Attempts to showcase how the creation of art directly correlates to the perception we have of ourselves and the life around us as shown through the eyes of a struggling family.
Himself
Herself
Norman’s father was a society portrait painter. After his father’s death, Norman faces the burden of inheriting his father’s life’s work. He struggles with conflicting feelings about a man who was a gifted artist, but a difficult and unsupportive father. In this emotional journey Norman reconnects with his own artistic nature, something that had not been possible while his father was alive -- finally emerging from his father’s shadow, and the shadow of his grief.
The Kuwaiti short film العاصفة (The Storm) explores Kuwait's social and economic shifts before and after the discovery of oil. Through the perspectives of an older father and his modernized son, it delves into the challenges of tradition versus rapid modernization.
A gang of women wreak havoc in the city, killing various men who have treated women poorly. And sometimes they do it just for fun.
A take it or leave it auteur-experimental fiction exercise: two women are monitoring their dreams, dreams that may of course also be stark naked reality, at least to the dreamers, as they come and they go like bubbles, rising, floating, bursting. A man appears out of nowhere. Poet Peter Laugesen co-wrote the script with Tom Elling, who was Lars von Trier's director of photography on "The Element of Crime".
Experimental film by Aldo Francia that consists in diverse situations through the 123 steps of the Santa Justina staircase in the Cerro Larraín of Valparaíso.
Francisco Morázan has been in Costa Rica for five months where he has been appointed Provisional Chief of State. It has called for elections to install a National Constituent Assembly, which should be a legal structure to the Costa Rican state. The Assembly has decreed the validity of the constitution of 1825, the same as that of the Central American Federation; It has declared the accession of Costa Rica to the Republic of Central America. Two months later Francisco Morazán is shot one afternoon on September 15, 1842.
A Japanese salaryman finds his body transforming into a weapon through sheer rage after his son is kidnapped by a gang of violent thugs.
A man and woman embark on a sexual journey to detach mind from body. The relationship slowly grows into one of emotional domination, physical disease, abandonment and the creation of personal pornography.
Sequence of five shots, each one with a particular color treatment, in which a man carrying a machine gun runs. He moves fast in the beginning but, as the end comes closer, he starts to walk in zigzag. Is he hurt?
Hermitage, defined by Bene as "a rehearsal for lenses", beyond any literal rendition - its narrative trace comes from one of his anti-novels, Credito Italiano V.E.R.D.I - displays his immediate attitude to thinking a cinematic language completely based on actor's movements and actions, and more specifically, on his presence and his schemes. Camouflaged or naked, still or moving, his body seems to play and be played at the same time, shifted by objective and subjective tensions, both metaphorically and visually speaking.
An experimental film that lifts the veil on the world of African American drag racing.
Cooper is given a decision that could help him finally make a difference or get him killed.
A psychiatrist tells two stories: one of a trans woman, the other of a pseudohermaphrodite.
CREMASTER 3 (2002) is set in New York City and narrates the construction of the Chrysler Building, which is in itself a character - host to inner, antagonistic forces at play for access to the process of (spiritual) transcendence. These factions find form in the struggle between Hiram Abiff or the Architect ...
The main protagonist is a young fellow who tries to live his life within 30 frames. He's a person suitable for any atmosphere, which makes him different from the rest. He's like a plant that differs from others, an informer who wants to escape out from his skin. This man loves, hates, eats, drinks, lies ill, laughs, cries, kisses, plays... These are agonies of a contemporary man.
Seeking fulfillment, a young drifter forgoes isolation to embark on a year-long murder spree.
Eleven young film-makers got together to collaborate in this atypical project. Atypical not only because of its technical specs, but because of its narrative structure. There are several scenes with only the city in common, and more as a conceptual presence at that than as a precise geography. None of those scenes contains a single "story": Each one of them is part of a larger situation that we cannot see, as though the beginning and end of each "story" had to be filled in by the audience.
August 2019. Frank recognizes his own story of twenty years ago in a recently published book. He remembers Marie, with whom he had a relationship before she moved to the United States and disappeared from his life. Frank sets out in search of her and finds himself in a USA petrified by a heat wave and lost in suspicion and political paranoia. He heads into the desert in pursuit of Marie.
An anthology of one-minute films created by 51 international filmmakers on the theme of the death of cinema. Intended as an ode to 35mm, the film was screened one time only on a purpose-built 20x12 meter public cinema screen in the Port of Tallinn, Estonia, on 22 December 2011. A special projector was constructed for the event which allowed the actual filmstrip to be burnt at the same time as the film was shown.
The story of real life Costa Rican goalkeeper Keylor Navas, from his humble beginnings in his home town to his rise to greatness as an elite soccer player.
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