and carries it everywhere.
The movie is the story of a gang of men who decide to participate in Iran-Iraq war, also known as First Gulf War, which lasted from September 1980 to August 1988. the main character, Suzuki, who is there to satisfy his beloved's father that he is worthy of marrying his daughter, goes through some moving experiences in the war and his character changes to a level that he even tries to sacrifice himself to save the others in the war. the Movie ends by his martyrdom.
A beautiful girl named Afsaneh who is living in Downtown has economic problems and her family offers to marry her to their landlord whose wife had pass away. At a night she went to a clergyman and...
The story of life of an Iranian army leader who has faults in his life and now in purgatory wants to retaliate for his faults.
A mother's courage, hardship, and love, in times of war. In 1988, during the Iran-Iraq war, Gilane escorts her pregnant daughter, Maygol, from the relative calm of their village, Espili, into war-torn Tehran to search for Maygol's husband, Rahman. The journey is arduous and what they find when they reach the capital is dismaying and frightening. Fifteen years later, as another war begins in Iraq, Gillane is at home caring for her son Ismael, who suffers from epilepsy, a byproduct of war. As she cares for him, she hopes for a visit from the doctor and from another daughter, Atefah. "Better be a dog than a mother," she says.
Set in the pastoral mountains of northern Iran, eight-year-old Sahand has been rendered mute by the loss of his mother during the war. He is taken care of by his older sister as he struggles to process his trauma.
During a demonstration, with the assistance of a man named Manouchehr, Fereshteh succeeds to get rid of the security forces. After victory of the revolution, they accidentally meet each other and consequently get married despite disagreement of Fereshteh’s family. Coming back from the honeymoon, they are encountered with a new situation altering all the peoples’ lives. The men should go to the war front for defending their country after the invasion of Iraqi Army to Iran.
Reza is a freelance journalist who accidentally finds clues from Hiwa, an Iraqi soldier who saved Reza years ago in the harsh conditions of war. He leaves for Iraq to answer the issues he has been hiding from those around him for years.
It's a satirical comedy that chronicles 3 young Canadian film makers from Yellowknife as they travel from northern Canada to the middle east just as the Iraq war is erupting. As well as being very funny, it is also quite thought provoking. The trio travels through Canada, Turkey, Israel, Jordan and finally Washington DC interviewing "regular people" for their comments on the impending war. This film won best documentary at the 2003 Whistler Film Festival in Canada.
A short film on early 1950s Iran.
Valeh, a member of a leftist organization, is arrested by the SAVAK and sentenced to death. In prison, he reconsiders his relationships with members of his political cell, and begins to doubt the validity of the ideas for which he is condemned. At the same time, his comrades pressure him to make a sacrifice for their cause, and his beloved wife experiences personal problems and economic hardships.
THE BRIGHT DAY weaves a story that has its roots in the complexity of Iran’s draconian laws governing capital punishment. A kindergarten teacher hopes to aid the father of one of her young students, a man accused of manslaughter, by convincing each of seven reluctant witnesses to come forward. No one lacks a hidden agenda in this drama in which shades of truth collide with self-interest and the specter of payback. (Gene Siskel Film Center)
A director of a television series on the history of cinema, who has been grappling with the screenplay of his first feature film, receives an assignment to oversee the installation of a television relay station in a remote region of Zahedan province. He has already hired Turkmen tribespeople for his film and selected his filming location. Meanwhile his wife, who is working on her Ph.D. dissertation about the Mongol invasion of Iran, attempts to dissuade him from accepting the assignment. One night, while working on his history of the cinema series, the director fantasizes a diegetic world that consists of clever juxtapositions of his different worlds: the history of cinema, the history of the mongol invasion, his own film idea and his imminent assignment to the desert.
Today, Iran's aggressive posture and rogue nuclear weapons program are straining the patience and nerve of the international community. With Iranian fighters, funds, and strategic weapons flooding into the Middle East, significant war appears inevitable. Meanwhile, something surprising is taking place inside this controversial country. Muslim-background Iranians are leading a quiet but mass exodus out of Islam and bowing their knees to the Jewish Messiah—with kindled affection toward the Jewish people. The Iranian awakening is a rapidly reproducing discipleship movement that owns no property, no buildings, has no budget, no 501c3 status, and is predominantly led by women. THIS IS THEIR STORY.
Mr Ahmadi gets on an inter-city minibus for a relatively straightfoward trip. The mileu of arrivals and departures brings his journey new meaning.
A young woman's wedding becomes a ritual of mourning when her sister and family die in an auto accident on the way to the wedding. The sisters' mother refuses to accept her daughter's death, and in the midst of wedding guests and mourners, including the drivers of the truck that caused the accident, she orders the wedding to take place. But how can the daughter marry in the midst of a wake and without the family's traditional mirror, which the sister was bringing to the service?
In a small valley, riders pursue and kill a man. A horse thief, so his assassins claim. But for his ten year old son Issa, the disappearance of his father causes an avalanche of problems. With the family name stigmatized, Issa is bullied by the other children in the village. While his mother fights to clear her husbands name, Issa is left to his own devices. But unexpectedly, his solitude gives birth to his freedom, his real passion, horses.
As the United States and Iran are locked in a battle for power and influence across the Middle East—with the fear of an Iranian nuclear weapon looming in the background—FRONTLINE gains unprecedented access to Iranian hard-liners shaping government policy, including parliament leader Hamid Reza Hajibabaei, National Security Council member Mohammad Jafari and state newspaper editor Hossein Shariatmadari. In this report, FRONTLINE examines how U.S. efforts to install democracy in Iraq have served to strengthen Iran's position as an emerging power in the Middle East.
