This movie follows the growth and influence of anime culture in Nagaland, India.
The gang embarks on a trade mission to India. Equipped with three old British cars and a range of uniquely British products, they set off on an epic road trip across one of the world's most fascinating and challenging countries.
Documentary on the river Ganges.
Leaving Mundania explores the colorful lives of "cosplayers" by delving beyond the common stereotypes of anime enthusiasts who express their fandom through costuming and roleplay. This film follows several cosplayers from the Greater Toronto Area as they prepare for their annual pilgrimage to Anime North, the largest anime fan convention in Canada. Through candid footage and in-depth interviews, Leaving Mundania offers an intimate view of participatory fan culture, revealing how cosplayers stand apart from the "mundanes" of the everyday world.
Man-pulled rickshaw, which have served Kolkata for over eight decades face virtual extinction as a result of legislation introduced by the State Government in 1981. This would rob over 100,000 people of a living. The film analyzes the critical situation, and on the basis of concrete facts and figures, questions whether such a step would be fruitful at all. The image of a man pulling a man is a depressing and a negative one - but not more negative than that of the image of a man going without food.
Lord Lytton takes up the post of Governor of Bengal.
A documentary about a 78-year-old Indian woman in New York who is the world's most passionate theatergoer. Nicki Cochrane has been seeing a play every day for more than 25 years, acquiring free tickets using a variety of ingenious means.
Richly detailed amateur ethnographic film on the agrarian economy and society in rural Punjab.
The making of the James Bond movie Octopussy (1983) in Udaipur, India during 1982.
Behind the scenes at a Chennai teachers training college.
RROMANI SOUL traces the true origin of the Rroma people. Through rituals, song and dance we follow emblematic figure and "Queen of the Gypsies" Esma Redzepova to Macedonia, south of France and finally to India. The film reveals for the first time ever that the true and unique origin of the Rroma is Kannauj in Uttar Pradesh, India.
Jhalana’s refuge, India's urban leopard habitat, is controlled by the strong and experienced Bahadur. But his dominance is being challenged – by his son, Rana! Once a quiet youngster, Rana has grown into an ambitious young male. But in the animal kingdom, power is not inherited – it is fought for with strength and persistence. Rana is not content with just securing his place; he wants more. To fulfill his ambitions, he forms a bond with one of his father's females, and what begins as a simple interaction soon turns into a powerful partnership. The aging Bahadur has held his territory for six years and will not tolerate his son's claim. Rana faces a decision: retreat or fight. But Rana follows his instincts.
An unprecedented UHD film on Karnataka's rich biodiversity narrated by David Attenborough. Portraying the state with highest number of tigers and elephants using the latest technology - a masterpiece showcasing the state, its flora, fauna.
"Fascinating India" spreads an impressive panorama of India’s historical and contemporary world. The film presents the most important cities, royal residences and temple precincts. It follows the trail of different religious denominations, which have influenced India up to the present day. Simon Busch and Alexander Sass travelled for months through the north of the Indian subcontinent to discover what is hidden under India’s exotic and enigmatic surface, and to show what is rarely revealed to foreigners. The film deals with daily life in India. In Varanasi, people burn their dead to ashes. At the Kumbh Mela, the biggest religious gathering of the world, 35 million pilgrims bathe in holy River Ganges. This is the first time India is presented in such an alluring and engaging fashion on screen.
In a poetic hour and a half, director Mani Kaul looks at the ancient art of making pottery from a wide variety of perspectives.
Film showing the Viceregal party entering Delhi on lavishly decorated elephants, as part of the Coronation durbar of 1903.
Shot over three years, Pariah Dog paints a kaleidoscopic picture of the city of Kolkata, seen through the prism of four outsiders and the dogs they love. These men and women have found meaning and purpose in their shared mission to care for neglected street dogs, who have existed in the towns and villages of India for thousands of years. For some this mission is enough, for others, dreams of a better life are always near.
The Japanese volleyball players called the “Oriental Witches” are now in their 70s. From the formation of the team at the factory until their victory at the Tokyo Olympics in 1964, memories and legends rise to the surface and blend inextricably.
This portrayal of the rhythm of life and work in a gigantic textile factory in Gujarat, India, moves through the corridors and bowels of the enormously disorienting structure—taking the viewer on a journey of dehumanizing physical labor and intense hardship.
Traveling the length and breadth of the country, S. Sukhdev constructs, a panoramic, non-narrated study of Indian life in the late 1960s. Shot across villages, deserts, countryside, and cities, the film observes daily labor, leisure, and movement without commentary, allowing humor, contradiction, and social texture to emerge organically. The result is a sensory encounter with India poised between inherited tradition and accelerating modernity.
In Punjab’s Doaba region, a rooftop sculptor grapples with leaving home as his art and community reflect the hopes and sacrifices of migration.
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