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Mary Berry visits Harewood House in Yorkshire as it prepares for Christmas on a grand scale, and demonstrates how to make delicious recipes inspired by festive dishes of the past.
During the Second World War, the Allies threaten to attack Spain, an allegedly neutral country, if the Francoist regime keeps allowing Nazi Germany to extract Galician tungsten, a strategic mineral, paramount to the war effort.
The film is a travelogue of sorts. Ostrovsky’s personal family footage meets the archives of Soviet propaganda footage. The result is a kind of Khruschev-era mix with a collage of Soviet music and a voice-over of my reminiscences of the Cold War era.
To discover the truth behind the mysterious objects her uncle brought back from the Far East during her childhood, filmmaker Francesca Lixi embarks on a journey to those places through archival footage.
An unnamed passer-by is forced to trace a circular route inside an abandoned tram station, facing loss and time. The broken walls act as a channel, transmitting fragmentary, blurred and analogical memories.
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Ben Caldwell’s Medea, a collage piece made on an animation stand and edited entirely in the camera, combines live action and rapidly edited still images of Africans and African Americans which function like flashes of history that the unborn child will inherit. Caldwell invokes Amiri Baraka’s poem “Part of the Doctrine” in this experimental meditation on art history, Black imagery, identity and heritage.
Moving between the playful and the contemplative, explores the meaning of identity and home across three generations of an Iraqi family in Texas.
The history of Europeans in North America, from the arrival of Columbus in 1492 to the business success of German immigrants such as Heinz, Strauss or Friedrich Trumpf, Donald Trump's grandfather. During the 19th century, thirty million people — Germans, Irish, Scots, Russians, Hungarians, Italians and many others — left the old continent, fleeing poverty, racism or political repression, hoping to make a fortune and realize the American dream.
The Way of Saint James, northern Spain, 2016. Two brothers, Oliver, the eldest, and Juan Luis, the youngest, a disabled person in a wheelchair, face the hardest challenge they have found so far on their long road of dirt, stones, rain and cold. Everyone says they will not make it, but, fortunately, they are not alone.
Province of Lugo, Galicia, Spain. A year in the life of A Fonsagrada, a rural region whose inhabitants live both near and far from urban civilization; a praise of the distance that crosses the four seasons of the year, whose inevitable passage transforms both the natural environment and the existence of people, a simple, dignified and peaceful existence.
The documentary tells how, during the 1980s, a cultural phenomenon emerged and developed in Galicia that would eventually become known as the Movida Gallega.
Luzía visits the eight stages of the 'pilgrimage' that the intellectuals Otero Pedrayo, Vicente Risco and Ben-Cho-Shey hiked from Ourense to San Andrés de Teixido in 1927; the story of the journey was published in the book ‘Pelerinaxes I’ (Pilgrimages I). She carries out this journey in order to finish up an audiovisual project about Otero Pedrayo’s book started at the University, together with a colleague who passed away in an accident.
Portrait of Costa da Morte (coast region in Galicia, Spain) from an ethnographic and landscape level, exploring also the collective imagination associated with the area. A region marked by strong oceanic feeling dominated by the historical conception of world's end and with tragic shipwrecks. Fragmentary film that approaches to the anthropological from its protagonists: sailors, shellfish, loggers, farmers ... A selection of characters representative of the traditional work carried out in the countryside in the region, allowing us to reflect on the influence of the environment on people.
A look at the Brazilian black movement between 1977 and 1988, going by the relationship between Brazil and Africa.
In THE COLOR OF FEAR, eight American men participated in emotionally charged discussions of racism. In this sequel, we hear and see more from those discussions, in which the men talk about about how racism has affected their lives in the United States. We also learn more about the relationships between them, and about their reactions during some of the most intense moments of that discussion.
The communities of San Martin Tilcajete and San Antonio Arrazola in Oaxaca, Mexico are best known for being the main source of the "Alebrijes" (wood carving) in the state; a relatively new but powerful tradition in mexican folklore. In both communities, there is a family that claims they're father started this tradition in all the state of Oaxaca.
