Documentary about the creative process of photographer Lua Morales, produced by the studio Bad Chinchilla.
Lua
Herself
Himself
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This animated short shows the development of boys up to and during puberty. It depicts the typical external changes that occur with the onset of sexual maturity, the structure and function of the sexual organs, sperm formation and pollination.
This short celebrates the 20th anniversary of MGM. Segments are shown from several early hits, then from a number of 1944 releases.
Promotion reel/souvenir of a 1939-40 meeting of the Paramount Studios sales people.
Twenty-five films from twenty-five European countries by twenty-five European directors.
Tehran Is the Capital of Iran (1966-79) documents life in a deprived district in the south of Tehran. The images of destitution in Tehran's poor areas is accompanied by a variety of spoken accounts: the official viewpoint on the district's living conditions, what the inhabitants have to say, and occasional extracts read out of school manuals. The key element in Shirdel's film is the counterpoint effect he creates with image and sound. His impressively powerful portrayal of social unease helps reinforce the impact of his astonishing documentary images and social themes.
Across the Bay Area, illuminated windows reveal volunteers for Exhale, a hotline for women seeking help in processing their abortion experiences. In the still of night, these volunteers lend an ear to those who need it.
On the surface, this collection of shorts by up-and-coming African American filmmakers arrived at a perfect time. The cutting-edge products of the New Black Cinema of the early '90s had disappeared, giving way to embarrassingly stereotypical, scatological fare such as Booty Call and Next Friday. This feature-packed compilation (which includes production notes, interviews with all of the filmmakers, and audio commentary by four) attempts to prove that African American cinema is intent on moving past the lowbrow humor, as six of the seven shorts steer clear of any comedy.
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Famous Spanish film critic Alfonso Sánchez talks about his personal life, his work and Anouk Aimée. A sentimental tribute to one of the most relevant figures on the Spanish film scene.
Facing mounting insect deaths, concerned bugs view a documentary film about Sherwin-Williams's lethal new PESTROY pesticide coating.
This short documentary shows Canada's top swimmers in training for the 1964 Olympic Games. Under the critical eye of coach Ed Healy, they practice long hours in the gym and in the pool to build strength and stamina.
A young girl is cured of her epilepsy just as summer vacation is about to begin. During her last days with her classmates, she’ll come to experience life in a new way. Arranged as a series of elliptical tableaux, this haunting narrative from Luise Donschen (Casanova Gene) captures a simultaneous sense of discovery and disorientation as it proceeds from the confines of the classroom to a wider world of adolescent anxieties.
Volcanoes erupt from the depths of the boiling earth to the surface of the celluloid film, to create a new abstract cinematographic language.
Narrates in a poetic way the mystical connection that exists between the inhabitants of the pueblan Mixteca and water.
Dance Theater of Harlem's Lindsey Donnell reflects on the obstacles she and other ballet dancers face in ballet and society.
From the unique vantage point of 200 miles above Earth's surface, we see how natural forces - volcanoes, earthquakes and hurricanes - affect our world, and how a powerful new force - humankind - has begun to alter the face of the planet. From Amazon rain forests to Serengeti grasslands, Blue Planet inspires a new appreciation of life on Earth, our only home.
The earliest surviving celluloid film, and believed to be the second moving picture ever created, was shot by Louis Aimé Augustin Le Prince using the LPCCP Type-1 MkII single-lens camera. It was taken in the garden of Oakwood Grange, the Whitley family house in Roundhay, Leeds, West Riding of Yorkshire (UK), possibly on 14 October 1888. The film shows Adolphe Le Prince (Le Prince's son), Mrs. Sarah Whitley (Le Prince's mother-in-law), Joseph Whitley, and Miss Harriet Hartley walking around in circles, laughing to themselves, and staying within the area framed by the camera. The Roundhay Garden Scene was recorded at 12 frames per second and runs for 2.11 seconds.
A film by Louis Aimé Augustin Le Prince, shot in late October 1888, showing pedestrians and carriages crossing Leeds Bridge.
Mysteries of the Unseen World transports audiences to places on this planet that they have never been before, to see things that are beyond their normal vision, yet literally right in front of their eyes. Mysteries of the Unseen World reveals phenomena that can't be seen with the naked eye, taking audiences into earthly worlds secreted away in different dimensions of time and scale. Viewers experience events that unfold too slowly for human perception
In this documentary, survivors recall the catastrophic 2018 Camp Fire, which razed the town of Paradise and became California’s deadliest wildfire.
