A documentary about some of the comedians of the silent era featuring clips from their films and biographical information.
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a silent movie by Robert Wiene
In this Mack Sennett comedy, a mother and daughter fear foreclosure because their mortgage payment is due and they're unable to pay it. Meanwhile, the family's son Jack, who's in prison, unexpectedly finds himself free of captivity.
Sweethearts Jimmie Carter and Bessie Barnes work for Adolph Brock at the Acme Corporation. One day while he is out for a drive in his jalopy of a car, Jimmie spies a pretty young woman on horseback. He comes to her rescue after she falls off her horse and gets injured, he leading her to refuge in an abandoned cabin when it starts to rain heavily. Although she flirts with him, he, in turn attracted to her, wants to remain faithful to Bessie and resists his urges. When this woman mysteriously disappear on him, he can't stop thinking about her and follows her innuendo to meet with her at her apartment. All the while, he is unaware that she is Peggy Joyce, Brock's gold-digging fiancée. He is also unaware that Peggy has ulterior motives for coming on to him, which, in combination with her dangerous past, could lead to complications for all involved.
In this silent film, now considered lost, Doug Caswell falls for Irene, his wealthy father's mistress. It's up to Doug's stepmother Helen to put things right.
So This is Love? was another early Frank Capra production for fledgling Columbia Pictures. The hero, dress designer Jerry McGuire (William Collier Jr.), is tired of being considered a wimp. After business hours, Jerry secretly takes boxing lessons, enabling him to knock the stuffings out of his burly rival Spike Mullins (Johnnie Walker). Jerry's newfound pugilistic skills wins him the affections of store clerk Hilda Jensen (Shirley Mason), who's just car-razy about "cave men." Filmed in a fast three weeks, So This is Love? was completed before Frank Capra's Matinee Idol but released afterward. Leading lady Shirley Mason was the sister of Viola Dana, who starred in Capra's initial Columbia effort, That Certain Thing.
A club man's country jaunt with friends leads to a breach of promise suit by a landlady.
Anita and Marion realize that an abandoned baby they sneaked into an orphanage was kidnapped from a millionaire. For the reward, they proceed to break into the institution at night, dressed as men to beat curfew, to get the kid out again. This film survives only in very fragmentary form.
Edgar is called upon by his mother to execute a disagreeable errand, has to mind his troublesome younger brother, and runs away.
Two college students live together in Cairo. As they fall for their neighbor Mona, they start to compete to win her favor which stirs up trouble.
A film by Louis Aimé Augustin Le Prince, shot in late October 1888, showing pedestrians and carriages crossing Leeds Bridge.
A divorced couple try to pretend they are still happily married in order to get $100,000 from the woman's divorce-disapproving aunt.
The most important family in Hickoryville is (not surprisingly) the Hickorys, with sheriff Jim and his tough manly sons Leo and Olin. The timid youngest son, Harold, doesn't have the muscles to match up to them, so he has to use his wits to win the respect of his strong father and also the love of beautiful Mary.
An appreciative, uncritical look at silent film comedies and thrillers from early in the century through the 1920s.
Aspiring filmmakers Mel Funn, Marty Eggs and Dom Bell go to a financially troubled studio with an idea for a silent movie. In an effort to make the movie more marketable, they attempt to recruit a number of big name stars to appear, while the studio's creditors attempt to thwart them.
Toshiro Mifune swaggers and snarls to brilliant comic effect in Kurosawa's tightly paced, beautifully composed "Sanjuro." In this companion piece and sequel to "Yojimbo," jaded samurai Sanjuro helps an idealistic group of young warriors weed out their clan's evil influences, and in the process turns their image of a proper samurai on its ear.
The story of Elwood P. Dowd who makes friends with a spirit taking the form of a human-sized rabbit named Harvey that only he sees (and a few privileged others on occasion also.) After his sister tries to commit him to a mental institution, a comedy of errors ensues. Elwood and Harvey become the catalysts for a family mending its wounds and for romance blossoming in unexpected places.
Father Brown is only too happy to interfere with the work of the police in solving tricky criminal cases, usually with resounding success. That's why the clergyman is transferred to a sleepy island called Abbott's Rock. At first, nothing happens there, but somehow Father Brown seems to be attracted to crime: Soon a gang of thieves is up to no good on the island. So Brown makes the headlines again, and is punitively transferred once more. This time he finds himself in a quiet Irish millionaire community.
Kris Kringle, seemingly the embodiment of Santa Claus, is asked to portray the jolly old fellow at Macy's following his performance in the Thanksgiving Day parade. His portrayal is so complete that many begin to question if he truly is Santa Claus, while others question his sanity.
When his mother eloped with an Italian opera singer, Louis Mazzini was cut off from her aristocratic family. After the family refuses to let her be buried in the family mausoleum, Louis avenges his mother's death by attempting to murder every family member who stands between himself and the family fortune. But when he finds himself torn between his longtime love and the widow of one of his victims, his plans go awry.
Two old tars, retired from service, live alone in a cottage by the sea. They sail along on an even keel, until a buxom and comely widow projects herself on the scene when one old tar breaks one of their unwritten laws and falls in love with her. The other old fellow objects strenuously.
(archive footage)
