Step back into the imaginative and frankly terrifying world of Becky & Joe with Don’t Hug Me I’m Scared. In this episode: Some things change over Time.
An all-girl rock band moves to Hollywood in the hope of achieving success, only to fall into a whirlpool of wickedness and decadence.
A newly-wed man discovers that his wife is in love with another man and decides to unite them. Ignoring the ridicule he might have to face for this, he takes his wife to Italy in search of her love.
In 1940s France, a new teacher at a school for disruptive boys gives hope and inspiration.
Caught at the window just before an air-raid warning (WWII) composer Paul tells how he met his wive Anni, a revue star and song writer, how he handled the courtship and the early years of his marriage, inspite of some professional conflicts - his operas were flops, while his wive had one success after the other - they finally found out how they could help each other.
A Salesman tries to locate a notorious Mexican bandit.
The scene is a parlor out West, with Ray Mayer sitting at the piano in is cowboy duds - hat, scarf, and chaps. He plays a little barrel-house music and then introduces Edith Evans, who enters wearing fur. She sings - her voice a light-opera soprano - while Mayer plays.
Susan Kent, hoping to establish herself as a song-plugger, tries to obtain a second song from a young songwriter, Johnny Crane, after his first song becomes a hit. While pursuing her objective, she falls in love with Johnny, and lands in jail, but she acquires the song, the job, and Johnny.
Musical comedy directed by Edward F. Cline
The Rock & Lin-Manuel Miranda present "Millennials: The Musical," a loving satire of musical theater and millennial culture. It tells the surprisingly uplifting story of a privileged Brooklynite, Crystal, whose world comes crumbling down when she loses her phone.
In the Swedish city of Lethe, people from different walks of life take part in a series of short, deadpan vignettes that rush past. Some are just seconds long, none longer than a couple of minutes. A young woman remembers a fantasy honeymoon with a rock guitarist. A man awakes from a dream about bomber planes. A businessman boasts about success while being robbed by a pickpocket, and so on. The absurdist collection is accompanied by Dixieland jazz and similar music.
Pello, a bank branch manager, is arrested on charges of embezzlement. Abandoned by his superior (who got him involved in the heist), Pello escapes from the court room and goes on the run. With no papers, no money and no family or friends he can trust, he changes identity so that he can stay undercover for a time. By chance he ends up hiding in a building that has been occupied by a group of people evicted from their homes who are fighting his bank. Pello gains their trust, all the time planning to steal money from them to pay for false documentation so that he can escape abroad and start a new life.
Solidarity, peace, and brotherly love – especially in difficult times. The passion stands for values and has fascinated people for over 2000 years already. Now, Jesus Christ gets resurrected once again in ‘Die Passion’ (The Passion): During the RTL live music event, he awakes in modern times – accompanied by real pop hits. The modern depiction of the final days in the life of Jesus Christ is enacted in ‘Die Passion’ by an array of popular stars of the worlds of acting and music.
Two middle-aged brothers and farmers live together on the farm they grew up on. They are struggling with their loneliness and inability to run the household after their parents died so they put a "help wanted" ad in the local newspaper. They get more than they bargained for when Hillevi turns up with her mother and a goat.
A shy Greenwich Village book clerk is discovered by a fashion photographer and whisked off to Paris where she becomes a reluctant model.
'Cape No. 7' director Wei Te-Sheng returns to his melodic roots with Taiwan's first musical, '52Hz, I Love You.'
Two talented song-and-dance men team up after the war to become one of the hottest acts in show business. In time they befriend and become romantically involved with the beautiful Haynes sisters who comprise a sister act.
Davey Stone, a 33-year old party animal, finds himself in trouble with the law after his wild ways go too far.
33 1⁄3 Revolutions per Monkee is a television special starring the Monkees that aired on NBC on April 14, 1969. Produced by Jack Good, guests on the show included Jerry Lee Lewis, Fats Domino, Little Richard, the Clara Ward Singers, the Buddy Miles Express, Paul Arnold and the Moon Express, and We Three. Although they were billed as musical guests, Julie Driscoll and Brian Auger (alongside their then-backing band The Trinity) found themselves playing a prominent role; in fact, it can be argued that the special focused more on the guest stars (specifically, Auger and Driscoll) than the Monkees themselves. This special is notable as the Monkees' final performance as a quartet until 1986, as Peter Tork left the group at the end of the special's production. The title is a play on "33 1⁄3 revolutions per minute."
Forty-year-old Andreas arrives in a strange city with no memory of how he got there. He is presented with a job, an apartment - even a wife. But before long, Andreas notices that something is wrong. Andreas makes an attempt to escape the city, but he discovers there's no way out. Andreas meets Hugo, who has found a crack in a wall in his cellar. Beautiful music streams out from the crack. Maybe it leads to "the other side"? A new plan for escape is hatched.
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Marylin Parker
Julien de Costa
Sergius Konstantin
Janine Rocca
Barsoni
Otto Pfennig
Dora Köslin
Hilla Pfennig
Protokolchef
Frl. Putzke
Minister
