A brave warrior fights to restore peace to a town riddled by crime, one sword at a time, in this historical action saga.
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Oshima Ryuji
Naojiro
Haruko
Hanako
Kotoe
Hubert is a French policeman with very sharp methods. After being forced to take 2 months off by his boss, who doesn't share his view on working methods, he goes back to Japan, where he used to work 19 years ago, to settle the probate of his girlfriend who left him shortly after marriage without a trace.
The story deals with a juvenile delinquent gang surviving through petty thievery. However, everything gets screwed up when they accidentally steal big bucks from the Yakuza.
Chiku is a devastated and dangerous town with 5 gangs fighting fiercely. Mugen and the Amamiya Brothers clashed, leading to Mugen disbanding.
The cop Himuro is picked as scapegoat by his superiors because of their own involvement in sokaiya gangster practices.
The Hyodo-gumi boss—part of Tendokai, Japan’s largest yakuza syndicate—has been brutally murdered. Kazuma Washio (Hitoshi Ozawa), the head of the Washio-gumi and Tendokai’s wakagashira (underboss), is convinced that Yoshinari Myojin (Sho Aikawa), a former Tendokai wakagashira-hosa now running Tokyo’s underworld of thugs and mafia, is behind the killing. Around the same time, Tendokai's 5th-generation chairman Katsushige (Hakuryu) orders Washio to secure a woman named Nagi Toyama (Akane Hotta). Washio sets out with his men, Okita (Yasukaze Motomiya) and Date (Hideo Nakano), but they’re ambushed by a group of heavily armed youths. Barely escaping, they manage to bring Nagi to their hideout—only to discover she’s a key player in a power struggle over the Tokyo Casino Project. And so begins the greatest conflict yet, entangling yakuza, mafia, street gangs, the police, and even the state itself—
A former yakuza returns to gangster life after an old enemy threatens his son.
A Japanese Yakuza gangster's deadly existence in his homeland gets him exiled to Los Angeles, where he is taken in by his little brother and his brother's gang.
Shizuya (Ito Kentaro), the only son of the Kanto region’s largest gang, the Shinshu Clan, which he hates being associated with, works instead for a design company. He works diligently while developing a liking for his strong-willed colleague Akino (Kakei Miwako), but when his father is shot and killed, the battle for succession intensifies. Peaceful lives are transformed.
Dolls takes puppeteering as its overriding motif, which relates thematically to the action provided by the live characters. Chief among those tales is the story of Matsumoto and Sawako, a young couple whose relationship is about to be broken apart by the former's parents, who have insisted their son take part in an arranged marriage to his boss' daughter.
A bad cop is engaged in a violent chase to catch a yakuza boss. In his absence his wife runs away with another man, who turns out to be the very same man that her husband is hunting. Once he discovers this, he loses his nerve and turns in his badge. But the chase turns into a personal vendetta where the ex-cop plans to wipe out the entire gang.
Kensuke Sonomura directs the legendary Hitoshi Ozawa in this ultimate V-Cinema actioner. Kaiko City is plagued with poverty and crime. When a corrupt businessman decides to run for mayor and starts eliminating opponents from the rival mafia, a former police captain serving time for murder is secretly released and put in charge of a special task force to arrest him.
A road movie about three persons traveling in a campervan on their way to Tokyo, Hamamatsu, and Kyoto. The film is based on the story of the heroine, a young girl named Momo, who was a member of the "21 Faces of Kaijin" gang involved in the Glico Morinaga Incident, and the film's ideas are remarkable, including the use of a tape recording of the actual incident.
A cabdriver and a cop race to Paris to rescue a love interest and the Japanese minister of defense from kidnappers.
Kunisada Chuji is a common folk hero who looks out for poor people in the country who are at the mercy of corrupt officials. Intent on fulfilling a dying wish from one of his henchmen, Asataro, to find a decent home for his young nephew, Chuji descends from his hide-out in the mountain, and heads to the city in spite of numerous dangers that await him there.
An assassin is shot by her ruthless employer, Bill, and other members of their assassination circle – but she lives to plot her vengeance.
The head of the Tatsumi family falls ill and dies after requesting that his son, who disappeared 15 years ago, takes over. The Tatsumi family, including the young head Ryu, decides to search for his son's whereabouts in order to keep his will. They finally find his son and learn he is now a woman. Meanwhile, the hostile Honjoukai are plotting to steal the Tatsumi family's territory.
Elite college graduates commit perfect financial crimes though loopholes in the law during the 1950s.
Takemiya Union Tōjō-gumi Wakagashira Yasuda (Hitomi Matsuda) retaliates against the Kansai-based Myōjin-kai by attacking their office after an assassination attempt on Union chairman Shimamura (Shunsuke Kariya). Joined by Yamashina-gumi Wakagashira Kiryu (Yoshiyuki Yamaguchi), the two succeed and pledge to work as brothers without an official oath, dedicating themselves to their organizations and the Union. The Union faces upheaval with Shimamura's retirement announcement and the loss of his son, Katsuto (Hitoshi Ozawa). The leadership race narrows to Tōjō (Hiroyuki Watanabe), Yasuda's boss, and Yamashina (Masahiro Noguchi), Kiryu's boss. Just as Yasuda’s casino operation thrives, a police raid confiscates all earnings and forces its closure. In desperation, Yasuda turns to a certain man (Naoto Takenaka) for help.
Two contract killers cross paths in the middle of the same job and realize they are childhood friends. Together they take a break from killing and visit the small island they once called home. After reflecting on their past lives they decided to team up and use their talents in killing for good... much to the upset of the crime syndicates.
An early Okamoto yakuza film, though it's not in the Underworld series (along with The Last Gunfight and The Big Boss) despite being alternatively known as "Death of the Boss." While Okamoto did not write this film and took on the project because he was assigned and "just doing [his] job" according to an interview with Chris Desjardins in Outlaw Masters of Japanese Film, he did express a general excitement about working in action cinema (which shows through in this film's energy.)
