An ode to the people who bring food on our plates.
A thought provoking short film on Indian farmers told through clay sculptures made from barren farms of the farmers who have committed suicide.
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A professional witness at the marriage registrar helps a runaway girl when her boyfriend does not show up for the wedding. He falls in love with her, but then the missing groom returns.
Maj. Siddhant Chaudhary, an Indian Army lawyer, attempts to defend Capt. Javed Khan who is accused of killing a decorated officer. The problem is that Khan does not wish to be defended and freely admits to his crime.
A wealthy and ruthless man ruins the lives of his family and everyone around them.
During US invasion of Iraq some illegal migrants are waiting to get back home to India. As one such family prepares to celebrate the 6th birthday of their youngest member Chintu, their kind-hearted Iraqi landlord lends them a helping hand.
Approaching Rudi's execution (Mirna's Husband), Mirna was asked to come to the prison with a Lasagna. Her husband wishes to enjoy the Lasagna with Mirna for the very last time. But when Mirna came with the Lasagna, Rudi chooses not to eat it.
A male and a female in their human forms are in love with each other. When the male turns back into a snake, he is shot by a member of a hunting party, who thought the snake was going to attack the woman. Enraged at the brutal killing of her beloved; the female snake begins to take revenge on the six involved, killing them one by one after assuming the form of a human.
A young man returns to Kashmir after his father's disappearance to confront his uncle - the man he suspects to have a role in his father's fate.
Immu and his grandfather run a wedding company where they prevent couples from eloping until Immu gets struck by Cupid.
Three officers of the Indian National Army are on trial for treason. An ailing lawyer must help them face the consequence of their courage.
Belonging to a family that has a grandfather addicted to alcohol, Mohan Khanna (Raj Kapoor) too is addicted to alcohol, compounded by the fact that he is enamoured with a woman, Miss Reeta (Nishi), who is using him to extort money and vengeance from his Judge father, Kundan Lal Khanna. The only person who is really interested in the welfare of Mohan, in a practical way, is an aged and recently hired servant of the family, who has just been released from prison for killing two people.
No overview available.
Unfolding through a course of a night in Mumbai, Kaalakaandi showcases three parallel tracks — a man who discovers he has terminal illness decides to let go of his principles and live a little; a woman involved in a hit-and-run seeks redemption and two goons must decide if they can trust each other.
A man decides to re-pay a good Samaritan but regrets doing so after he finds out that he is an assassin.
This is a dramatic chain of events in the most glamorous ,swinging era of Hindi films... the 1960s. It was a decade when film stars tasted success and carried their larger than life screen image on to real life with unbridled pomp and splendour. It was during this time that two ambitious films were made... Ujwal Nirmal Sheetal and Reena Mera Naam. The latter became a runaway hit while the former was struggling at the box office.
A poignant drama set in 1970s Australia about a newly-single father’s efforts to weather the turbulence of change – in his life and in the world around him – while a new immigrant endeavours to find her place in a foreign land.
Anmol is made to work as a maid in her own house by her step-mother and step-sisters. Later, a singer falls for her and decides to free her from her family.
Rajoo lives alone and works in a decent company. He also has a girlfriend, who he intends to marry, that being Pooja. God suddenly appears to Rajoo one day and asks him to spread His word. Naive Rajoo does so, and this results in chaos, misunderstandings, and confusion. And as a result poor Rajoo is hauled up in Court, and the only one witness that can save Rajoo is God, but will God make an earthly appearance?
What is possible when we have guaranteed money to meet our basic needs? No requirements. No stipulations. No paybacks. We look to the village of Busibi to discover what’s possible when we give money directly to people. No strings attached. The answer lies in the residents’ personal stories. Their successes and tribulations illustrate the impact of one of the most daring projects in contemporary development cooperation. Their life stories unexpectedly prove to be all too familiar. They make us laugh. They move us. Blending in together, they create a colorful and poetic reality portrait, illustrating the big consequences of a small sum of money …
Through testimonies and images, the crude reality of human rights in Argentina in democracy is portrayed and the role of the hegemonic means of communication to make causes and protests invisible ...
