Told in a very abstract and poetic way, this love story – set in very unusual circumstances – is inspired by the refugee crisis, in which Macedonia played the unfortunate role of a transit country.
Edna (voice)
A woman reads the newspaper with such intensity that she gets literally devoured by it. Painted on its pages she witnesses some of the tragic events of our times, drowns in ocean trash and is threatened by the elements unleashed by climate change. Yet in her despair she transforms this darkness into movement and art, so she plants the seeds of hope.
The arrival of the young teacher Damjan in one village in western Macedonia shakes the usual daily life of its inhabitants who belong to different religions.
In an isolated mountain village in 19th century Macedonia, a young feral witch accidentally kills a peasant. She assumes the peasant's shape to see what life is like in her skin, igniting a deep seated curiosity to experience life inside the bodies of others.
The circularity of violence seen in a story that circles on itself. In Macedonia, during the war in Bosnia, Christians hunt an ethnic Albanian girl who may have murdered one of their own. A young monk who's taken a vow of silence offers her protection. In London, a photographic editor who's pregnant needs to talk it out with her estranged husband and chooses a toney restaurant.
Gaza is a 14-year-old boy who lives on the Aegean coast of Turkey. Together with his domineering father, he helps smuggle refugees from war-torn countries to Europe, giving them temporary lodgings and scant food until they attempt the crossing. Gaza dreams of escaping this life, but can't help being drawn into a dark world of immorality, exploitation and human suffering. Can you avoid becoming a monster when you've been raised by one? Onur Saylak's debut feature, adapted from the award-winning novel of the same title by Hakan Günday, one of the first novels to document the refugee crisis in Europe, "More" is the gripping story of a boy that gets to grow up in a world where there's no room for innocence.
When a Danish family finds themselves on a holiday island, in the midst of the first major refugee crisis in Europe in our time, our northern European, well-intentioned, humanistic values are put to the test.
In the treacherous and swampy forests that make up the so called “green border” between Belarus and Poland, refugees from the Middle East and Africa trying to reach the European Union are trapped in a geopolitical crisis cynically engineered by Belarusian dictator Alexander Lukashenko. In an attempt to provoke Europe, refugees are lured to the border by propaganda promising easy passage to the EU. Pawns in this hidden war, the lives of Julia, a newly minted activist who has given up her comfortable life, Jan, a young border guard, and a Syrian family intertwine.
The story of an asylum seeker in England who, when confronted with the hostile immigration system in the UK, is forced to live on the fringes of society and rely on his bike to survive. Based on the lived experience of co-writer Ayman Alhussein.
The story takes place in March of 1943 during transportations of Jews from Skopje. Nikola is a surgeon who was taken his working license away, and spends evening hours at the local bar where German officers, along with Bulgarian officer Simeonov, play Russian roulette with their gun pointed at prisoner's head. After suicide of one German mayor, Nikola and the prisoner escape.
Parvaneh is a young Afghan immigrant who recently arrived at a transit centre for asylum seekers in the Swiss Alps. The only things she has got to know yet are the rural area surrounding the centre and the centre itself.
High in the mountains of Macedonia a team of young film makers are making a documentary about Katerina Vandeva - a descendant of an ancient and very famous family. Several former state and party functionaries interfere in the filmmaking in the hopes of manipulating Katerina's confessions for their own purposes. Nikola, the director, and his friends have to make the choice - whether to compromise with their consciences and their art, (as normally happens here in the Balkans), or whether to preserve Katerina's message.
The first Macedonian Movie from 1952- Frosina is one of the many Macedonian wives whose husbands are economic emigrants abroad. Marriage does not bring them a family, only the burden of life itself. After her husband's short visits, she gives birth to children who do not live long because of the poverty into which they have been born. She gives birth to them alone, and she buries them alone. Only her last child, Klime, survives all his various illnesses and grows up to be her one joy in life. The war breaks out...
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A well-to-do French family living in Calais deal with a series of setbacks and crises while paying little attention to the grim conditions in the refugee camps within a few miles of their home.
A widowed Greek fisherman and a teenage refugee form an emotional bond while sailing the azure waters of the Aegean Sea.
A couple decide to open a home for refugees in the remote cold mountains of Norway.
After losing his job on the first day of school, an idealistic teacher attempts to get rehired by locking his students in the classroom and forcing them to resolve a long-standing feud between their villages.
15-year-old Ahmet, from a remote Yuruk village in North Macedonia, finds refuge in music while navigating his father’s expectations, a conservative community, and his first experience with love — a girl already promised to someone else.
In contemporary London, miserly British-Indian businessman Eshan Sood is compelled by three ghosts to reflect on his life and to consider the needs of those around him.
100 years since the beginning of First World War. Locality - French cemetery in Bitola. State protocol. There are deputies, ministers, ambassadors, military attaches, consuls, honorary consuls, media present - Priests - Orthodox, Catholic, Muslim. - Military band. Jean Batiste Valerie, an old man of about 77 years of age, arrives in Bitola for the first time. Tiny, petite, with thin and gray hair, arrives late at the sad ceremony held in honor of the fallen French soldiers in the First World War. According to correspondence and information from the French army, his predecessor with the same name and surname must be located somewhere nearby. The ceremony had already begun.
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