Why the Great War was a Great Mistake
Professor Niall Ferguson argues that Britain's decision to enter the First World War was a catastrophic error that unleashed an era of totalitarianism and genocide.
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Set in the First World War, the film tells the story of two enemy soldiers who are full of hope, dreams, desires and love, but also full of fear and sadness. When they suddenly face each other on the battlefield while experiencing hell on earth, the core of being human comes to the surface.
Documentary overviewing the 2005 Ashes Cricket test series
The race to save the world's only dedicated Māori World War One Memorial from collapse reveals an unknown soldier's heroic story to the community he was once part of.
Writers and historians including Hilary Mantel and Philippa Gregory revisit the last days of Anne Boleyn, who in 1536 became the first queen in British history to be executed.
In 1805 St. Petersburg, Pierre Bezukhov, illegitimate son of a rich nobleman, is introduced to high society. His friend, Prince Andrei Bolkonsky, joins the Imperial Russian Army as aide-de-camp of General Mikhail Kutuzov in the War of the Third Coalition against General Napoleon Bonaparte. Part one of the four-part adaptation of Leo Tolstoy's 1869 novel.
The crusades come to life in Egyptian artist Wael Shawky’s beautiful Cabaret Crusades. Inspired by the writings of Lebanese writer Amin Maalouf, Shawky’s film trilogy explores the horrors of the medieval holy wars in the Middle-East – from an Arab perspective. With a cast made up entirely of puppets, the third part, The Secrets of Karbala (2014), centres on the period between the 7th and 12th centuries, covering the crusades as well as a dispute between two Islamic sects. Beautifully made of handblown Murano glass, the puppets have amazing expressive power, making the scenes full of violence, repression and torture all the more awe-inspiring.
Legendary western swing band leader Bob Wills rose up in the Great Depression to fame in Oklahoma and Texas that soon swept the entire nation. The documentary FIDDLIN MAN offers a full biography of Wills, using a vast array of on camera interviews with his friends, family, and fellow musicians. The film also draws on a wealth of rare archival footage.
Byzance uses a text by Stefan Zweig to describe the Ottoman conquest of the city in 1453. Before he turned to feature filmmaking in 1968 with Naked Childhood, Pialat worked on a series of short films, many of them financed by French television. Byzance is one of Pialat’s six Turkish shorts.
All of Pialat's Turkish films are uniquely interested in the country — especially Istanbul — as it was, not just as it is at the precise moment that Pialat is filming it. History informs these films in a big way, with the voiceover narration (which incorporates excerpts from various authors) introducing tension between the images of the modern-day city and the descriptions of incidents from its long and rich history. Istanbul is probably the most conventional documentary of Pialat's Turkish series, providing a general profile of the titular city, its different neighborhoods, and the different cultures and ways of living that coexist within its sprawling borders. As the other films in the series also suggest, Pialat sees Turkey, and Istanbul in particular, as a junction point between Europe and the East, between the old and the new, between history and modernity.
Maître Galip is the most poetic and powerful of Pialat's Turkish Chronicles, using the poems of Nazim Hikmet to accompany a series of evocative images of ordinary working class people in Istanbul. This was the film that Pialat himself claimed was the most complete realization of what he was aiming for with his Turkish documentaries. It's not difficult to see why this was his favorite: here he abandons the historical commentary and documentary observation of the other shorts in favor of an emotional emphasis on the lives of the poor and the unemployed.
La Corne d'or is mostly concerned with religious ritual, examining the mosque (and former cathedral) discussed in Byzance. As a contrast against Istanbul's status as a center of historical religious conflict, Pialat — drawing here on texts by the French poet Gérard de Nerval — also describes the city as a place of strange ethnic and religious harmony, with representatives of various cultures and religions living in close contact. He emphasizes the city's hybrid culture, its blend of Southern European and Arab influences, reflected in both its people and its very construction.
Pehlivan focuses on a three-day wrestling competition, an ancient tradition that dates back over a thousand years to the time of the Ottoman Empire, originating in the games the soldiers would play to entertain themselves in between battles. Maybe that's why there's more than a hint of homoeroticism in the way the wrestlers oil themselves up with grease, making sure to cover every inch of their bodies so that their opponents will be unable to get a grip. Pialat's closeups emphasize the men's muscular bodies jammed together and sliding off one another, posed in intimate, twisted arrangements, struggling desperately for a grip on each other's bodies. Arms are jammed down pants, one of the only places there's some potential for a handhold, and the whole thing is very suggestive and sensual, a form of intimate male contact that's sanctioned as a show of strength and masculinity.
A collection of short films made by the Lumiere brothers, a team of pioneering filmmakers in turn-of-the-century France, narrated by Bertrand Tavernier.
Gary is turning into a dinosaur, and Eric must find the cure. This becomes a globetrotting journey into everything dino while searching for the magic waters needed to stop Gary's odd transformation. Will Eric be too late? Get ready to meet the Garysaurus!
A documentary about what happened to the Great Plains of the United States and Canada when uncontrolled farming destroyed the soil and led to the Dust Bowl.
It is May 1912. Thirteen political prisoners are being tried in a naval fortress of Kronstadt. They are sentenced to death by hanging. A clandestine Bolshevik organization decides to free the prisoners during their transfer to the place of execution. Vasily Panin, a junker of a school of naval engineers, is one of those entrusted with this dangerous task.
Political thriller based on a story of coup against Bolsheviks by the Left Socialist Revolutionary Party in Moscow on 6–7 July 1918. They assassinate German ambassador in Moscow in hope of gaining public support and dragging the country into new war with Germany.
As 1809 nears its end, Natasha attends her first ball, where Andrei falls in love with her with the intent of marriage. However, as her father demands they wait, the prince travels abroad, leaving Natasha in desperate longing. But she meets Anatol Kuragin and forgets Andrei. Part two of the four-part adaptation of Leo Tolstoy's 1869 novel.
