A brief feature that showcases various cast members discussing the film.
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An exploration —manipulated and staged— of life in Las Hurdes, in the province of Cáceres, in Extremadura, Spain, as it was in 1932. Insalubrity, misery and lack of opportunities provoke the emigration of young people and the solitude of those who remain in the desolation of one of the poorest and least developed Spanish regions at that time.
The T.N.P., the Théâtre National Populaire, an important experimental theater directed by Jean Vilar. Franju combines sequences from theatrical performances with documentary images, creating links and confrontations between theater and the real world.
A group of people are standing along the platform of a railway station in La Ciotat, waiting for a train. One is seen coming, at some distance, and eventually stops at the platform. Doors of the railway-cars open and attendants help passengers off and on. Popular legend has it that, when this film was shown, the first-night audience fled the café in terror, fearing being run over by the "approaching" train. This legend has since been identified as promotional embellishment, though there is evidence to suggest that people were astounded at the capabilities of the Lumières' cinématographe.
Shannon Amen unearths the passionate and pained expressions of a young woman overwhelmed by guilt and anxiety as she struggles to reconcile her sexual identity with her religious faith. A loving elegy to a friend lost to suicide.
Working men and women leave through the main gate of the Lumière factory in Lyon, France. Filmed on 22 March 1895, it is often referred to as the first real motion picture ever made, although Louis Le Prince's 1888 Roundhay Garden Scene pre-dated it by seven years. Three separate versions of this film exist, which differ from one another in numerous ways. The first version features a carriage drawn by one horse, while in the second version the carriage is drawn by two horses, and there is no carriage at all in the third version. The clothing style is also different between the three versions, demonstrating the different seasons in which each was filmed. This film was made in the 35 mm format with an aspect ratio of 1.33:1, and at a speed of 16 frames per second. At that rate, the 17 meters of film length provided a duration of 46 seconds, holding a total of 800 frames.
This documentary, the final film directed by Frank Capra, explores America's plans for the future of space exploration. It was produced by the Martin-Marietta Corporation for exhibition in the Hall of Science at the 1964 New York World's Fair.
Juno, a twenty-year-old girl becomes obsessed with Pan. Her obsession turns her into an animal.
This film describes a psychological state "kin to moonstruck, its images emblems (not quite symbols) of suspension-of-self within consciousness and then that feeling of falling away from conscious thought. The film can only be said to describe or be emblematic of this state because I cannot imagine symbolizing or otherwise representing an equivalent of thoughtlessness itself. Thus the actors in the film, Jane Brakhage, Tom and Gloria Bartek, Williams Burroughs, Allen Ginsberg, Peter Olovsky and Phillip Whalen are figments of this 'Thought-Fallen Process', as are their images in the film to find themselves being photographed."
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After years of playing second fiddle to a rival performer, a woman confronts her rival. Hoping to reason with her enemy, things grow heated and someone commits an act that may cost them their future. That is until there is a knock at the front door.
Two mimes are preparing for the evening's show, but one of them has got something more sinister in mind.
A popular and common urban legend. Jill is babysitting for Ms. McKenzie, who leaves Jill alone in the house late at night while the children sleep peacefully upstairs. While Jill does her homework, she receives a mysterious phone call. The caller doesn't say anything except: "Have you checked the children?" Jill is confused and believes it is Ms. McKenzie playing a particle joke. After several similar calls, Jill realizes the caller is not who she thinks it is. She becomes frightened and calls the police. Sargent Clifford comes to Jill's aid in solving the mystery of the phone calls. Together they find the origin of the phone calls and discover they are coming from inside the house!
One night Leonardo, a young concierge working in a suburban hotel, receives a visit from a mysterious couple looking for a place to stay. The boy will soon discover that love can hide a dark side.
It's Halloween and monsters of all kinds come out of the shadows in the quiet town of Crystal Wood. Follow the locals as they survive the night of the Blood Street festival and the echoes of the neighborhood's eery past.
A documentary about a person who cleans his room with a vacuum cleaner, filled with disasters and mishaps.
After a traumatic encounter, a young gay Egyptian joins the LGBT rights movement. When his safety is jeopardized, he must choose whether to stay in the country he loves or seek asylum elsewhere as a refugee. "Half a Life" is a timely story of activism and hope, set in the increasingly dangerous, oppressive, and unstable social climate of Egypt today.
Two elderly sisters share the delicate art of making traditional Hungarian strudel and reveal a deeply personal family story about their mother, who taught them everything they know.
A series of short winter scenes.
Set in Charles Town, West Virginia, Halter Off offers an unapologetic look at one man's shot at a second chance. Angelo Jackson, a 50-year old horse trainer with a checkered past, is looking to redeem himself after being one charge away from a life sentence in prison. Banned from the track and with the odds against him, Angelo is facing the biggest race of his career against mentor and legendary horse trainer, James W. Casey. As Angelo finds himself downs on his luck and with the system he is working for working against him, he puts it all on the line to win the race of his life.
Two doctors are observing a very "special patient" through the small window of her cell in the deep, dark corners of a mental asylum. Each morning, at exactly the same time, she performs the exact same extraordinary routine.
