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Operation Alaska is a fictional documentary and extensive web series based on real American plans and proposals to evacuate Finns to Alaska between 1940 and 1944 in the event of a Soviet invasion of Finland.
Filmmaker Alain Resnais documents the atrocities behind the walls of Hitler's concentration camps.
By mid-1945, Hitler is dead and the war has ended in Europe. Halfway around the world, however, the fighting is still going strong on a small island in the Pacific. Okinawa was the site of the last battle of the last great war of the 20th century, with a casualty rate in the tens of thousands. Through it all, military cameramen risked their lives to film the conflict, from brutal land combat to fierce kamikaze attacks at sea. See the footage they captured and experience this intense battle the way the soldiers saw it -- in color.
Our two-hour film highlights the life and career of Dr. Schreiber with respect and clarity. Raemer, his wife Marge, and young daughter Paula would move to the high-desert of New Mexico where he and other brilliant minds would change the world forever.
The documentary of the Nuremberg War Trials of 21 Nazi dignitaries held after World War II.
A Nazi propaganda film about the lead up to World War II and Germany's success on the Western Front. Utilizes newsreel footage of battles and fell into disfavour with propaganda minister Goebbels because of it's lack of emphasis on Adolf Hitler.
The Crimean (Yalta) conference of the leaders of the three powers - allies in the Anti-Hitler coalition was held from February 4 to February 11, 1945 in the Livadia Palace near Yalta.
In 1961, history was on trial... in a trial that made history. Just 15 years after the end of WWII, the Holocaust had been largely forgotten. That changed with the capture of Adolf Eichmann, a former Nazi officer hiding in Argentina. Through rarely-seen archival footage, The Eichmann Trial documents one of the most shocking trials ever recorded, and the birth of Holocaust awareness and education.
The sequel of feature-publicistic film «You Can’t Live Like That». Showing the countrymen charmless and sometimes scaring life picture of once great power with pain and anger, the author tries to uncover the reason of the country’s and nation’s tragedy.
Helke Sander interviews multiple German women who were raped in Berlin by Soviet soldiers in May 1945. Most women never spoke of their experience to anyone, due largely to the shame attached to rape in German culture at that time.
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Five Jewish Hungarians, now US citizens, tell their stories: before March 1944, when Nazis began to exterminate Hungarian Jews, months in concentration camps, and visiting childhood homes more than 50 years later. An historian, a Sonderkommando, a doctor who experimented on Auschwitz prisoners, and US soldiers who were part of the liberation in April 1945.
The Normandy landings of 6 June 1944 were pivotal to the outcome of WW2. We learn when Churchill and Roosevelt first proposed the operation and how preparations started—finishing with the key events of D-Day and the far-reaching effects of its outcome.
Informed by the conviction that film was a means to advocate patriotism, Lai established China Sun Motion Picture Company in the early 1920s. He teamed up with friends to follow Dr Sun, traversing provinces for several years and filming precious historical moments such as Sun's inspection of the country and the Northern Expedition led by Chiang Kai-shek after the death of Sun. Some of those footage was edited into A Page of History, available to the public today, albeit deteriorated and incomplete. The Battle of Shanghai records the famous conflict at the beginning of the war in 1937 when, fervently resisting the invading Japanese army, 800 soldiers defended a warehouse until the very last moment. Shot by Lai and his team at the risk of death, the film is now an invaluable visual document in Chinese modern history.
Using never-before-seen footage, Japan's War In Colour tells a previously untold story. It recounts the history of the Second World War from a Japanese perspective, combining original colour film with letters and diaries written by Japanese people. It tells the story of a nation at war from the diverse perspectives of those who lived through it: the leaders and the ordinary people, the oppressors and the victims, the guilty and the innocent. Until recently, it was believed that no colour film of Japan existed prior to 1945. But specialist research has now unearthed a remarkable colour record from as early as the 1930s. For eight years the Japanese fought what they believed was a Holy War that became a fight to the death. Japan's War In Colour shows how militarism took hold of the Japanese people; describes why Japan felt compelled to attack the West; explains what drove the Japanese to resist the Allies for so long; and, finally, reveals how they dealt with the shame of defeat.
The SS chief Heinrich Himmler wanted to exchange Jews against so-called German Reich abroad, against arms sales or for cash - with the express approval of Hitler.
The story of Italian cinema under Fascism, a sophisticated film industry built around the founding of the Cinecittà studios and the successful birth of a domestic star system, populated by very peculiar artists among whom stood out several beautiful, magnetic, special actresses; a dark story of war, drugs, sex, censorship and tragedy.
This World War II documentary rests on an unusual thesis: it argues that, in the wake of Pearl Harbor, the actions precipitated by the U.S.A.F. that truly helped turn the tide were perpetrated not by the widely-ballyhooed U.S.N. aviators or aircraft carriers, but by the American submarines - silent warriors beneath the deceptively placid ocean surface. The subs, after all, were responsible for gravely wounding Japan's industry, all but destroying the Japanese merchant fleet, and therefore preventing reinforcement of Japanese military garrisons. In relaying this story, the program draws on a series of interviews with military veterans, and endless archival footage of naval battles that chronologically tells the gripping story of the Pacific Front of the war.
The history of the Warsaw Ghetto (1940-43) as seen from both sides of the wall, its legacy and its memory: new light on a tragic era of division, destruction and mass murder thanks to the testimony of survivors and the discovery of a ten-minute film shot by Polish amateur filmmaker Alfons Ziółkowski in 1941.
A wartime short encouraging workers to join free, government-organised engineering training schemes.
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