A doctor in a mental research institution is driven insane by the spectacle of the horrors of the twentieth century.
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"Family" (1953), which launched the Union Film legacy, "Spring" (1953) and "Autumn" (1954) are adaptations of Ba Jin's highly regarded novel "Torrent Trilogy". In "Family", director Ng Wui skilfully condenses the voluminous first part of the novel into an emotionally powerful and intellectually focused story of youngsters struggling to survive oppression and repression in a feudalistic family. This well-received film quickly established the company's reputation.
Four sisters come of age in America in the aftermath of the Civil War.
A series of terrifying accidents and brutal murders leave a bloody trail into the subterranean caverns of an Opera house. Below the theatre stalks a man raised by creatures of the underworld.
An adaptation of the J.P. Sartre story "Le Mur". What goes on in his mind and what happens outside when he has left only few more hours left to live. The existential dilemmas of a prisoner condemned to death from a repressive regime for his participation in a resistance movement and his friendship with the leader of this resistance. When all seems lost and he has already given up the most unlikely coincidence changes the course of events and his life.
Young orphan Heathcliff is adopted by the wealthy Earnshaw family and moves into their estate, Wuthering Heights. Soon, the new resident falls for his compassionate foster sister, Cathy. The two share a remarkable bond that seems unbreakable until Cathy, feeling the pressure of social convention, suppresses her feelings and marries Edgar Linton, a man of means who befits her stature. Heathcliff vows to win her back. [Originally aired on CBS's DuPont Show of the Month.]
A poor taxi driver offered a chance for a better financial future must weigh up the cost of walking away from what he most values. // In a world first omnibus collaboration between emerging Asian movie powerhouses, China, Korea and Australia, comes the classic adaptation of Loa She’s The Rickshaw Boy. Set in three locations, across three countries each thirty minute chapter tells the story of one man’s struggle for survival amidst the age of disruptive technology and explores the intimate relationship that has come to exist between man and machine and the evolution of that relationship.
Hak-ming heads the Ko Family, but he and his brothers, Hak-ting and Hak-on, and the second wife of the late Master Ko quarrel. Young Cousin Mui, who has tuberculosis, is forced by to marry an older woman. Kok-sun is guilty of being unable to stop the marriage. Sun and maid Chui-wan are wary of their feelings for each other due to class difference. Cousin Mui dies of illness. Hak-ting has his eyes on Wan. His wife, Wong, complains to their daughter, Shuk-ching, who cannot take it and commits suicide. Wong blames herself for her death. Undergone these tragedies, Cousin Kam's mother let Kam have a modern wedding with Kok-man. When Ming is ill, Ting and On want to sell the ancestral home. Hak-ming dies of angst. When the fifth uncle of Sun forces Wan to be his concubine, Wan tries to kill herself but is intercepted by Sun. Pressurised by people of the house over the issue of inheritance, Sun protests by declaring his love for Wan and leaves the family, with his mother, brother Man and Wan.
Ko Suk-ying is saddened over her arranged marriage as manipulated by her father Hak-ming. Ko Kok-sun's Cousin Chow Wai's spends the Mid-Autumn Festival before her marriage with the Kos. She has been in love with Sun. Sun finds out about her love for him when she is about to be married off, he is too weak to oppose to Wai's betrothal to another man. Sun's son, Hoi-sun, falls ill. Fearing the displeasure of his elders, Sun dares not consult a western doctor. Meanwhile, another dispute arises among members of the family over the ancestral land. When accused of being incompetent in his management, Sun takes the blame silently. Wai dies of grief while Hoi-sun becomes a victim of mistreatment. Sun is devastated at this double blow. Hak-ming instructs Sun to arrange for Ying's wedding. Knowing the kind of man Ying's fiancee is, Sun is reluctant. Not wanting to follow in Wai's footsteps, Ying fights for her own rights, and backed by an enlightened Sun, she leaves for a new start.
Bus Money dons various disguises on public buses to protect the defenceless from the bullies and receives heroic praise. Money meets Tai Ngau, a righteous journalist, when they bear witness to the callous response of Manager Mo to the death of his servant Ah-kwai. Tai writes to redress grievances of the deceased. When visiting the family of orphans, he chances on his kindred spirit giving the eldest daughter Ah-yin a gift of gold. Money exploits the weakness of Mo and her connection with his son Sze-fu to swindle a fortune out of the lewd man for the benefits of the fatherless children. Her rage grows learning that Mo's friend Fong Hak-sang has pulled off a lucrative fraud on returned overseas Chinese and forces Ah-yin to pledge herself in paying off her father's debts. Money, who has all kinds of tricks up her sleeve, teams up with Tai and gives Mo and Fong their comeuppance before setting off on her next mission.
Despite mixed emotions, Frederick Winterbourne tries to figure out the bright and bubbly Daisy Miller, only to be helped and hindered by false judgments from their fellow friends.
Chor Yuen started his directorial career with a bang. From its very first image, The Natural Son establishes Chor as a filmmaker of stylistic flourish, which would be sustained in various forms throughout his long tenure. Adapted from '30 cents' pulp fiction, it is a Kong Ngee melodrama made in the studio's mould, with Westernised characters and trendy middle-class lifestyles. Yet, Chor's first film is not exempt from the social urgency that characterises the Cantonese cinema of his father, Cheung Wood-yau. The film cloaks its entertainment in a moral deliberation on blood ties, its story about the raising of a bastard child a head-on challenge of archaic family values. An ostentatious start for a colourful and eventful career.
Victor Frankenstein's search for the secret of life leads to the creation of a monster that consumes his life and family.
The deformed Phantom who haunts the Paris Opera House causes murder and mayhem in an attempt to make the woman he loves a star.
Lau Mung-mui chances on To Lai-leung and their encounter transcends to a rendezvous in their dreams. They admire each other, but they do not know each other's names and addresses. They keep on thinking of each other and decide to take each other as their future husband and wife. Mui's father wants his son to get married, but he pays no attention to his father's wishes. Mui leaves home to look for Leung. Leung's father forces his daughter to marry her rich and powerful cousin. Leung becomes despondent and dies, following an arranged marriage with her cousin. Mui sought everywhere for Leung for three years, but to no avail. He locates the home of Leung, but the household has moved out. The house is guarded by an old servant. Mui, chasing Leung's spirit, has a brief romance with her. Acknowledging that their union will be hindered by their incompatibility as a mortal and a spirit, Leung reincarnates as a mortal so that their love may be rekindled.
Following a tragic accident that leaves him disfigured, crazed composer Erique Claudin transformed into a masked phantom who schemes to make beautiful young soprano Christine Dubois the star of the opera and wreak revenge on those who stole his music.
A writer leaves his upper-class life and journeys with a woman claiming to be his sister, and her two friends.
A disfigured musical genius, hidden away in the Paris Opera House, terrorises the opera company for the unwitting benefit of a young protégée whom he trains and loves. The 25th anniversary of the first public performance of Phantom of the Opera was celebrated with a grand performance at the Royal Albert Hall in London.
In Imperial Russia, Anna, wife of the officer Karenin, goes to Moscow to visit her brother. On the way, she meets charming cavalry officer Vronsky, to whom she's immediately attracted. But in St. Petersburg’s high society, a relationship like this could destroy a woman’s reputation.
Collective film with five segments around the works and life of brazilian writer Oswald de Andrade.
When 9-year-old orphan Oliver Twist dares to ask his cruel taskmaster, Mr. Bumble, for a second serving of gruel, he's hired out as an apprentice. Escaping that dismal fate, young Oliver falls in with the street urchin known as the Artful Dodger and his criminal mentor, Fagin. When kindly Mr. Brownlow takes Oliver in, Fagin's evil henchman Bill Sikes plots to kidnap the boy.
Travis Talbert
Karen Novotny
Dr. Nathan
Nurse Nagamatsu
Vaughn Koester
Cathrine
Margaret
Captain Webster
