THE WHOLE SHEBANG

Sep 15, 2019

0h 5m

★ 0.0

Overview

Black and white evokes nostalgia for The Great Depression. Things were so cheap, including lives. We see daredevils (desperate people) compete for money prizes. Baby prepares for WW2. [Originally a 70mm projection-performance, 1982, by Ken and Flo Jacobs. From THRILLS AND CHILLS (Castle Films, c. 1930)].

Genres

Documentary

Animation

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This film takes us into the harsh realm of BC's early coal mines, canneries, and lumber camps; where primitve conditions and speed-ups often cost lives. Then, the film moves through the unemployed' struggles of the '30s, post WWII equity campaigns, and into more recent public sector strikes over union rights.

5.7

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Period music, film clips and newsreel footage combined into a visual exploration of the American entertainment industry during the Great Depression.

0.0

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7.8

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6.0

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0.0

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Every American who has listened to the radio knows Guthrie's "This Land Is Your Land." The music of the folk singer/songwriter has been recorded by everyone from the Mormon Tabernacle Choir to U2. Originally blowing out of the Dust Bowl in Depression-era America, he blended vernacular, rural music and populism to give voice to millions of downtrodden citizens. Guthrie's music was politically leftist, uniquely patriotic and always inspirational.

7.3

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0.0

Sebastian and Jonas Leaving the Party

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"My last image of Jonas."—Ken Jacobs

0.0

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An Eternalism film.

0.0

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In the grip of the Great Depression, unemployed men and women joined an unlikely WPA program to document America in guidebooks and interviews. With the Federal Writers' Project, the government pitted young, untested talents against the problems of everyday Americans. From that experience, some of America's great writers found their own voices, and discovered the Soul of a People. — Spark Media

0.0

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An Eternalism film.

5.7

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Riding the Rails offers a visionary perspective on the presumed romanticism of the road and cautionary legacy of the Great Depression. The filmmakers relay the experiences and painful recollections of these now-elderly survivors of the rails. Forced to travel more by economic necessity than the spirit of adventure, the film's subjects dispel romantic myths of a hobo existence and its corresponding veneer of freedom. Riding the Rails recounts the hoboes' trade secrets for survival and accounts of dank miseries, loneliness, imprisonment, death, and dispossession. Sixty years later, the filmmakers transport their subjects back to the tracks, where the surging impact of sound and movement resuscitates memories of a shattered adolescence and devastating rite of passage.