A brief feature that showcases various cast members discussing the film.
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Peter Hutton’s essay on the naturalization of the urban landscape. Voluptuously gray, worn and lived in, the city is like a stage set for an invisible drama.
A film documenting the landscapes of northern Iceland.
In a desolate world, in a city of madness, José Ditirambo is a wolf among wolves, a fury among furies, an intrepid journalist whose favorite weapons are humor and logic, until he embarks on a mission to find a woman he has heard asking for help through the pipes in his bathroom.
A woman working as a cashier at an illegal gambling parlor pushes her luck by stealing money from gamblers as a way to pay off her own debts. When one gambler realizes he’s been cheated, he returns with murderous intent and the already dismal situation spirals out of control.
An oil boom has drawn thousands to America’s Northern Plains in search of work. Against the backdrop of a cruel North Dakota winter, the stories of three children and an immigrant mother intertwine among themes of innocence, home, and the American Dream.
Documentary about influential Brazilian sociologist Gilberto Freyre, made in his country house in Apipucos, Pernambuco (Northeast Brazil).
A day and night in the life of three alcoholic derelicts: "and the meek shall inherit the earth - six feet of it".
Chris Marker and François Reichenbach document the massive anti–Vietnam War protest held in Washington, D.C., on October 21, 1967, where more than 100,000 demonstrators gathered at the Lincoln Memorial before marching on the Pentagon. Filmed amid the crowd, the short captures the tension, idealism, and growing radicalism of the American peace movement.
Exploring the art of Armenian portraitist Hakob Hovnatanyan, Parajanov revives the culture of Tbilisi of the 19th century.
Actor/cult icon Bruce Campbell examines the world of fan conventions and what makes a fan into a fanatic.
Corral is a 1954 National Film Board of Canada documentary by Colin Low, partly shot in the Cochrane Ranch in what is now Cochrane, Alberta. In the film, a cowboy rounds up wild horses, lassoing one of the high-spirited animals in the corral, then going on a ride across the Rocky Mountain Foothills of Alberta.
In the year 2046, a powerful gang lord assembles a group of religious leaders, demanding to know what it takes to be a true messiah. Meanwhile, lying imprisoned in a garage somewhere nearby is a man who claims to be the son of God.
The Veterans of Foreign Wars as a fraternal and social organization, with emphasis on their projects that benefit community life and cohesion.
A lyrical journey through the heart of Chicano culture as reflected in the love songs of the Tex-Mex Norteña music tradition. Performers include, Little Joe & La Familia, Leo Garza, Chavela Ortiz, Andres Berlanga, Ricardo Mejia, Conjunto Tamaulipas, Chavela y Brown Express and more.
A portriat of the daily lives of Beatriz and Gilberto, a couple that has been together for over 40 years. A reflection about love and marriage. An intimate glimpse into the lives of two people who struggle to live in harmony.
In 1967, de Andrade was invited by the Italian company Olivetti to produce a documentary on the new Brazilian capital city of Brasília. Constructed during the latter half of the 1950s and founded in 1960, the city was part of an effort to populate Brazil’s vast interior region and was to be the embodiment of democratic urban planning, free from the class divisions and inequalities that characterize so many metropolises. Unsurprisingly, Brasília, Contradições de uma Cidade Nova (Brasília, Contradictions of a New City, 1968) revealed Brasília to be utopic only for the wealthy, replicating the same social problems present in every Brazilian city. (Senses of Cinema)
A 10-minute portrait of modernist poet and de Andrade’s godfather, Manuel Bandeira, is clear in its affection for it subject, though like many New-Waveish films of the time, depicts the modern urban landscape as an ominous and alienating force.
Elem Klimov's documentary ode to his wife, director Larisa Shepitko, who was killed in an auto wreck.
To the city come men, women, fruits, flowers, vegetables, goats and sheep – all ready for consumption. It is the process of consumption/exploitation that forms the core of the film.
An isolated village in the Lithuanian countryside. Seated in her house, an elderly woman recites an old folk story. Then she climbs up the tall ladder that takes her to the rooftop of the church.
