Tonj, Sudan is the land with only desperation from poverty and war. This is the story about priest also doctor, educator, musician and architect Lee Tae-seok’s work and hidden episode behind.
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While serving with the African Union, former Marine Capt. Brian Steidle documents the brutal ethnic cleansing occuring in Darfur. Determined that the Western public should know about the atrocities he is witnessing, Steidle contacts New York Times reporter Nicholas Kristof, who publishes some of Steidle's photographic evidence.
The Kush Empire was an ancient superpower that dominated the Nile Valley and rivaled the Egyptians, and now, a new, cutting-edge investigation at a mysterious tomb could reveal the secrets of this formidable lost kingdom.
A Catholic priest discovers that he was born to Jewish parents
During the Japanese occupation period, Koreans were forced to deport or drafted to work in other countries. Now 150 years passed, it appears around 7million of those people and their families are spread in 170 countries. There, a world-famous Korean-Japanese musician Yang Bang Ean follows the pathways of Korean diasporas as an inspiration, and performs his cross over music concert called ‘ARIRANG ROAD’.
A group of women climbs a summer mountain situated in South Korea. They are refugees who have settled into South Korean society after fleeing from North Korea. For them, climbing the mountains has been an unavoidable journey for survival - a matter of life and death.
Short documentary on a central african tribe called 'The Chillouks'.
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William Friedkin attends an exorcism with Father Gabriele Amorth, as he treats an Italian woman named Cristina for the ninth time. Prior to filming, Cristina had purportedly been experiencing behavioural changes and “fits” that could not be explained by psychiatry, and which became worse during Christian holidays.
A Schweitzer of Korea Father LEE Tae-seok, devoted his life in Sudan; a remote area of Africa.
The film builds up a portrait of a great Sudanese film-maker, Gadalla Gubara. At eighty-seven, he is one of the pioneers of cinema in Africa. He has recently lost his sight but still continues to film life in Sudan as no one before him. Through his oeuvre, Gadalla reveals to us a Sudan both mysterious and misunderstood. Despite censorship and lack of financial support over sixty years, he has produced cinema that is independent and unique in a country where freedom of expression is a rare luxury.
Six men who were sexually abused by Catholic clergy as boys find empowerment by creating short films inspired by their trauma.
This early work from Pierre Perrault, made in collaboration with René Bonnière, chronicles summer activities in the Innu communities of Unamenshipu (La Romaine) and Pakuashipi. Shot by noted cinematographer Michel Thomas-d’Hoste, it documents the construction of a traditional canoe, fishing along the Coucouchou River, a procession marking the Christian feast of the Assumption, and the departure of children for residential schools—an event presented here in an uncritical light. Perrault’s narration, delivered by an anonymous male voice, underscores the film’s outsider gaze on its Indigenous subjects. The film is from Au Pays de Neufve-France (1960), a series produced by Crawley Films, an important early Canadian producer of documentary films.
Recreation of facts and stories of both experts and people who met Maximilian Kolbe and were shocked by his words and actions.
This acclaimed documentary follows the story of six people who are determined to end the sufferings in Sudan's war-ravaged Darfur. The six - an American activist, an international prosecutor, a Sudanese rebel, a sheikh, a leader of the World Food Program and an internationally known actor - demonstrate the power of how one individual can create extraordinary changes.
Eunmi, a woman who underwent intense anti-communist education while she grew up in South Korea, lives a normal life in America. However, after going on a trip to North Korea with her husband, her life begins to change. During an open forum event in South Korea, where she was invited to speak, she suffers the unimaginable, and the more she tries to escape from the situation, the worse and worse it gets.
"The reason why they kill people is because they do not have any education," a Sudanese boy says about the bloody conflict in his fatherland. Shortly before, we see images of a bombed school. In this film, the youngest and most innocent generation of Sudanese explains how it deals with the war that is tearing the country apart. Will the orphaned children avenge their murdered parents, or will they forgive the killers and start working on a new life? At any rate, these children's dreams for the future are anything but violent. One of them wants to learn English to be able to liberate his country, another wants to study to "be something," a third wants to become president to bring total peace, and yet another simply wants to be like her grandmother. Despite all the atrocities they have witnessed, the children mainly want to rebuild things, to put an end to the destruction.
Adopted from South Korea, raised on different continents & connected through social media, Samantha & Anaïs believe that they are twin sisters separated at birth.
A poignant documentary exploring the unexpected bond between Malcolm X and Ahmed Osman, a young Sudanese student. Through personal reflections and rare footage, the film traces their friendship, culminating in Osman's emotional return to Harlem, where he revisits the legacy of Malcolm X and his meaningful connection to the Sudanese people.
Sexual violence against women is a very effective weapon in modern warfare: instills fear and spreads the seed of the victorious side, an outrageous method that is useful to exterminate the defeated side by other means. This use of women, both their bodies and their minds, as a battleground, was crucial for international criminal tribunals to begin to judge rape as a crime against humanity.
When tribal feuds ignite a firestorm of violence, three surgeons unite for peace. Francis grew up with little schooling during the Sudanese Civil War. Ajak is a Lost Boy who has returned to the tribe he fled as a child. Both men are proteges of Glenn, a grizzled, but brilliant American surgeon.
