Flora
Madre/Cintia/Eva
Max
Nani/Madre/Directora
Natacha
Susanna
No overview available.
Parikka, the actor once called the Funniest Man in Finland, and his troupe are about to be executed for the atrocities committed during the Civil War in Finland. Jaeger Lieutenant Nyborg, an admirer of Parikka, suspects a definite miscarriage of justice. He wants to save the actors. The forthcoming visit of the German General von der Goltz to the prison island provides him with a suitable opportunity. Nyborg suggests that the actors prepare a comical performance for the visitor and not be shot. Instead, they will be given a new trial. Preparing a comedy in the horrible circumstances, in the midst of hunger and death, seems quite an overwhelming task. Only a handful of real actors are still alive, the rest of the troupe consists of stagehands. Parikka has to use all his inventive skills to be able to produce something funny.
On opening night of a play about addiction and rupture, three actors confront a secret romantic conflict they have long kept hidden. When a betrayal is exposed onstage, the line between fiction and reality shatters, turning the performance into a real confrontation that threatens to destroy everything.
Stories about life and death during the Day of the Dead season.
A century after his birth, Sérgio Cardoso — one of the greatest stars of Brazilian theater and television — still inhabits the country’s cultural imagination. A symbol of a generation that helped shape modern stage language in Brazil, his presence endures as an artistic, political, and emotional legacy. Through archives, memories, and the rehearsals of the play “Six Actors in Search of Sérgio Cardoso,” the documentary moves between past and present to explore not only the trajectory of a monumental actor, but also what remains of an artist when time transforms men into myth. As a new generation of performers attempts to rediscover his voice, rigor, and restless spirit, the film reveals how Sérgio Cardoso continues to resonate within contemporary theater — as a ghost, an inspiration, and a founding force of a stage tradition still trying to understand itself.
Two crash pilots from BravoAir have to fight crime with their dim-witted mechanic, the beautiful daughter of a beaten-up police inspector, and the mechanic's 15-year-old godson. Not only are the three of them and the little one clumsy, but so are the gangsters and the police.
In trouble with the local authorities, Mabel Simmons, notoriously known as Madea, is on the run from the law. With no place to turn, she moves in with her friend Bam who is recovering from surgery. Unbeknownst to Bam however, Madea is only using the "concerned friend" gag as a way to hide out from the police.
Kutlu and Müjdat, who live lives deprived of everything, including their surnames, and live their lives as they please in their daily jobs, realize that they need to get their lives in order when they fall in love, but this will not be easy for them.
A movie buff desperately wants to enter a theater to see a Fassbinder film but the doorman will not let him go because he has no ticket. The film is the confrontation between the two that ends with happy end.
Perry Ashwell is a self-satisfied child psychologist who takes his colleagues and wife somewhat for granted. So confident is he of his position that he introduces rich attractive painter Octavio Quaglini to his office and home. Quaglini is no respecter of convention, and April Ashwell is extremely attractive.
Gerri does not like anymore. Stylishly she wants to promote herself to the hereafter. She does not mince words in her farewell letters. But then the tablets do not work. "You are not the problem, you are the solution!" Her friend Charly tries to comfort her. And she's right: Gerri grabs himself by the head, pulls himself out of the mess and orders the chaos that has triggered them.
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