The most difficult and audacious rescue mission ever
The true story behind one the of most daring rescues in modern US history: a secret mission to free hostages captured during the 1979 Iranian revolution.
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Iran, January 16th, 1979. Shah Mohammad Reza Pahlavi flees after being overthrown. Ayatollah Khomeini returns to Tehran and proclaims the Islamic Republic on April 1st, 1979. In the same year, Saddam Hussein seizes power in Iraq and, after several border skirmishes, attacks Iran on September 22nd, 1980, initiating a cruel war that will last eight years. Since its outbreak, correspondent Saeid Sadeghi documented it from its beginning to its bitter end.
Pegah talks about Gholam, a man who’s not like her father, mother, uncles, or aunts, even though he’s always present at family gatherings. Gholam films these everyday scenes with his own camera. At the time, Pegah can’t imagine what the purpose of these films might be, but she’s happy to pose before the lens of this family friend, who she’s certainly very fond of.
Oriana Fallaci, the Italian journalist who is noted for her provocative interviews, interviews the leader of the Islamic Revolution, the Ayatollah Ruhollah Khomeini, on Sept 12, 1979. For 10 days Oriana Fallaci waited in the holy city of Qum for her interview with the 79 year old Ayatollah, who is the de facto ruler of Iran. On Sept. 12, she was led into the Faizeyah religious school, where Khomeini holds his audiences. She was accompanied by two Iranians Nyho and Iran prime minster Banisadr who had helped set up the interview and who served as translators. Oriana Fallaci, barefoot, enveloped in a chador, the head to toe veil of the Moslem woman, was seated on a carpet, when the Ayatollah entered, and the recorded interview could begin.
Over 90 years old Ellen Vuosalo has lived many lives. First as a Finnish immigrant in Canada, then as a zoology student in California and finally as a mother of snow cranes in Iran. Iiris Härmä's Mother of Snow Cranes tells the story of an incredible woman's extraordinary life, from love to tragedy to revolution. It is a story about nature, humanity, and the role of women in both the West and Iranian culture. Or as Ellen herself says " What a life! What a world!"
Marion Stokes secretly recorded television 24 hours a day for 30 years from 1975 until her death in 2012. For Marion taping was a form of activism to seek the truth, and she believed that a comprehensive archive of the media would be invaluable for future generations. Her visionary and maddening project nearly tore her family apart, but now her 70,000 VHS tapes are being digitized and they'll be searchable online.
Follows filmmaker and actress, Maryam Zaree, on her quest to find out the violent circumstances surrounding her birth inside one of the most notorious political prisons in the world.
The tragic story of an American music virtuoso who found in 1970s Iran the love and acceptance he never received back home, and who was punished by his country upon his return after the Iranian revolution.
The Dawn is Too Far: Stories of Iranian-American Life poetically narrates the story of a community of Iranian Americans who have made the San Francisco Bay Area their home over the past five decades. The film explores Iranian immigration through turbulent histories of dissent, revolution, war, and separation, and the reinvention of identity in a new land and culture. The Dawn is Too Far highlights how Iranian students, activists, and artists have navigated displacement while drawing on and influencing Bay Area culture. This community offers a more nuanced story of the Iranian diaspora—the ways that this community enriches the region where they live, work, and build families. The Dawn is Too Far undermines the tired and overplayed news headlines that are dominated by narratives of enmity and mistrust between the government of Iran and the U.S., to offer a more humane understanding of the how people's lives and the sacrifices they make are part of the larger story of immigration.
On September 16, 2022, in Teheran, the murder by police of the young Mahsa Amini, arrested for "wearing a headscarf contrary to the law", sparked off an unprecedented insurrection. Within hours, a spontaneous movement formed around the rallying cry: "Woman, life, freedom". For the first time, women, joined by men and students, took the initiative and removed their veils, the hated symbol of the Islamic Republic. The Iranian population, from all regions and social categories, rose up in protest. Social networks went wild. The diaspora (between 5–8 million Iranians) took up the cause, and the whole world discovered the scale of this mobilization: could the theocratic regime be overthrown this time?
On January 20, 1981, 52 members of the U.S. Embassy in Tehran were released after 444 days of captivity. Told by those who lived through it, a crisis that traumatized America and upset the political balance in the Middle East.
A found-footage essay, Filmfarsi salvages low budget thrillers and melodramas suppressed following the 1979 Islamic revolution.
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AMERICAN COUP tells the story of the first coup ever carried out by the CIA - Iran, 1953. Explores the blowback from this seminal event, as well as the coup's lingering effects on the present US-Iranian relationship. Includes a segment on the 1979 Iranian Hostage Crisis and its relation to the 1953 coup. Concludes with a section on the recent Iranian presidential election. Contains interviews with noted Middle East experts and historians and prominent public figures such as Stephen Kinzer (author, All The Shah's Men), Prof. Ervand Abrahamian, Trita Parsi, Col. Lawrence Wilkerson, Ted Koppel and Rep. Ron Paul of Texas. With Iranian cinematography by James Longley.
In 1970s Iran, Marjane 'Marji' Satrapi watches events through her young eyes and her idealistic family of a long dream being fulfilled of the hated Shah's defeat in the Iranian Revolution of 1979. However as Marji grows up, she witnesses first hand how the new Iran, now ruled by Islamic fundamentalists, has become a repressive tyranny on its own.
Eskandar, who was formerly the personal driver of “Hoveyda”-prime minister of Pahlavi regime- Claims of knowing a secret of Hovayda; but no one has taken his word seriously. Untill the day he meets Amir Vaziri and tells him about his secret that in addition collection of canes and pipes, Hoveyda has a collection of “paykans”; and once he predicted the upcoming political turmoil in the country hide a very valuable thing in the rear seat of one of twelve Paykans! So Amir and Eskandar begin the search for the hidden item that they don’t know what exactly is.
Woman is the first part of a trilogy that, from the perspective of the Iranian diaspora, supports the feminist revolution in Iran. Using documentary techniques to highlight street protests, the film presents civil disobedience as a collective performance and probes the discourse around women, life, and freedom.
Iran 1979. The Islamic Revolution is shaking up the country. Dissident Omid, who lived for several years in the German Democratic Republic with his wife, chemical engineer Beate and their mutual daughter, hears the call from his homeland and returns to Teheran with high hopes and best intentions, bringing along his family.
Set against a backdrop of greed, corruption and political intrigue, lies a story of love, power and betrayal. Beginning with a revolution, and ending on the other side of the world, it is a story about money, oil , and a clandestine romance of abeautiful woman in love with a man from a foreign land.. This is where cultures clash, friendships tested, bonds broken and lives lost, in an international conspiracy of lies, spies and secret agendas, hidden behind a Golden Veil.
In this adaptation of the critically acclaimed debut novel by Iranian American author Dalia Sofer, a secular Jewish family is caught up in the maelstrom of the 1979 Iranian Revolution.
As the Iranian revolution reaches a boiling point, a CIA 'exfiltration' specialist concocts a risky plan to free six Americans who have found shelter at the home of the Canadian ambassador.
